Thus said Aaron Hill on Sat, 24 Feb 2024 20:51:44 -0800:
> Probably the easiest the option is to \set associatedVoice to
> temporarily align your lyrics to the alternate notes. The important
> quirk of associatedVoice is that you must make the change a syllable
> ahead of when you ne
I love this. That hadn't occurred to me.
On Fri, Feb 23, 2024 at 7:52 PM Laurie Savage
wrote:
> Hi,
>
> I use a tablet for storing my lead sheets, most of which I prepare in
> Lilypond. I have just stumbled on a trick I thought I'd share with you -
> although it might be obvious to you, it wasn'
It does, thank you.
Any ideas for the other question (how to move the cue clef after the bar line)?
Gerardo
Il giorno sab 24 feb 2024 alle ore 01:17 Leo Correia de Verdier
ha scritto:
>
> CueClef and CueEndClef are their own types of GROB, could \omit
> Staff.CueEndClef work?
>
> (sorry for sho
On Sun, Feb 25, 2024 at 12:36 PM Gerardo Ballabio <
gerardo.balla...@gmail.com> wrote:
> It does, thank you.
> Any ideas for the other question (how to move the cue clef after the bar
> line)?
>
Try this:
\version "2.24.1"
\new Staff {
\clef "bass"
R1
<<
\new CueVoice \relative {
Glad you liked it!
Laurie Savage
https://www.queensofthewest.com/
The Latest Queens of The West clips
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On Mon, 26 Feb 2024 at 05:16, Ernie Braganza
wrote:
> I love this. That hadn't occurred to me.
>
> On Fri, Feb 23, 2024
On Sun, 25 Feb 2024 at 21:36, Gerardo Ballabio
wrote:
>
> It does, thank you.
> Any ideas for the other question (how to move the cue clef after the bar
line)?
Hello,
Add this before the \cueClef (I only moved the cue-clef after staff-bar):
\once \override Score.BreakAlignment.break-align-order
On Sun, 25 Feb 2024 at 22:35, Xavier Scheuer wrote:
>
> By the way I would not remove the cue end clef. This is also standard
practice: to "close" the cue clef (back to playing instrument clef).
Actually in your example I would move the cue end clef to the end of the
bar (just before the playing
Thanks for the response!
Following (without /\glissando/) works now:
#{ \afterGrace #starttone { \once \hide Stem \parenthesize #endtone } #}
Unfortunately, as soon as I insert the /\glissando/ between /#starttone/
and /{/, it seems to ignore both /\afterGrace/ and /\glissando/,
shifting
I see this has been raised before, and is intentional behavior, but I just
wanted to be clear. When typesetting band marches, I have a \rehearsalMarks
definition that includes double bars as needed. I define all the parts in a
single file (for example, MaineFestival.ly) and then have multiple part
