Dear list,
1) Can someone please clarify to me how to increase the distance between a
notehead and its augmentation dot in general? I'm trying to use
extra-spacing-width property, and while setting the cdr of the pair induces
the expected space between the dot and the next notehead, setting the
Dear list,
On list thread Apr 6 2020, Harm provided a Scheme workaround for
half-dashed tuplet brackets in non-standard time signatures in version
2.20. However, in using his solution in 2.21.6, if a /tempo marking is
included in *any* staff, I observe that, for the *first* staff in the
score,
Dear list, will the Lilypond google "summer of code" program run in summer
2021? Who should I be in touch with regarding possible projects and
preparation? Thank you, Kyle
Hi list,
Any idea why, when compiling this code, the first nested triplet displays
with the custom bracket of tuplet on the top level? I would like the
bracket of the first nested tuplet to just display as a normal triplet. I
was not able to find this addressed in the archive, but please point me
Abjad is the most robust tool for this, as far as I'm aware. It won't run
well on windows, so consider using a Linux virtual box if you're a windows
user.
https://github.com/Abjad
This is a helpful guide for installation and learning:
https://github.com/Abjad/intensive
A not very high
n Hill
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Mon, 26 Oct 2020 22:54:31 -0700
> Subject: Re: can bendAfter be made to skip over notes?
> On 2020-10-26 7:37 pm, 98123981293 1293812397123 wrote:
> > Hi list,
> >
> > I usually use the following snippet
Hi list,
I usually use the following snippet to handle glissandi across hidden
noteheads:
glissandoSkipOn = {
\override NoteColumn.glissando-skip = ##t
\hide NoteHead
\override Accidental.transparent = ##t
\override NoteHead.no-ledgers = ##t
}
is it possible to implement something
Dear list,
In the following example, I would like to:
1) In the first voice: make the tuplet line to the right of the number into
a dashed straight line.
2) In the second voice: fix the appearance of the last tuplet in the
measure so that the number does not clash with the bracket, and the