Hello
For the last days I am working on a new Portuguese web-site.
It is available at http://musica-liturgica.net/, and includes Portuguese
liturgical music.
Probably it will not be that useful for most of the readers of this
list, but I think I own Lilypond a lot :)
Cheers
Alberto
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Alberto
iels wrote:
> I believe shiftOn and friends only have an effect if
> there would otherwise be a collision of note heads.
>
> Maybe you are looking for the 'force-hshift property
> of NoteColumn? See Learning Manual 4.5.2, towards the
> bottom.
>
> Trevor
>
>
It seems that it does nothing as well.
Unless I am missing something.
I am trying to do
...
\partial 4 r8 e'\mf
\once \override NoteColumn #'force-hshift = #1.5 e[ fis e b']
e,[ fis e g]
...
but the note does not move. :-/
Thank you
Alberto
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Trevor
>
> ----- Original Message - From: "Alberto Simões"
>
> To: "lilypond"
> Sent: Friday, March 20, 2009 2:40 PM
> Subject: shiftOn doing.. nothing?
>
>
> Hello.
>
> Are there any conditions on which shiftOn will not do a thing?
>
Hello.
Are there any conditions on which shiftOn will not do a thing?
I have a music where I am using a lot of shiftOn and shiftOff, but in a
specific part they start not producing any result.
TIA
Alberto
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those specific clashes.
Is there any way to do that?
Thanks
Alberto
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Hello
Is there any chance to produce cross-staff ties?
I was trying with
\change Staff = "upper" \stemDown a4 ~
\change Staff = "lower" \stemUp
a2 ~
but this is not doing it right :)
Thank
Alberto
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Alberto Simões - Departamento de Informática - U
lly, using { } to delimit this portion,
but it seems this is not properly Perl :)
Any help is welcome.
Thanks
Alberto
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Campus de Gualtar - 4710-057 Braga - Portugal
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Jonathan Kulp wrote:
> Alberto Simões wrote:
>> Hello
>>
>> By default Lilypond is considering that beamed notes are used for the
>> same syllable. While that is used in many cases (most, in fact), I am
>> dealing with a specific music where I want a di
Hello
By default Lilypond is considering that beamed notes are used for the
same syllable. While that is used in many cases (most, in fact), I am
dealing with a specific music where I want a different syllable for each
note.
How can I force this?
Thank you
Alberto
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Alberto Simões
Graham Percival wrote:
> See Scaling durations, NR 1.2.something. a2*1/2
>
> Cheers,
> - Graham
Did the trick.
Thanks :)
Alberto
>
> On Sun, Mar 15, 2009 at 06:31:57PM +0000, Alberto Simões wrote:
>> Hello
>>
>> I know, the subject is not clear.
>>
), but I do
not know how to make this second note appear as if the previous one has
just half of its duration.
In ascii art:
| |
O(X)
Thank you :)
Alberto
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Mark Knoop wrote:
> At 17:26 on 11 Mar 2009, Alberto Simões wrote:
>> I am trying to write the symbol in attach with lilypond, but as I do
>> not know its name in English I have no clue where to find it (checked
>> the repetitions section on the manual, but did not find i
Hello.
I am trying to write the symbol in attach with lilypond, but as I do not
know its name in English I have no clue where to find it (checked the
repetitions section on the manual, but did not find it).
Thank you
Alberto
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Alberto Simões wrote:
> Hello,
>
> I am having this warning:
>
> warning: ignoring too many clashing note columns
>
> It is normal, as there are, in fact, clashing notes.
>
> I would like to make some notes to be displayed a little to the right
> (so we can s
lilypond to do this?
Thanks
Alberto
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e break mid-measure.
>
> See also 'Hiding Staves' (p. 133 in 2.12 manual).
>
> Kris Shaffer
> graduate student, Yale University
> music director, Trinity Baptist Church, New Haven, Conn.
> www.shaffermusic.com
>
>
> On Mar 1, 2009, at 1:24 PM, Alberto Simões wr
James E. Bailey wrote:
>
> El 01.03.2009, a las 19:24, Alberto Simões escribió:
>
>>
>>
>> James E. Bailey wrote:
>>>> Basically, there is a portion of the music for piano (two staves), and
>>>> it continues with a SATB (with three st
rStaffTwo" \relative c'' { c c c a }
>
> So you can put them on separate staves.
Not exactly that my problem. Consider I have just one music, it starts
with a piano music (about 20 bars). After that, the piano shuts up,
forever, and starts the voices.
Basically, I do not want to
-mail.
It wasn't properly that (I think) what I want.
Basically, there is a portion of the music for piano (two staves), and
it continues with a SATB (with three staves). Thus, I need to "add a
staff" somewhere.
Thank you
> On Sun, Mar 1, 2009 at 10:31 AM, Alberto Simões
> wrot
Hello
I have a music that starts with two staffs, and at some points splits to
three (for four voices).
Is there any way to force this change?
Or is the solution to make two separate melodies?
Thanks for any hint and link
Cheers
Alberto
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Hello
James E. Bailey wrote:
>
> El 27.02.2009, a las 22:38, Alberto Simões escribió:
>
>> Hello
>>
>> In a music I am transcribing there is a portion where I had to force two
>> voices with
>>
>> << { ... } \\ { ... } >>
>>
>
Hello
In a music I am transcribing there is a portion where I had to force two
voices with
<< { ... } \\ { ... } >>
Now my problem is that lyrics in that part of the music are not shown.
Is there any tweak to solve this issue?
Thank you
Alberto
--
Alberto Simões - Dep
Hi
Alberto Simões wrote:
> This approach isn't working as I was expecting:
>
> upper = \relative c'' { ees4 d ees f }
> \addQuote "upper" { \upper }
>
> melody = \relative c {
>...
>
>\cueDuring #"upper" #UP { c4 bes aes
r" { \upper }
melody = \relative c {
...
\cueDuring #"upper" #UP { c4 bes aes c }
...
}
But the upper cue is not being rendered. Any hint?
Thank you
Alberto
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).
Thank you
Alberto
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desired result anyway. Have you checked if the warning is just such a
> warning or an indication of a real problem?
>
>/Mats
>
> Trevor Daniels wrote:
>>
>> It should work, unless you have no notes in \upperOne
>>
>> Trevor
>>
>> - O
Heh.
Fixed
Was easy... just adding some notes made the trick :$
Cheers
Alberto
Alberto Simões wrote:
> Hello
>
> I am trying to produce a SATB where S and A share the same staff.
>
>
> This is my definition:
>
> \score{
> \context ChoirStaff
> <
Grammostola Rosea wrote:
> Alberto Simões wrote:
>> Hello
>>
>> Grammostola Rosea wrote:
>>
>>> hi,
>>>
>>> this melody:
>>>
>>> g4 a bes | es1( | es4) f, g a | d2 d
>>>
>>>
>
>
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>>
[...]
Now, lilypond complains with:
4vozes.ly:64:16: warning: cannot find Voice `sop'
\lyricsto "sop" \new Lyrics \firstverse
Any hint?
Thank you
Alberto
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Alberto Simões - Departamento de Informática - Universidade do Minho
Patrick McCarty wrote:
> Hi Alberto,
>
[... snip ...]
> install the New Century Schoolbook fonts, as detailed in "Compilation"
> here:
>
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/Requirements#Requirements
>
Thank you. Installing GS no
ff like that.
Any hind is welcome.
Thanks
ALberto
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ere are more complicated ways as well (using \set
> associatedVoice, etc.).
>
> Hope this helps!
Yes, it helps! Thank you so much!
Alberto
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Campus de Gualtar - 4710-057 Braga - Portugal
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Hello,
Thanks for the point.
Received also a direct reply suggesting to use
\set tieWaitForNote = ##t
That did the trick \o/
Thank you
Patrick McCarty wrote:
> Hi Alberto,
>
> On Thu, Jan 15, 2009 at 1:32 PM, Alberto Simões
> wrote:
>> Hello
>>
>> Anybod
Hello
Anybody has any idea how to simulate the notes in the image with lilypond?
I can write something to mimic the produced sound, but it would not be
as clean as this notation.
Thank you
Alberto
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Campus
Dmytro O. Redchuk wrote:
> 2009/1/15 Alberto Simões :
>> Hello
>>
>> I am transcribing a music with psamls.
>>
>> What this mean: there is a standard music portion, with a correct time
>> signature, but there is a portion where the singer will say a l
I searched in the documentation for a way to specify bar lengths
without defining a specific time signature, but didn't find it. I am
sure it was my bad english/music knowledge.
Can anybody point me with some example?
Thank you in advance,
Alberto
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Carl D. Sorensen wrote:
>
>
> On 1/10/09 3:11 PM, "Graham Percival" wrote:
>
>> On Sat, Jan 10, 2009 at 09:48:37PM +, Alberto Simões wrote:
>>> I would like to extract (automatically, or automagically) the first line
>>> from any score, just
Hello
I would like to extract (automatically, or automagically) the first line
from any score, just like Mutopia does, for instance, to create an index
in a web-page.
Does Lilypond has any builtin solution for this?
TIA,
Alberto
--
Alberto Simões - Departamento de Informática - Universidade
Hello.
I am typesetting a music where in a chord, one note is parenthesized.
Is there any way of doing so?
Thanks
Alberto
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Campus de Gualtar - 4710-057 Braga - Portugal
> }
>
> the alignAboveContext hast to be a named Staff in this case because lyrics
> are attached to a Staff.
>
> I hope it's clear.
Well, I am not yet sure how it works, but it works!!
Thank you :)
My best regards,
Alberto
>
> Regards,
>
> Tao
>
pper" \upper
\new Staff = "lower" \lower
>>
>>
...
}
Now, I added a variable named "song":
song = \lyricmode { Song to be re- ad. }
But I can't find a suitable way to associate this lyrics to the upperA
melody (and if possible above the
nd play around with the offset values to get the correct position.
>
> Nick
>
>> -Original Message-
>> From: lilypond-user-bounces+nick.payne=internode.on....@gnu.org
>> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
>> Behalf Of Alberto Simões
>&
John Mandereau wrote:
> Le vendredi 02 janvier 2009 à 20:34 +0000, Alberto Simões a écrit :
>> But when following the link to documentation
>> http://lilypond.org/web/documentation
>> it fails.
>
> What is your browser and which failure do you get exactly? What
Hello
Is there any way to write above a \bar "||" ?
In this case the composer wrote a simple "End" that is ignorable.
But if it is possible (and easy) to do, I'ld like to add it.
Thanks
Alberto
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www, but I let that to your criteria :)
Cheers
Alberto
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http
uminho.pt/~ambs/piano+voz.ly
Cheers
Alberto
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b4 a4 ~
|
piano+voz.ly:93:30: warning: barcheck failed at: -5/8
fis2 b4 b4
|
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Campus de Gualtar - 4710-057 Braga - Por
|
piano+voz.ly:62:66: warning: barcheck failed at: -5/8
<< { e2 ~ e8[ dis] cis[ dis] } \\ { cis8[ b] cis4 s2 }>>
|
Thanks for
Mats Bengtsson wrote:
Please read the section called "Explicitly instantiating voices"
in the Learning Manual for version 2.11.
Thanks. Got it.
Thanks
Alberto
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Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710
ied to make it end in one of
the voices from the polyphonic portion, but didn't had any success.
What is the better way to do this?
- put the first 4 chords in a polyphonic notation?
- or is there any trick?
Thanks
Alberto
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Valentin Villenave wrote:
2008/8/9 Alberto Simões <[EMAIL PROTECTED]>:
How can I force the note... erm... tail to go up or down, instead of the
automatic orientation based on the note position in the stave?
In LilyPond, this is called a Stem. You can use
Thanks, I was missing the c
Hi
How can I force the note... erm... tail to go up or down, instead of the
automatic orientation based on the note position in the stave?
Thank you
Alberto
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itex extension for inline rendering.
Cheers,
Mike
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Cam
John Mandereau wrote:
On 2008/07/20 10:36 +0100, Alberto Simões wrote:
About compiling it from source: I made it.
The problem was the use of ccache. I am not sure why, but lilypond build
system does not like it. So, if you are using ccache, it might be a good
idea to disable it.
Which
I made it.
The problem was the use of ccache. I am not sure why, but lilypond build
system does not like it. So, if you are using ccache, it might be a good
idea to disable it.
Cheers
Alberto
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Campus de G
ectly. And a few of the required ports were broken the day I tried
the install. When that happens you have to know the macports system
pretty well to get things running. Maybe I can help you? Let me know
if you want to try again with some assistance.
-Eric
On Fri, Jul 18, 2008 at 1:05 PM, Alberto S
the previous one failed)
My question is another (or, my questions...)
- is it known why the 10.4 binary doesn't work under 10.5?
- if so, is there any work on preparing a standard binary for Leopard?
Cheers
Alberto
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Hi, Friends
Can anybody give me an help on how to mimic the output sent in attach?
What I can get is just one expression line :(
Thanks
Alberto
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Alberto Simões wrote:
Mats Bengtsson wrote:
Quoting Alberto Simões <[EMAIL PROTECTED]>:
Well, yes. I tried it :-S
I have 2.10.33 here.
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g-2 c g c]) } \\ { c,2. } >>
:-(
Mats Bengtsson wrote:
Quoting Alberto Simões <[EMAIL PROTECTED]>:
Well, yes. I tried it :-S
I have 2.10.33 here.
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g-2 c g c]) } \\ { c,2. } >>
:-(
Since you want to me
aries/darwin-ppc/lilypond-2.11.45-2.darwin-ppc.tar.bz2
[EMAIL PROTECTED] tmp]$ pwd
/Users/ambs/tmp
[EMAIL PROTECTED] tmp]$ find LilyPond.app/ -name libstd*
[EMAIL PROTECTED] tmp]$
I would say that that tbz is borked
Cheers
d
On 6 May 2008, at 21:36, Alberto Simões wrote:
Mats Bengtsson wrote
.
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g-2 c g c]) } \\ { c,2. } >>
:-(
Thanks
Alberto
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best
d
On 6 May 2008, at 20:57, Alberto Simões wrote:
Simon Bailey wrote:
try:
<<
{
\override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g c g c])
} \\
{ c,2. }
>>
found here:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Col
n. I think this is new with 2.11, and I couldn't make 2.11 work on
Leopard :(
Thanks, anyway
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rst C. There is a common
notation where the dotted minim is drawn with the beam down, and another
beam up that is together with the other notes.
Is this possible?
Thanks for any help
Alberto
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Campus de Gualtar
x chords.
HTH
Trevor
- Original Message - From: "Alberto Simões"
<[EMAIL PROTECTED]>
To: "lilypond"
Sent: Sunday, May 04, 2008 5:58 PM
Subject: Fingering (two fingers/possibilities)
Hi, Folks
I have a chord, where the note at the top can use one of two fin
: warning: can't add text scripts to
individual note heads
2( 4 )
Hints? Fixes?
Thanks ;)
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the order hand, what is the usual behavior for a four-hand piece?
Thank you ;)
Alberto
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Hi, Valentin
Valentin Villenave wrote:
2008/4/27 Alberto Simões <[EMAIL PROTECTED]>:
Is there any known (good) way to convert sibelius music sheets for
Lilypond, or is the best way to go through MIDI?
Kirill was working on a sib2ly export plugin in 2006, but we haven't
heard f
music sheets for
Lilypond, or is the best way to go through MIDI?
Thank you for your advice,
Alberto
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Hi
I remember seeing emails on this list complaining that Lilypond was not
working under Leopard.
Is that fixed? What version should I use?
Thank you
ambs
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Campus de Gualtar - 4710-057 Braga - Portugal
Hi
I am doing some musicology studies using as base documents from Mutopia.
I discovered that lilypond supports both relative and absolute notation.
Is there any available tool to convert from absolute notation to the
relative one?
Thank you in advance,
Alberto Simoes
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fingers
[...]
Is there any way to fix this? Not that it is too bad, but :)
And, by the way, when I play midis with QuickTime, they just play in an
incredible speed. I change the \tempo, but quicktimes seems to ignore it.
Thank you
Alberto
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anation to the documentation
file. I was looking into:
http://lilypond.org/doc/v2.8/Documentation/user/lilypond/Tremolo-repeats.html#Tremolo-repeats
Thanks again, :)
Alberto
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Alberto Simões wrote:
Hi,
How does one typeset a tremollo (not sure this is the correct name in
english) in lilypond?
ok, I found in the manual that:
\repeat "tremolo" 2 { c16 d16 }
should do the trick.
My current problem is understanding how it works. I need a tremolo t
found it, sorry for the spam :)
Alberto Simões wrote:
Hi,
How does one typeset a tremollo (not sure this is the correct name in
english) in lilypond?
I am sending an attach of an image for disambiguation of the name :)
Thanks for the help
Alberto
Hi,
How does one typeset a tremollo (not sure this is the correct name in
english) in lilypond?
I am sending an attach of an image for disambiguation of the name :)
Thanks for the help
Alberto
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Campus de
Hi
I'm typesetting a sonatinen with four parts. I would like to have a part
in different files, and combining them all together.
I'm almost sure there should be an \import{file.ly} command, but I can't
find the docs for it. Can anybody give me an hint?
THanks
Alberto
___
Hi
I'm trying to get an arpeggio.
I've tried
4.(\arpeggio f8 d4) r
and
4.\arpeggio( f8 d4) r
but none of the options give me it.
What am I doing wrong?
THanks
Alberto
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Thanks. That solves the problem :)
Alberto
Graham Percival wrote:
On 11-May-05, at 2:20 PM, David Sanders wrote:
e8([ cis-3 \acciaccatura e8-5 d8-4 b)]
Try
e8[( cis-3 \acciaccatura e8-5 d8-4 b])
Since an \acc creates a slur, you can't have another slur happening
at the same time. Use a
Hi!
I have a line like this:
e8([ cis-3 \acciaccatura e8-5 d8-4 b)]
and lilypond complains with
diabeli.op149.22.ly:67:38: warning: No slur to end:
e8([ cis-3 \acciaccatura e8-1 d8-2 b
)]
and the slur starting at the first e8 ends at
Hi,
I'm getting this:
Error invoking `latex \\nonstopmode \\input diabeli.op149.1.tex >
/dev/null 2>&1 '. Return value 256
but all seems to be working.
SHould I just... ignore it?
Thanks
ambs
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