I am trying to replicate an odd structure, which places cue notes over top of
the conclusion of a compressed multi measure rest.
Normally when I make cues I use the << {} \\ {} >> structure such that I might
have code like the following, but it breaks up the multi measure rest, any
suggestion
This was successful, thank you! I did not try the more involved solution.
-akj
> On Dec 27, 2015, at 1:12 PM, Thomas Morley wrote:
>
> 2015-12-27 18:18 GMT+01:00 Alex Jones :
>> I’m using the Script.priority-order to place an accidental above a trill
>> ornament, but
I’m using the Script.priority-order to place an accidental above a trill
ornament, but when combining with a note accent it creates an ordering property
as per the documentation example. However with the following snippet:
\version "2.18.0"
\relative c''' {
a2-> \trill
\once \override Script.
Thank you!!!
-akj
> On Sep 13, 2015, at 11:15 AM, David Kastrup wrote:
>
> \musicglyph #"pedal.Ped"
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Two questions,
I’m trying to write a chord with a tie to null space (see pic below). I tried
1 (<>) and only get one slur
then I tried
<< {e1 (<>)} \\ {g! (<>)} \\ {b (<>)} \\ {e (<>)} >>
and the notes are not vertically aligned
suggestions?
Second question: I’m trying to write a dynamic foll
I’m working with a score that has multiple staves that appear and disappear at
various points.
I ran into a curious behavior:
I have two staves fro a while, the second has two notes that complete
mid-measure so I encoded like this:
\score {
\new StaffGroup \relative c' {
\new Staff
\key f \maj
This worked like a charm, thanks to everyone!
-akj
On May 23, 2015, at 7:05 PM, David Nalesnik wrote:
> #(define ((time-parenthesized-time up down upp downp) grob)
>(ly:stencil-combine-at-edge
> (grob-interpret-markup grob
> (markup #:override '(baseline-skip . 0) #:number #:colum
-parentheses-_002d-method-3
-akj
On May 23, 2015, at 6:09 PM, ole wrote:
> maybe this helps?
>
> http://lsr.di.unimi.it/LSR/Item?id=782
>
> ole
>
>
>
> Am 23.05.2015 um 23:44 schrieb Alex Jones :
>
>> Does anyone have a suggestion for a good way to acco
Does anyone have a suggestion for a good way to accomplish this in lilypond?
time signature with a second time signature in parentheses?
Thanks in advance!
-akj
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ous request.
>
> --
> Phil Holmes
>
>
> - Original Message ----- From: "Alex Jones"
> To:
> Sent: Friday, January 09, 2015 7:06 PM
> Subject: overlapping articulations with slurs
>
>
> Apologies if others have solved this in the past, but I wasn
Apologies if others have solved this in the past, but I wasn’t able to find a
solution on the list quickly. Has anyone seen something like the following:
I’m trying to write both a stopped and accented note, that is slurred to an
open note. I’m having trouble with the stopped and accented arti
Apologies if others have solved this in the past, but I wasn’t able to find a
solution on the list quickly.
I’m trying to write both a stopped and accented note, that is slurred to an
open note. I’m having trouble with the stopped and accented articulation
occurring overtop of each other. Add
Thanks very much, this worked well.
Best,
Alex
On Jun 29, 2011, at 1:46 PM, Kieren MacMillan wrote:
> Hi Alex (and Mike),
>
>>> What I really want is the trill with a flat sign, but I didn't figure that
>>> one out.
>
> This is what I do:
>
> trillWithFlat = {
> \once \override TrillSpanne
Couple of questions:
I'm trying to use pitchedTrill, but its creating a problem when I have a tie
coming off the note:
score.ly:125:88: warning: unterminated tie
\pitchedTrill d4~ \startTrillSpan \! ees d16 \stopTrillSpan b (g ees
\pitchedTrill d4~)
I am using lilypond for a transposition solution. Unfortunately, when doing
the transposition, the shift is to keys where it would make sense to write the
notation in the enharmonic key.
E.g. the new key is c-sharp major and it would be nicer to actually write it in
d-flat major, is there a wa
I am using the expression to not display the tuplet number
\override TupletNumber #'stencil = ##f
but at some point later in the score I want that number to be displayed again
and when I use what I figured was the appropriate reactivation expression
\override TupletNumber #'stencil = ##t
it works
I need to include nested crescendos and decrescendos within a document (e.g. an
overarching crescendo with phrasing decrescendos). Is this possible?
For example the idea would be something like the following:
fis, \< \> (ees') \! f,! \> (d') \! \!
Any suggestions?
Thanks!
-akj
_
Thanks a lot!!!
-akj
On Sep 19, 2010, at 10:11 AM, Alexander Kobel wrote:
> On 2010-09-19 15:38, Alex Jones wrote:
>> I am having a problem with bar lines, if I put the following around a staff
>> break
>>
>> \bar "||"
>> \break
>> \bar &quo
I am having a problem with bar lines, if I put the following around a staff
break
\bar "||"
\break
\bar "|:"
I get the repeat sign on the start of the staff, but not the double bar on the
end of the previous staff.
I am using partial bars before and after the break, but through
experimentat
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