Bertalan Fodor (LilyPondTool) wrote:
So I suppose using
\set chordRootNamer = #(lambda (x) ("-")) or something like that (I'm
not sure about the syntax), then \unset chordRootNamer would do the trick.
Ok, I wasn't able to make some valid lilypond syntax with this. I asked
google and didn't g
Dominic Neumann wrote:
Welcome to LilyPond, André!
Thanks. Actually I'm just back from a long break. In 2003 I typeset a
set of piano etudes (http://www.abmusic.nl/composition2.htm, "Tien
Etudes op een thema van J. Mulders") for my classical teacher in lilypond.
So some things are still the
Hi
I have a couple of questions, that I couldn't figure out in the
documentation.
1) If I have a set of chords that I'd like to be printed like this:
Fm -/Eb Bb/D
how do I then get the dash ("-") symbol (meaning "repeat the previous
chord, now with Eb in the bass"?
2) I'm danish, and we w
Hi
Anyone happens to have the "bridal chorus" from "lohengrin" (ie "here
comes the bride") in lilypond (or pdf)?
--
peace, love & harmony
Atte
http://www.atte.dk | quartet: http://www.anagrammer.dk
http://www.atte.dk/gps | compositions: http://www.atte.dk/compositions
___
Darius Blasband wrote:
We are currently looking at the possibility of using Lilypond as
typesetting back-end for Finale.
Sounds very interresting, at least I know now that serious people is
taking this seriously :-)
The Finale export of MusicXML seems to be decent (There was a bad glitch
wit
Hi
I teach piano in a couple of music schools. Teachers there use
everything from finale, sibelius, musicator and cubase to abc to typeset
the stuff we give to students.
It would be nice to be able to share sheets between teachers, so I'm
thinking about making a web based system that would a
Atte André Jensen wrote:
That was easy! Odd but asy. Thanks.
sed s/asy/easy/g
--
peace, love & harmony
Atte
http://www.atte.dk
http://www.atte.dk/gps
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Laura Conrad wrote:
I think it should work if you just install from the installer. (Go to
the download page, download the 2.8.1 installer for Linux, and run it
as a shell script.) I'm running that way on both Sid and Ubuntu.
That was easy! Odd but asy. Thanks.
--
peace, love & harmony
Atte
S L Raymond wrote:
IMO, the markup "straight" is a bit crowded for just one or two notes.
I've considered using a sixteenth-dotted eighth figure, supposing that a
performer would interpret the "ahead of the beat" implication.
I'd write "straight". Another option would be a duol...
--
peace,
Hi
I'd like to get into lilypond again (been away since 1.something). I'm
on a debian/stable box here, so I found that the version in stable is
2.2.6, and I see that the current stable version is 2.8. My questions are:
1) Besides running a mixed system and going unstable, what are my
options
Hans Peter Beer wrote:
Hi All,
I am a very newbie in using linux (suse 9.0). I wanted to print shiny scores
with lilypond 1.8.1 from the Suse-distribution.
Before you proceed it would be best to install a more recent version,
either 2.0.x series (current stable), 2.1.x series (current developmen
Will Oram wrote:
Everything else, it's failed:
FYI your file converts fine here, with the following output:
[EMAIL PROTECTED] atte]$ convert-ly will.ly
convert-ly (GNU LilyPond) 2.1.30
Processing `will.ly' ... Applying conversions: 2.1.29, 2.1.30,
\version "2.1.30"
spacing = \notes {
\partial
Hi
I'm trying to convert some files from 2.1.5 to 2.1.30, but
1) \pianoAccidentals gets converted wrong. Instead of
"#(set-accidental-style 'piano')" I get "#(set-accidental-style 'piano)'
, str)".
Not that bad, I simply corrected the few places by hand.
2) convert-ly chokes on the attached (
Hi
I'm reposting this, since I suspect that the original post was smashed
by the spammer-hammer (maybe due to an attached lily-file)...
Anyways, I'm trying to convert some files from 2.1.5 to 2.1.30, but
1) \pianoAccidentals gets converted wrong. Instead of
"#(set-accidental-style 'piano')" I
Kieren Richard MacMillan wrote:
>> How do I get a final pedal that is pressed on the last note
>> and depressed on the final bar-line?
>
>
>
> I believe you mean "released", not "depressed"
your right.
> As for the actual answer to your issue, my guess is that you need to
include some simultaneo
Hi
How do I get a final pedal that is pressed on the last note and
depressed on the final bar-line? So I need something like this for the
last bar:
| | | *
| | | *
O O | *
/\__/\___|
This is what I have (the same as in the
Chip Zoller wrote:
but I can
assure you that no professional engraver will use
something that has to be engraved through a command
line!
Huh? I am in the finishing process of a medium size commercial project
done in lilypond, and although my wishlist is long so is my impresslist.
I don't know fina
I need to end last pedal on the final barline. The following example
just needs the "\sustainUp" but where to place it
Thanks in advance for any feedback!
\score {
\notes \relative c {
\property Staff.pedalSustainStyle = #'bracket
\clef bass
| a2 a
| a a
Pedro Kroger wrote:
They're also apt-gettable adding the following line to sources.list:
deb http://www.pedrokroeger.net/lilypond/ ./
deb-src http://www.pedrokroeger.net/lilypond/ ./
Thanks! Just installed 2.1.5 and it looks fine (with bracketing pedal
working again)...
--
peace, love & harmony
Han-Wen Nienhuys wrote:
You add a s16 at the end of the other hand, and compress it similarly.
Remind me not to question you again :-)
I believe you (of course) and will try your suggestions if I get into
troubles with my implementation (which I already did) - if it ain't
broken, right???
--
Hi
In the assumption that my post on december 30th "vertical distance + I'm
confused" got lost in a combination of fireworks and hangovers, I'm
hoping someone could tale a look at it again. The answer is probl. quite
simple, although I cannot figure it out...
--
peace, love & harmony
Atte
http
Han-Wen Nienhuys wrote:
compress the remaining notes with \times, and switch off the bracket.
Clever idea! But how's that gonna line up with the other hand? Notes
should be shifted equally in both hands throughout the bar to maintain
the illusion that they are played a 16th later? Of course I coul
chip wrote:
Thanks again guys. I don't recall reading anything in the manual about
not being able to extend the length of a half-note with dots.
Sorry, but you're way off :-)
The rule (in music, hence also in lily) is that a dot extends a note by
half it's original length. Half of a 1/2 note is
Pedro Kroger wrote:
Hi all,
Debian Sid packages (binary and sources) of Lilypond 2.1.5 are
available from my website:
Nice. Is this gonna be maintained in the future? Do you also keep things
that lily depends on (guile, tex and friends) there?
--
peace, love & harmony
Atte
http://www.atte.dk
Mats Bengtsson wrote:
Can't you just add an "s16" at the beginning of the voice? If you have
bar checks,
LilyPond will give lots of warnings but the layout should be correct
anyway.
Lily won't break the lines then, not even with \break. I tried that...
Seems the problem is that lily will only a
chip wrote:
If I remove the . the music runs
through lily fine but the printed measure is obviously 1/8 too short -
it is a
1/4 rest 1/8 rest half note
There's no way in notation (lilypond or elsewhere) to make a halfnote an
8th note longer with dots...
I can change it to this
r4 r4 g''2
and th
Hi
How do I get 2.1.3 under debian? The newest on the servers I'm using is
2.1.0... Alternatively is there an ugly (but working) "patch this one
file" or "replace this one file" way to fix the bracket pedal bug in 2.1.0?
--
peace, love & harmony
Atte
http://www.atte.dk
__
chip wrote:
> The error message is like this:
> 43:2: warning: barcheck failed at: 1/8:
At barline check errors I'd go back from here, and surly the music line
just before this (41) is one 8th too long:
r4 r8 g''2.
--
peace, love & harmony
Atte
http://www.atte.dk
Mats Bengtsson wrote:
In the section on Durations in the reference manual,
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Durations.html#Durations
you'll find a link to the Dots graphical object.
Thanks, that was exactly what I was looking for!
Why do you want to move everythin
I'm trying to move everything in a voice 2 staff spaces to the right,
but it seems that the dots doesn't get moved together with the other
grobs. How do I get a hold of them??? Right now I have:
\property Staff.OttavaSpanner \override #'extra-offset = #'(2 . 0)
\property Staff.Accidental \overri
Mats Bengtsson wrote:
I prefer the 'padding' property in these situations.
I know and agree, but in this case (metronome mark) I find it's often
necessary to move the text in the horizontal direction also. You could
use a mix of padding (for vertical) and extra-offset (for horizontal),
but me exp
chip wrote:
Since it created
a .dvi file (as well as .pdf, .html, and .ps) can I convert any of those
back to .ly?
No, that's not possible :-(
--
peace, love & harmony
Atte
http://www.atte.dk
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chip wrote:
\property Voice.TextScript \override #'extra-offset =#'(x . y)
That helps me also.
Great :-)
I seem to recall there being some kind of 'closing
tag' to end the offset property,
What is the proper way to end that one override?
\once \property Voice.TextScript \override #'extra-offse
Fernando Rauber wrote:
1) I'm using a tempo mark in the first measure, but it collides with the
first measure stems. Is there any way to move it up?
\property Voice.TextScript \override #'extra-offset =#'(x . y)
--
peace, love & harmony
Atte
http://www.atte.dk
How do I change how much horizontal space is taken up by the clef grob
drawn at a clef change?
--
peace, love & harmony
Atte
http://www.atte.dk
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I'd like to have articulations close to the note, and tried using both
"\property voice.Script \override #'padding" and "\property Voice.Script
\override #'staff-padding" but to no avail. How are all atriculations
forced close to the notes? And why are the staccato and tenuto drawn
close to the
One of the things that still troubles me is how to make un-ugly slurs
with lily, esp when the slur is over a linebreak. The tools I use are
height, attachment and sometimes extra-offset. Are there other (better)
ways to go about this?
The included (constructed) .ly shows two problematic slurs f
Ferenc Wagner wrote:
AFAIK xdvi doesn't watch the file in the sense gv does.
Xdvi checks for changes only when you click on it and when
its window is shown.
Ah, yeah, that works...
I know that it's possible to kick gv to redisplay the file using
killall -HUP gv
but this seems to simply close xd
>> gv watch works like a charm here...
>
> Good. Isn't it giving a better rendering? Did it fill your needs?
I think you misunderstood me. Although gv in some ways looks better (and
zooms properly) xdvi is much nicer when editing thanks to point-and-click.
>> xdvi doesn't blink. If I press "rere
Han-Wen Nienhuys wrote:
Nice. How to apply when everything came through debian apt-get??
By exerting a lot of patience.
wait... wait... wait... apt-get install lilypond, right? :-)
--
peace, love & harmony
Atte
http://www.atte.dk
___
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Han-Wen Nienhuys wrote:
try this.
Nice. How to apply when everything came through debian apt-get??
--
peace, love & harmony
Atte
http://www.atte.dk
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Attached is a small example broken bracket pedal. It seems that the
extra width added by the arpeggio breaks the horizontal spacing of
bracket pedal. I guess it's closely related to what was reported by
Jonathan Kraut on 12/12-2003. Did you (Jonathan) file a bug report?
Here's the .ly for the at
donald_j_axel wrote:
Hey Atte, I have experienced the same with gv some weeks ago.
gv watch works like a charm here...
The
note-layout blinked, but nothing changed!
xdvi doesn't blink. If I press "reread" the file is indeed reread.
Maybe I should have noted that I run debian/unstable...
--
peac
Since lilypond.org has been unreashable (at least) since yesterday I
seek help here:
I think it used to be so that xdvi "watched" the dvi file (automatically
refreashed when a new file was produced), but now it doesn't anymore.
How do I get get that feature back??
--
peace, love & harmony
Atte
I'm looking at:
http://lilypond.org/doc/v2.1/input/test/out-www/lily-1706119646.ly
Looks nice, but it seams that added articulations get's printed twice.
How can this be avoided? I tried to hide them from one "version" of the
music, byy putting \property Voice.Script \set #'transparent = ##t in
Hi
Is it possible to adjust (make higher...) the height of the arpeggio
sign (\arpeggio), and if so, how?
--
peace, love & harmony
Atte
http://www.atte.dk
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Hi
I've looked at the (to me) new \tempo, and I don't know how to make it
do what I need. I'd like to have "Andante (H = +- 48)" printed above the
meter, where:
* H is a halfnote
* +- is a + printed above a -
* I'd prefer to attach it to a voice with only spacers, but that seems
to print it
Hi
I'm still struggling with this. I need to generate output to print (pdf
via TeX) *and* html from a text mixing written text and music examples.
Someone here suggeted that I moved from latex to infotex, which I tried,
but it seems to me that infotex is not ready for this. For instance the
te
Hi
I'm wondering if there is a way to get from a .tex file (with integrated
lilypond code) to a .html (with images done as regular and
images in either gif or png)?
I tried running lilypond-book on the .tex and then running some
latex->html converter on the result, but they all (latex2html, h
I'm back :-)
This time I've been trying to figure out how to use lilys chordmode.
1) I want "Em/G", but e4.:m/+g gives me something like
G
/
Em
although a bit exagerated in the Fine Ascii Art (tm) I would rather
expect the bass note to be lowered instead of raised. Bug or feature?
e4.:m/g
Stupid question: how to I get the lyrics to appear *over* the music and
not *under*?
--
peace, love & harmony
Atte
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On Fri, 30 May 2003 13:30:47 +0200
"Kraetzschmer, Harald" <[EMAIL PROTECTED]> wrote:
> I would like to thank you for this great software.
> Sadly i have realised this only two month ago.
> Until then I was using MusiXTeX on SuSE_7.3.
> If I had known earlier, I could have saved lots of time.
1.4
I wrote a (very) modest but quite handy bash script that puts all .ly
files in the current directory into one big .pdf-file with twosided
pagenumbering. Thought someone else might find it usefull, maybe it
could even be stuck somewhere in the documentation...
It uses ly2dvi (of course), texexec an
I been holding this question back for some time to see how things
evolved, but since we're now talking 1.7.3 I'm gonna ask: When can I
expect to see 1.7.x in the debian/unstable? The webpage mentions that
"Debian GNU/Linux usually has the latest binaries for the most useful
stable and development
Mats Bengtsson wrote:
>
> > Atte André Jensen wrote:
> >
> > But still the first chord in the right hand, bar 2 is not the way it's
> > supposed to be. What am I dowing wrong this time???
>
> If you comment out the two voices one at a time, you'l
Atte André Jensen wrote:
> The following .ly (hope my mailer doesn't screw up the line breaks...)
> doesn't merge the note heads.
Well adding
\property Staff.NoteCollision \override #'merge-differently-dotted = ##t
certainly helped.
But still the first chord in the rig
The following .ly (hope my mailer doesn't screw up the line breaks...)
doesn't merge the note heads. Even at spots where it seems to work,
you'll notice on closer inspection that there are actually printed two
note heads slightly unaligned. What do I do wrong?
This is all with 1.6.4, BTW...
-- b
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