Hello,
Thanks for all you input. That the different 'nesting' with \lyricsto
achieves a correct result is good to know, unfortunately time
constraints forced me to go the hard way to get the score ready in
time ;-)
Thanks to you all and Cheers,
Christian
Hello,
Please ignore my previous post. It seems that without \lyricsto, I'm
stuck to entering the lyrics' durations manually. *Sigh* :-)
Cheers,
Christian
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lily
Hello,
Continuing from a previous example, I have been instructed to use
'associatedVoice' instead of \lyricsto to avoid problem with the
continuation of the melody after the lyrics have ended.
But now I run into a peculiar problem: If more complex melodies are
used, the alignment of lyrics does
Dear Eluze,
-Eluze gmail.com> writes:
> [...]
> use associatedVoice instead of \lyricsto
> [...]
Thanks a lot, this saved me a lot of headache!
Cheers,
Christian
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/li
Hello,
I'm having trouble understanding how a voice to which lyrics were
added is continued after the lyrics. Here is my snippet:
\version "2.12.2"
\new Staff {
\new Voice = melody {
a'1
}
<<
\context Voice = "melody" {
b'1
Dear Xavier,
>> Is there perhaps a way to tell the new chords context to be placed
>> above alread existent ones?
>
> There is the alignAboveContext property.
> Cf. NR 1.6.2 Modifying single staves
>
>
> \version "2.13.60"
>
> \score {
> <<
> \new Staff = "main" {
> \relative c'' {
>
Dear David,
> I would simply use skips:
>
> \version "2.12.3"
>
> {
> <<
> \chords
> {
> s1*2
> a1 c
> }
> \relative c''
> {
> a1 c a c
> }
> >>
> }
>
> Isn't this what you mean?
Yes, but there is really a lot of stuff going on before the couple of
bars
Dear Xavier,
On 18 April 2011 10:40, Xavier Scheuer wrote:
> It is due to implicit context creation.
> If you explicit your contexts (Staff, ChordNames) then such problem
> would not appear.
>
> As explained in the doc, \chords { ... } is a shortcut notation for
> \new ChordNames { \chordmode
Hello,
I have difficulty understanding this tiny example, which is a
breakdown of my general problem:
{
%\key a \major
<<
\chords
{
a1 c
}
\relative c''
{
a1 c
}
>>
}
Without the \key command, the chords are shown a
