> Thanks again!
> I hope Damian appreciates your response as much as I do. :)
>
>
Certainly do, really helpful
use case is borderline, agreed, but I do sometimes need 3 or 4 simultaneous
\omits in this very rhythmically complex score.
I was just as interested in the mechanics of a solution
\tuplet 5/4 ?
D
> On 24 May 2024, at 09:44, Kenneth Flak wrote:
>
> Hi,
>
> I'm trying to replicate the notation in originalHarp.png for harp with
> 5-tuplets, but the beaming I am getting is completely off... My attempt is in
> the file myAttempt.png, using this code:
>
> right = {
> \re
I had this yesterday, wasn’t immediately obvious butAccidentals (LilyPond Notation Reference)lilypond.orghthDamianOn 3 Mar 2024, at 17:39, Martin Tarenskeen wrote:Op zondag 3 maart 2024 om 18:33:26 +01:00:00 schreef Hans Aikema :On 3 Mar 2024, at 17:26, Martin Tarenskeen wrote:Hi LilyPonders,I
> Even though I can imagine this happening, I don't recall seeing
> it as a pianist. Even if you tweak it to swap the note columns,
> I think it will still be a bit confusing.
>
> There are two obvious fixes: if you are the composer, you could
> consider changing the B♭ into an A♯. And the other
you just want a recent real-world example? Birtwistle: Harrison’s Clocks.
D
> On 4 Jun 2023, at 14:51, Werner LEMBERG wrote:
>
>
>>
>>> Has anyone here ever used or seen the X-shaped time-signature
>>> cancellation sign pictured at [1], or anything similar?
>>
>> It's one standard for open
If it’s bass clarinet notation we’re talking about then all that’s needed is
transpose up one octave and make the clef treble throughout.
hth
Damian
> On 29 Jan 2023, at 09:55, Thomas Scharkowski
> wrote:
>
> Hi Wim,
>
> I looked at the score of the Menuet - I do not find anything extraord
I’d just like to say that I really appreciate that Lilypond handles these so
effortlessly, whatever they’re called.
I do wonder whether ‘irrational’ wasn’t originally perjorative.
Damian
>
> Uh-oh. That's a bit worrisome, since I was stymied by lilypond-book
> alone... Since you're the only person so far who seems to have spent
> time with LyX, I'll take that under serious advisement...
For simple stuff Lyx is much simpler. I’d certainly recommend you try it.
fwiw I was never able to get Lyx’s native Lilypond mode working reliably. The
manual was, and remains completely unhelpful.
That said, it is a good environment for embedding multiple Lilypond generated
pdf/eps in a structured text document, because any changes in those pdf/eps
files are picked
Hi Andrew
I was just waiting for an update (and feeling your pain about the server)
before using OLL in a ‘real’ project. I’ve gotten familiar with most of it now
and it is certainly worth keeping alive. I would use it but I worry about
fragility. My python skills are too limited for the deeper
> Despite my best efforts and decades of experience with UNIX, I am
> utterly unable to get Frescobaldi document view working on current
> Arch Linux. The python-poppler-qt5 refuse to build with complex
> dependencies on sip that are beyond my ken. I am just alerting you to
> this. Others here se
> Something to do with poppler?
> Also, I don't understand the ultra-cryptic post 'qt5'. What are you
> saying to do?
>
>>
sorry! just adding that Frescobaldi builds fine with qt5 as a clean install.
Damian
sorry, meant to say ‘this works’
> On 9 Nov 2020, at 14:30, Damian leGassick wrote:
>
> Thanks Martin, I’ll try this
>
> Damian
>
>> On 9 Nov 2020, at 14:04, Martin Neubauer wrote:
>>
>> Hi Damian,
>>
>> During the summer I spent some tim
Thanks Martin, I’ll try this
Damian
> On 9 Nov 2020, at 14:04, Martin Neubauer wrote:
>
> Hi Damian,
>
> During the summer I spent some time diving into the edition engraver
> myself and also noticed that some classes of mods didn't work on the
> first downbeat while others did. (I don't reme
I updated windows and reinstalled virtualbox and everything is behaving as
expected.
fyi I was also trying Hyper-V and WSL before virtualbox...They were disabled
again but who knows?
thanks everyone
Damian
> On 16 Oct 2020, at 14:39, Andrew Bernard wrote:
>
> I have been running lilypond o
OLL is something that I have occasionally looked into, and something that I am
reassured to know is there: it is something that I hoped to use more in the
future. I do use notation-fonts. I have not used ScholarLy, Edition-engraver
and Analysis so far on occasions when, in hindsight, it would ha
> On 25 Sep 2020, at 13:50, Karlin High wrote:
>
> On Fri, Sep 25, 2020 at 4:30 AM damianlegassick
> wrote:
>> I know that this has come up a few times and I'm aware that it's a Windows
>> 32 bit memory issue
>> but does anyone actually have a fix? I have to work on a windows machine atm.
Hi Joram
I’ve looked at this, but as far as I can tell it doesn’t do figured bass
numerals
Damian
> On 26 Nov 2017, at 19:43, Noeck wrote:
>
> Hi Damian,
>
> do you know this: https://ctan.org/pkg/lilyglyphs ?
>
> With that package you can use lilypond symbols in LaTeX.
>
> HTH,
> Joram
Thanks Mark
maybe I wasn’t clear
I know how to work with figured bass in lilypond when there are notes, I meant
to ask about how to include *just* the figure bass numbers in the middle of
some text
Damian
> On 26 Nov 2017, at 19:20, Mark Stephen Mrotek wrote:
>
> Damian,
>
> http://lsr.di
On 12 Jun 2015, at 14:57, Simon Albrecht wrote:
> Hello Damian,
>
> Am 12.06.2015 um 11:15 schrieb Damian leGassick:
>> \version "2.18.2"
>>
>>
>> {
>> \time 3/4
>> r4 \repeat tremolo 4 { e'''!64 c'''! }
On 12 Jun 2015, at 10:34, Mark Knoop wrote:
> At 10:15 on 12 Jun 2015, Damian leGassick wrote:
>> Dear all
>>
>> I need to set this tremolo:
>>
>
> {
> \time 3/4
> r4 \scaleDurations #'(2 . 1) \repeat tremolo 4 { e&#
On 23 May 2015, at 13:11, Klaus Blum wrote:
> Hi Damian,
>
> aah, Nick was faster than me... :-)
>
> The easiest way I've found would be this:
>
> % ---
> \version "2.18.0"
>
> #(define-markup-command (sd layout props sdnum) (markup
On 23 May 2015, at 12:51, Nick Payne wrote:
> On 23/05/2015 21:24, Damian leGassick wrote:
>> \version "2.18.0"
>>
>>
>> #(define-markup-command (sd layout props sdnum) (markup?)
>> #:properties ((baseline-skip 0.5))
>> "Put a numbe
Hello list
I'm trying to get a markup to help with repetitive addition of scale-degrees
with carats
I've got this far, but it's not picking up the new default baseline-skip value
\version "2.18.0"
#(define-markup-command (sd layout props sdnum) (markup?)
#:properties ((baseline-skip 0.5))
On 26 May 2014, at 07:54, Ben Beeson wrote:
> Hi all,
>
> I decided that I wanted to compile a tune book using LyX. I have collected up
> several tunes that I want in the tune book and these tunes are all engraved
> with LilyPond. Now I need to figure out how to get these tunes into a LyX
>
On 1 Jun 2014, at 12:26, David Kastrup wrote:
> Thomas Morley writes:
>
>> 2014-06-01 12:19 GMT+02:00 Thomas Morley :
>>> 2014-06-01 12:09 GMT+02:00 David Kastrup :
Thomas Morley writes:
make-vector
> @David
> If an experienced user like Damian stumbles across it,
On 31 May 2014, at 22:12, Thomas Morley wrote:
> 2014-05-31 20:05 GMT+02:00 Damian leGassick :
>> thanks Harm
>>
>> I found a way...though I don't understand how or why the vector works for
>> break-align-orders
>>
>> Damian
>
> Did you
thanks Harm
I found a way...though I don't understand how or why the vector works for
break-align-orders
Damian
On 31 May 2014, at 18:14, Thomas Morley wrote:
> 2014-05-31 18:51 GMT+02:00 Damian leGassick :
>> Hi all
>>
>> I need a change of clef to appear after a
On 31 May 2014, at 18:00, David Kastrup wrote:
> Damian leGassick writes:
>
>> Hi all
>>
>> I need a change of clef to appear after a double barline, not before
>> it (for a theory worksheet)
>
> There are some properties determining the order of elements
Hi all
I need a change of clef to appear after a double barline, not before it (for a
theory worksheet)
any clues much appreciated
Damian
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These are great, thanks
Damian
On 31 May 2014, at 15:30, David Kastrup wrote:
> Paul Morris writes:
>
>> David Kastrup wrote
>>> I am leaning towards redefining
>>>
>>> clef =
>>> #(define-music-function (parser location type) ((string?))
>>> (_i "Set the current clef to @var{type} if spec
Hi all
could someone show me how I could write something like: \clef \currentclef
many thanks
Damian
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>
> I'm happy (and also proud) to be able to announce a new release of my
> lilyglyphs LaTeX package.
> While I label it version 0.2 I am convinced that it is the first release that
> is really useable, so I consider this the initial 'public' release.
>
only a few days ago I was thinking 'if
On 15 Sep 2012, at 23:55, eluze wrote:
>
> Damian leGassick wrote
>>
>> Hi all
>>
>> If I run this with no arguments (or have a tagline) everything's fine
>> if run the file with -dbackend=eps the bottom stem is clipped
>>
>> any cl
On 15 Sep 2012, at 22:35, Damian leGassick wrote:
> Hi all
>
> If I run this with no arguments (or have a tagline) everything's fine
> if run the file with -dbackend=eps the bottom stem is clipped
>
> any clues?
>
> thanks
>
> Damian
>
> \h
Hi all
If I run this with no arguments (or have a tagline) everything's fine
if run the file with -dbackend=eps the bottom stem is clipped
any clues?
thanks
Damian
\header{ tagline = "" }
\version "2.16.0"
musicRH = {<<
{
}
\\
{
\change Staff = "LH" b8[
On 17 Feb 2012, at 17:11, David Kastrup wrote:
> Damian leGassick writes:
>
>> \transpose c f, {\music} #perfect fifth down
>>
>> \transpose c g' {\music} #perfect fifth up
>
> You might want to check your comment ch
On 17 Feb 2012, at 16:26, Jonghyun Kim wrote:
> Dear List,
>
> lilypond version: 2.14.2
>
> How can I transpose with intervals?
>
> I WANT TO DO THIS:
> \transpose -5 {\music}
>
> note:-5 means five semitones, so it's perfect fifth.
>
> OR
> \transpose perfect-fifth {\music}
>
> Any suggest
On 21 Jan 2012, at 17:35, Xavier Scheuer wrote:
> On 21 January 2012 14:58, Damian leGassick wrote:
>> Hi
>>
>> can someone explain why in the following the triplet beams are
>> subdivided in bar 2, but not in bar 1 (I want them both subdivided as
>> in
Hi
can someone explain why in the following the triplet beams are subdivided in
bar 2, but not in bar 1 (I want them both subdivided as in bar 2)?
\version "2.15.26"
\relative c'' {
\time 3/4
\set subdivideBeams = ##t
\set baseMoment = #(ly:make-moment 1 8)
c16[ c c c] c[ c c c] \times
On 21 Jan 2012, at 13:09, James wrote:
> Hello,
>
> On 21 January 2012 12:55, m...@apollinemike.com wrote:
>> On Jan 21, 2012, at 1:47 PM, Damian leGassick wrote:
>>
>>>
>>> On 21 Jan 2012, at 12:08, Damian leGassick wrote:
>>>
>>>&
On 21 Jan 2012, at 12:08, Damian leGassick wrote:
> Hi
>
> I've seen this before and a search through the list says it was fixed in 2.14
>
> just upgraded to 2.15.26 and i get
>
> GNU LilyPond 2.15.26
> ERROR: In procedure primitive-load-path:
> ERROR: Unabl
Hi
I've seen this before and a search through the list says it was fixed in 2.14
just upgraded to 2.15.26 and i get
GNU LilyPond 2.15.26
ERROR: In procedure primitive-load-path:
ERROR: Unable to find file "ice-9/boot-9.scm" in load path
is there a simple fix for this? I've tried adding the ice-
Hi Maarten
I've modified your file to get it working
Yiruma - The things I really_dlg.ly
Description: Binary data
I've annotated bits of the file - sorry if anything's obvious
you still need to sort out which notes you want in which voice towards the end
(you also had two score blocks)
Dam
On 19 Dec 2011, at 18:11, Kieren MacMillan wrote:
> Hi Thomas,
>
>> I want to write something according to the following rules:
>>
>> * two staves (piano-style, bass and treble);
>> * no time signature;
>> * only successive very-large-arpeggios (~ 10 notes each)
>> starting from left hand (ba
On 18 Dec 2011, at 11:10, Damian leGassick wrote:
>
> On 18 Dec 2011, at 09:11, -Eluze wrote:
>
>>
>>
>> Damian leGassick wrote:
>>>
>>>
>>>
>>> I appreciate the fact that it was designed to save time when entering
>>>
On 18 Dec 2011, at 09:11, -Eluze wrote:
>
>
> Damian leGassick wrote:
>>
>>
>>
>> I appreciate the fact that it was designed to save time when entering
>> data, but I'm still curious as why even my minimal examples don't work
>> prop
On 18 Dec 2011, at 00:17, -Eluze wrote:
>
>
> Damian leGassick wrote:
>>
>> Hi all
>>
>> 1) in the following, the beaming goes wrong:
>>
>> any ideas how to get around this?
>>
> hi Damian
>
> NR 3.4.2 Skipping corrected music
&
Hi all
1) in the following, the beaming goes wrong:
{
b8 b b b b b b b
\set Score.skipTypesetting = ##t
b b b b b b b b
}
whereas if I skip one eighth later it's fine:
{
b8 b b b b b b b
b
\set Score.skipTypesetting = ##t
b b b b b b b b
}
2) in this snippet of Beethoven, an extra t
On 15 Dec 2011, at 00:10, Xavier Scheuer wrote:
> On 15 December 2011 01:00, Damian leGassick wrote:
>>
>> Thanks Xavier, this works perfectly (although couldn't get it to work
>> in 2.14 for some reason...)
>
> The 2.14 syntax is
>
> #(ly:export (s
On 14 Dec 2011, at 22:05, Xavier Scheuer wrote:
> On 14 December 2011 20:21, Damian leGassick wrote:
>> Hi David
>>
>> thanks for the quick reply
>>
>> the to-end-of-line function is half way there, but if I modify your example
>> to \repeat unfold 17
On 14 Dec 2011, at 19:04, David Nalesnik wrote:
> Hi Damian,
>
> On Wed, Dec 14, 2011 at 12:25 PM, Damian leGassick
> wrote:
> On 14 Dec 2011, at 18:22, Damian leGassick wrote:
>
> > Hi all
> >
> > In this example the second staff is left hanging
> >
On 14 Dec 2011, at 18:22, Damian leGassick wrote:
> Hi all
>
> In this example the second staff is left hanging
>
> <<
> \new Staff {b b b b}
> \new Staff {b b}
>>>
>
> Can I force all staves to go to the end of the file without adding re
Hi all
In this example the second staff is left hanging
<<
\new Staff {b b b b}
\new Staff {b b}
>>
Can I force all staves to go to the end of the file without adding rests or
spacers?
thanks
Damian
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On 13 Sep 2011, at 00:19, Nick Payne wrote:
> On 13/09/11 04:55, Reinhold Kainhofer wrote:
>> Am Montag, 12. September 2011, 19:21:02 schrieb Helge Kruse:
>>> But when I try to
>>> send the PDF to my printer I get the messages
>>>
>>>Das Dokument konnte nicht gedruckt werden.
>>>(The do
sorry to be a pedant, but...
traditionally, 4. [8 8 8] is the exception to the rule that you subdivide the
8ths 2,2,2 in a 3/4 bar
Mozart, Haydn, Beethoven, Schubert, Chopin, Liszt, Brahms and Ravel do this
consistently. It is also normal for Debussy apart from in the late violin
sonata .
the
checking my Chopin and Brahms, they both notate your rhythm as lilypond
defaults, so it's not a defect - i'm certainly used to seeing it notated like
that in 3/4
to my eyes your desired version looks wrong, but if that's really what you
want, then using [ and ] or \noBeam as and when is easier
that's great
i'll try a build on mac...
On 23 May 2011, at 10:46, Wilbert Berendsen wrote:
> Hi all,
>
> just to update interested people about the progress of Frescobaldi 2.0, and
> let you know I managed to get it running on Windows. Testers are welcome :-)
> The Frescobaldi 2.0 feature s
t;
>> On 4 Apr 2011, at 22:52, "Damian leGassick" wrote:
>>
>>> running onyx plus reboot has fixed this for me
>>>
>>> d
>>
>> any particular operations or did you just clear/run everything?
>>
>> James
>
>
> m
running onyx plus reboot has fixed this for me
d
On 1 Apr 2011, at 09:30, Frauke Jurgensen wrote:
> This has happened to me in the past, and the problem goes away
> completely with a re-boot.
>
> On Fri, Apr 1, 2011 at 8:49 AM, Jan-Peter Voigt wrote:
>> Hello James,
>>
>> thanks for your rep
that's a crazy idea but it might just work...
d
On 27 Mar 2011, at 23:20, madMuze wrote:
>
>> I used to do this kind of thing with NoteWriter - remember that?
>
> no, but I do remember being able to size a region manually in SCORE; we give
> up some flexibility for this elegant spacing syste
Hey David
thanks for the hard work there
I'm resigned that the 'untimed' music has to be in the time of 'something' so
your suggestions are very useful
I used to do this kind of thing with NoteWriter - remember that?
Damian
On 27 Mar 2011, at 20:35, madMuze wrote:
>
> Glad that project is n
gt;
>> 2011/3/26 Damian leGassick :
>>> Hi all
>>>
>>> I've been using lilypond for years but I still can't figure out the
>>> rationale for
>>>
>>> e.g.
>>>
>>> bar numbers - why us it:
>>>
>>>
Hi all
I've been using lilypond for years but I still can't figure out the rationale
for
e.g.
bar numbers - why us it:
\override Score.BarNumber #'break-visibility blah (note capital B)
but
\set Score.currentBarNumber #blah (note camelCase)
and why #(set-accidental-style etc
and not
\set
although
#(define (bar m) etc
gave me some weird problems with \bar "" etc
>> #(define (baz m)
sorted it
On 26 Mar 2011, at 14:30, Damian leGassick wrote:
> Thanks Mike that works perfectly
>
> Damian
>
>
> On 26 Mar 2011, at 13:26, m...@apollinemik
Hi Xavier
yes it was 2.12/13 docs confusion
Damian
On 26 Mar 2011, at 19:13, Xavier Scheuer wrote:
> On 26 March 2011 19:22, Damian leGassick wrote:
>>
>> hi all
>> the snippet given at
>> http://lilypond.org/doc/v2.13/Documentation/notation/beams
>>
>&g
my bad - frescobaldi defaults to the 2.12 branch for docs
sorry for the noise
Damian
On 26 Mar 2011, at 18:22, Damian leGassick wrote:
> hi all
>
> the snippet given at
>
> http://lilypond.org/doc/v2.13/Documentation/notation/beams
>
> \relative c'' {
&
hi all
the snippet given at
http://lilypond.org/doc/v2.13/Documentation/notation/beams
\relative c'' {
c32[ c c c c c c c]
\set subdivideBeams = ##t
c32[ c c c c c c c]
% Set beam sub-group length to an eighth note
\set baseMoment = #(ly:make-moment 1 8)
\set beatStructure = #'(2 2
Hi all
I want a staffgroup with:
*top is a reduction of some music
*bottom is a line of notes - like a series
I don't want the bottom staff to synchronize with the top (ie I want the notes
to be evenly spaced, regardless of what's going on in the top staff)
I can get rid of
Thanks Mike that works perfectly
Damian
On 26 Mar 2011, at 13:26, m...@apollinemike.com wrote:
> On Mar 26, 2011, at 8:58 AM, Damian leGassick wrote:
>
>> hi all
>>
>> as you can see below I've got some very repetitive note entry
>>
>> my attemp
hi all
as you can see below I've got some very repetitive note entry
my attempt at a scheme substitution is not working
can anyone help me out here?
cheers
Damian
\version "2.13.54"
xenAccGliss = #(define-music-function (parser location nOne nTwo) (ly:music?
ly:music?) #{
how about this
<<
{ d''2 }
\\
{ \stemUp
\override Beam #'positions = #'(-1 . 1)
a8 a' s s }
>>
Damian
On 17 Jan 2011, at 22:52, -Eluze wrote:
>
> in this example there is a collision between th two first notes of both
> voices.
>
> <<
> { d''2 }
> \\
> { \stemUp a8 a' s s }
>
Begin forwarded message:
> From: Damian leGassick
> Date: 3 December 2010 17:39:35 GMT
> To: Henry Flurry
> Subject: Re: Lyx 2.0 Beta 1, LilyPond OS X, MacTeX etc. - no lilypond
> integration
>
> do you have something like this in your .bash_login?
>
> e
able to see the preview image of the lilypond score in Lyx?
> For me on Mac as well when i open the lyx file i get an error message saying
> that I am missing a latex package.
>
> On Nov 21, 2010, at 4:24 PM, Damian leGassick wrote:
>
>> So...
>>
>> I just ran Ony
So...
I just ran Onyx 2.2 and now everything works fine (mac OSX 10.6.5)
weird
anyway... i'll give it a good road test over the next few weeks
Damian
On 21 Nov 2010, at 18:58, Julien Rioux wrote:
> On 21/11/2010 12:19 PM, Damian leGassick wrote:
>> 2.13.39
>>
>>
2.13.39
yes, I restarted LyX but I still can't view it in any format except LyXHTML
should I enter the lilypond-book converters manually?
Damian
On 21 Nov 2010, at 17:11, Julien Rioux wrote:
> On 21/11/2010 11:45 AM, Damian leGassick wrote:
>> Hi Julien
>>
>> l
Hi Julien
lilypond-book is in my path
I see no convertors for lilypond or lilypond-book in preferences/file
handling/convertors
maybe this is my problem?
Damian
On 19 Nov 2010, at 17:14, Julien Rioux wrote:
> On 19/11/2010 5:26 AM, Damian leGassick wrote:
>> lyx is also telling me
has anyone got a link for the lilypond.lyx file - i can't see it
lyx is also telling me (modules) that i can't enable lilypond-book because some
packages are unavailable - which packages are those?
thanks
damian
On 14 Nov 2010, at 01:09, Julien Rioux wrote:
> On 13/11/2010 3:08 PM, Bernardo B
Begin forwarded message:
From: Damian leGassick
Date: 19 August 2010 11:11:05 BST
To: 胡海鹏 - Hu Haipeng
Subject: Re: two problems regarding harp part
Hello Haipeng
if you comment out the right hand's \showStaffSwitch it works fine
perhaps this is a bug? maybe you can't have two
to do café = c a f option-e e
être = option-i e t r e
d
hth
On 4 Aug 2009, at 04:25, Graham Norton wrote:
Dear All,
iMac TeXShop MACROS give another way of inserting non-standard
characters into LilyPond lyrics without using unicodes explicitly
(my version of TeXShop will not allow me
hi all
my time signatures and dynamics now print in a sans serif font.
the change is that i'm using a laser rather than inkjet printer
i've tried 2.12.1 and 2.13.x, i've tried copying all fonts into the /
fonts folder and the otf fonts into a /.fonts folder
mac osx 10.5.6
views fine in prev
dear MAP
(also doing my phD with LyX)
in the terminal (well, actually in textmate...) i do:
lilypond -dbackend=eps -dno-gs-load-fonts -dinclude-eps-fonts
filename.ly
which generates a clipped eps and pdf file which i then import into lyx
d
On 9 Jan 2009, at 21:01, Jonathan Kulp wrote:
M
i tried a different printer - works fine
any idea why an hp laserjet 1020 suddenly decides not to play ball?
cheers
d
On 5 Oct 2008, at 19:11, Damian leGassick wrote:
this is weird
it was working fine just the other day - it's as if acrobat/preview
loses the lily fonts at pri
this is weird
it was working fine just the other day - it's as if acrobat/preview
loses the lily fonts at printing.
i've cleaned the system and application font-caches (with linotype
font explorer)
what's odd is that even embedded in omnigraffle or pages, i get no
music printed.
it al
On 30 Aug 2008, at 12:13, Valentin Villenave wrote:
Plus, it's some kind of
a "laboratory" that helps improving the docs (after selection and
edition of the chosen snippets).
that would be my preferred 'status'
cheers
d
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her wiki again :-)
d
On 30 Aug 2008, at 11:58, Johan Vromans wrote:
Damian leGassick <[EMAIL PROTECTED]> writes:
surely if a snippet deserves/needs to be in LSR it should be
incorporated into the next revision of the docs?
I'd consider the LSR complementary to t
completely in contrast to reinhold, i'm always put out when i have to
go to LSR in search of something that's not in the docs.
surely if a snippet deserves/needs to be in LSR it should be
incorporated into the next revision of the docs?
cheers
d
On 27 Aug 2008, at 15:01, Reinhold Kainhofe
thanks jay
it doesn't handle b-sharp yet - but other than that it's pretty
compact for absolute pitch
apologies in advance to kenny for slightly hijacking the thread but...
my own needs are for (e.g.) all d-sharps/e-flats/e-naturals/f-flats to
be red etc (parsing webern with hexatonic/oct
)
)
and any kind schemers reading
how would you refactor this to use lists, along the lines of
(0 0 6 'red)
(0 -1/2 6 'green)
(1 0 6 'blue)
((0 0 5 ) (0 0 4) 'orange)
thanks
d
On 5 Aug 2008, at 23:06, Damian leGassick wrote:
thanks steven
cond - yes, i was
MAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of
Damian leGassick
Sent: Tuesday, August 05, 2008 5:53 AM
To: lilypond-user@gnu.org
Subject: Re: color notehead according to absolute pitch
On 5 Aug 2008, at 05:39, Jay Anderson wrote:
Kenny Stephens yahoo.com> writes:
Our church has a
On 5 Aug 2008, at 05:39, Jay Anderson wrote:
Kenny Stephens yahoo.com> writes:
Our church has a handbell group whose members are not all musically
literate. To
keep themselves from having to learn to read music, they mark their
notes using
differently colored highlighters.
Is there a mea
I second arno
d
On 12 Jul 2008, at 19:43, Arno Rog wrote:
Carl Sorensen byu.edu> writes:
This is the place. I will make the change, if there is consensus
on the
-user list
that this is something we want to do. I'm not an expert on figured
bass
(as James has noticed in the past) but I'
hi luis
i use this snippet:
http://lsr.dsi.unimi.it/LSR/Item?id=377
hope this helps
damian
On 12 Jul 2008, at 00:53, Jonathan Kulp wrote:
Hi Luis,
I got the brackets to go inside the staff with this code. If you
fiddle with the markup (change font size, spacing, whatever) and
the va
download the ppc version, it works fine - just use a different editor
- vim, emacs, textmate, lilypond-tool (jEdit) are all good- it's only
the lilypond text editor which doesn't work, and to be honest you
won't miss it.
d
On 22 Jun 2008, at 23:40, Steve Schow wrote:
Has Lilypond been
for synchronized staves you need to do something like this:
\version "2.11.43"
\header {
tagline = ""
}
#(define mydrums '(
(bassdrum default #f -1)
(acousticbassdrum default #f 1)
(hihat cross #f -1)
(closedhihatcross #f
surely those same copy-pasters will simply paste
sh lilypond-*.*.*.linux-x86.sh
and get an error
it's always best to give an example like:
"at the command line type sh lilypond-X.Y.Z.linux-x86.sh according to
your version and platform (e.g. for Version 2.11.14 type sh
lilypond-2.11.14.li
there's a few things to do and a few different places to look in the
docs - if you search for unicode or utf8 it covers it
then you can use the unicode 02D8 or UTF8 CB 98 for the breve (or 0306/
CC 86 for the 'combining breve')
the acute is 00B4/C2 B4 and 0301/CC 81 is the combining acute.
hi all
still no joy with this
for composition worksheets it would be great if i could, for example,
make all b-flats and c-sharps red, or have it so that only the notes
of the E-pentatonic scale have white-note-heads in a chromatically
embellished piece. i'd like to do this with condition
it works for me on 10.5.2
i'm thinking...i do have xtools installed - that might be the
difference as regards the missing library
d
On 6 May 2008, at 21:36, Alberto Simões wrote:
Mats Bengtsson wrote:
Did you try with version 2.10? It seems to work well with 2.10.23
when I try it, and t
the ppc version of 2.11 works fine on leopard from the command line or
within jEdit or Textmate
it's only the bundled text editing program that does not work yet
all the best
d
On 6 May 2008, at 20:57, Alberto Simões wrote:
Simon Bailey wrote:
try:
<<
{
\override Staff.NoteCollisi
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