nice that you
have recorded some of his work (especially the Trio en sol majeur).
Am 19.02.2024 um 19:28 schrieb Engraver:
This is a screenshot of the entire page.
Op 19-2-2024 om 19:25 schreef Stefan Thomas:
Dear Auke,
I don't know this ornament either but maybe it could be useful to
Hallo,
I'm transcribing the organ music of Josef Ferdinand Norbert Seger. The
prelude I'm currently working on, shows an ornamentation I am not
familiar with. See screenshot.
I think it is probably meant as arpeggio, but I'm not sure. Does anyone
know for sure what it is?
Regards,
Auke
Op 24-10-2021 om 15:51 schreef Knute Snortum:
On Sat, Oct 23, 2021 at 3:38 PM Kira Garvie wrote:
Hi all,
I saw this referenced in the Frescobaldi manual, but is it possible to have
multiple versions of Lilypond installed on my computer at once? Many of you
know I have to use version 2.16.2 fo
It means you don't have all the required dependencies installed. Beginning
with guile-1.8, plus all the others in the error message. The way forward
is to install each of them. I'm my experience it was quite a puzzle to find
all the right package names. It took al lot of googling. Unfortunate
For future reference if anyone searching the archives comes across this
thread: I finally managed to create a debian package for the lilypond
build I made on my tablet (arm architecture). There exists a tool,
called "checkinstall", that can be used to install a build from source
and at that
Op 9 september 2018 14:08:29 schreef Bernhard Kleine :
Thank you Phil
I now managed this with
\override MultiMeasureRest.staff-position = #0 from the Documentation
for one voice. The other voice gets s1.
Bernhard
An alternative would be to use the merge-rests-engraver. That way you can
Op 24 augustus 2018 15:40:30 schreef Federico Bruni :
And you may build a deb package from your desktop computer
That's a nice idea. No idea how that is done, but it's worth investigating.
Thanks for the suggestion!
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Op 24 augustus 2018 12:11:05 schreef Federico Bruni :
Il giorno sab 18 ago 2018 alle 21:44, Engraver
<"partitura.org"@gmail.com> ha scritto:
Hallo all,
I have a (rooted) Android tablet, on which I run Linux Debian by
means of an app called Linux Deploy. The debian repositori
Hallo all,
I have a (rooted) Android tablet, on which I run Linux Debian by means of
an app called Linux Deploy. The debian repositories for the ARMv7 (or
armhf) chipset only contain Lilypond 2.18.2. That served me well for quite
some time. However, the Edition Engraver requires at least
e with the part distributed over two staves (see images
for an example).
Since the notes do not change, only the way they are rendered, I thought
it would be a good use case for the edition engraver. Problem however
is that the Edition Engraver references contexts and I cannot tell one
co
Op 14 augustus 2018 23:06:54 schreef "Phil Holmes" :
Please look at:
http://lilypond.org/doc/v2.19/Documentation/contributor/minor-release-checklist
which I follow for "standard" development builds.
I also aim to follow "Subsequent builds" in
http://lilypond.org/doc/v2.19/Documentation/cont
On 22-4-2018 05:24, Andrew Bernard wrote:
How can you make a repeatTie longer? The default is a little too
crimped for my style.
Andrew
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I
On 18-4-2018 07:20, Helge Kruse wrote:
But there are some open points.
- The harp requires two staff lines. I managed to remove the
outside-staff-priority for one staff. But the other staff line is
pushed away. How can I use both staves of one harp for the text? How
could I place the text c
I think OP means ' how to get two lines in a subtitle'.
I.e. something like
subtitle = \markup \column {
\line {"Subtitle"}
\line {"da capo" }
}
Regards,
Auke
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Hi guys,
I am engraving a chorale prelude by Georg Friedrich Kauffmann. There is a
bar where I want the alto voice to cross over to the left hand staff, see
the example below. But then the b in the alto voice clashed with both d's
in tenor- and bass voice. I'd like to move the b in the alto a
On 17-4-2017 16:04, David Nalesnik wrote:
The goal would be to have it in LilyPond, of course. My reason for
not putting this forward (now that I've found a way past the problem
mentioned in the quote) is that it's a stub, a sketch, more suited to
"unstable" releases than the impending 2.20 r
I think the problem is the cross-staff tie itself. Without the \shape line
it is drawn above the right-hand staff, but the inner workings of lilypond
somehow 'remember' the original starting point, i.e. above the left hand
staff. If you use the \shape line to visually lower the starting point
Op 18 maart 2017 21:49:17 schreef Joseph Austin :
But thinking about it, I'm wondering why one would want to notate a
different duration than is actually played,
A reason can be to make room in the bar for something else. For example, I
use it to engrave grace-like notes at the end of a
On 8-3-2017 14:43, Andrew Bernard wrote:
Hi Phil,
Yes, but how do you get a bracket around two voices as per the bass
line in the image example given?
Andrew
\grace {\override ParenthesesItem.font-size=#6 \parenthesize f8}
instead of
\grace f8
works.
Regards,
Auke
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