Creating a 1-channel MIDI file?

When I use lilypond to create a MIDI file, it seems to create a 2-channel file. Am I understanding this correctly? Can I get a 1-channel file? Any help would be greatly appreciate, Erik ___ lilypond-user mailing list lilypond-user@gnu.org http

bis

Hi List, Does Lilypond have a built-in way of making "bis" repeats? I.e. a horizontal bracket over one or a few measures with the word "bis", indicating that the section is to be played twice. Regards Erik ___ lilypond-user mailin

Re: bis

is a very useful thing, as it effectively introduces nested repeats in a very readable way! Erik - Ursprungligt meddelande - Från: "Chris Yate" Till:, Kopia: Skickat:Sun, 24 Jul 2016 23:32:36 +0000 Ämne:Re: bis Erik, Do you want it to reproduce that in Midi, or just cr

Re: bis

Thanks a lot, I'll check it out! Erik - Ursprungligt meddelande - Från: "Andrew Bernard" Till:"lilypond-user Mailinglist" Kopia: Skickat:Mon, 25 Jul 2016 19:23:40 +1000 Ämne:Re: bis Hi Erik, This is a use for a text spanner with centred text that I had

Unequal, changing time signatures in parts

des, the rest of the score changes time frequently, but all parts are in the same time so I'm home free. I've looked at staff measure length and the arguments of \time, but can't seem to find a way to affect one staff without messing up the other. Any solutio

--bigpdf

doesn’t recognise it: unrecognized option: `--bigpdf’ Obviously I could try and apply the patch to the current code and recompile it myself but on the other hand, since it is a useful feature (at least for me!) I think it would be nice to have it in the official version! Erik

Re: --bigpdf

or Emmentaler-14. Substituting font Helvetica-Bold for CMUSerif-Bold. Substituting font Helvetica for Emmentaler-13. […] Do I have to install the fonts used system-wide somehow? Or can I use the lilypond font export option to feed the used fonts into GS? Erik

Re: --bigpdf

/:/Applications/LilyPond.app/Contents/Resources/share/lilypond/current/fonts/otf/ pdfcrop myscore.pdf If anyone has a cleaner solution I would be glad to hear about it! Erik > 27 sep. 2021 kl. 20:47 skrev Erik Ronström : > >> That option was removed again, but as far as I understand

Re: Key signatures in modes other than Ionian & Aeolian

Many musicians in this genre use abc notation rather than sheet music, and in abc, mode is (almost) always defined explicitly: http://abcnotation.com/wiki/abc:standard:v2.1#kkey Erik ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: New to Lilypond - Questions about using Python to structure Lilypond scores

Hi Garreth, Since Lilypond is text based, you can obviously write Lilypond source files with Python and run them with Lilypond. In fact, several such projects already exists, for a (very) simple example, see https://www.python-course.eu/python_scores.php Erik > 23 apr. 2018 kl. 19:10 sk

Re: Barline glyphs in lilyglyphs

If you’re not specifically requiring the Feta font, you could try Bravura Text (https://www.smufl.org/fonts/) See https://w3c.github.io/smufl/gitbook/tables/barlines.html https://w3c.github.io/smufl/gitbook/tables/repeats.html Regards Erik > 30 maj 2018 kl. 20:35 skrev Sam Bivens : >

recorder diagram and some woodwind-diagram bugs

tencils (as it currently does for graphical). also, how are partial coverings/trills handled in this case? - would be nice if i didn't have to edit display-woodwind-diagrams.scm and instead could just \include my raw .scm file from a .ly file. thanks! -erik ;;; Recorder assembly instructio

automatic fingering annotation

ing where i give an .ly snippet and lilypond gives me back the absolute pitches. what do you think would be the best way? thanks! -erik ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: recorder diagram and some woodwind-diagram bugs

ok here you go On Sun, Oct 12, 2014 at 2:31 AM, James wrote: > Erik, > > On 12/10/14 04:05, erik flister wrote: >> hi there- >> sorry for cross posting to all the lists, i'd rather not subscribe and >> this post seems to apply to all three. >> >> atta

Re: automatic fingering annotation

thanks a lot david, i learned a lot from studying this! looks like there would be two options to get lilypond to report pitch info: \void \displayLilyMusic % types absolute pitches to console \include "event-listener.ly" % writes file w/midi numbers but your example inspired me to figure

Ace editor - Lilypond support

s the basis for such work? Does anybody know of other syntax highlighters out there (Frescobaldi, Emacs, Sublime or whatever) that would be a good starting point (being fairly complete, readable code). Regards, Erik ___ lilypond-user mailing

Re: Ace editor - Lilypond support

ps://github.com/yrammos/SubLilyPond I haven't given it a try yet but the generated files might be a good enough start for getting Lilypond support in Ace. //Erik On Mon, Mar 9, 2015 at 5:39 PM, Michael Hendry wrote: > > On 9 Mar 2015, at 13:34, Erik Nilsson wrote: > > > Hi, &g

Adding voices

As I'm brand spanking new I'm probably going to ask a lot of dumb questions. If so, just tell me. The point is building a SATB with organ score. Everything looks fine until I activate/add the organ part. After that the score is rubbish. Would a basic explanation of what I've done suffice? \

RE: Adding voices

Thanks Simon and Kieren, Indeed the r1 was the culprit. I will add the | marks from now on. Erik > in both these parts you had a 4-beat rest (r1) in a 3-beat bar. the > error message about a barcheck failing was also being output. > misplaced bars and beats will almost always cause a

centering rests

When I use r1 (4/4 time) the sign gets aligned left in the bar. R1 aligns it properly, but when I want to use r2 at the start (or R2) of the bar it looks awfull. So how do I align these rests centered? I haven't done anything fancy Hou je goed / Keep well,

RE: centering rests

You are quite right, and I have never even bothered to check. Although I have a quite substantial library and am over 25 years active with music. Erik > -Original Message- > From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca] > Sent: donderdag 29 oktober 2009 18:29 &

bracket and staff names

#"Alt" } { \new Staff = "Tenor" \ten \set Staff.instrumentName = #"Tenor" } { \new Staff = "Bas" \bas \set Staff.instrumentName = #"Bas" } \new PianoStaff << \new Staff = "ManualOne" << \new Voice { \rh }

RE: bracket and staff names

Mats, Bracket problem solved I just miscounted the place for the closing >> It now looks slightly different and brackets are in place as I want them. But still no names before the staffs Thanks, Erik > -Original Message- > From: Mats Bengtsson [mailto:mats.bengts...@ee.kt

RE: bracket and staff names

taff = "ManualOne" << \new Voice { \rh } >> \new Staff = "ManualTwo" << \new Voice { \lh } >> >> >> } > -Original Message- > From: lilypond-user-bounces+ursus.kirk=ziggo...@gnu.org [mailto:lilypond- > user-bounces+ursus.kirk=

RE: bracket and staff names

And all looks well now. Probably have more questions later, but for now I am content. Keep well, Erik > -Original Message- > From: lilypond-user-bounces+ursus.kirk=ziggo...@gnu.org [mailto:lilypond- > user-bounces+ursus.kirk=ziggo...@gnu.org] On Behalf Of Erik Appeldo

tempter

ect has 8 files. SATB, organ RH and LH, a style file to replace the time signature and the main file that binds it all together. Hou je goed / Keep well, Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/li

escaped string

Why do I get ëscaped string” error here. The compiled result looks ok to me \layout { \context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) \fontSize = #-2 } } Hou je goed / Keep well

RE: escaped string

According to the manual: 3.3.4 Modifying context properties fontSize Real Increase or decrease the font size and further: % make note heads smaller \set fontSize = #-4 I did forget to type the \set but the result is still the same… Erik _ From: James E. Bailey

textspan

Ral. stops far more to the right within the same bar. I want the Ral. to align right up to the last notes of the voices above for this voice only. So all Rals stop at the same vertical. Hou je goed / Keep well, Erik ___ lilypond-user mailin

RE: textspan

| Then I tried: << { \tsRal s2.\startTextSpan s4 | s s2\stopTextSpan } \\ { d2 d4 | cis a2} >> And nothing seems to work. So I think it must be me, misunderstanding something Erik > -Original Message- > From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca

error

volume. The files nor the specific place are mentioned (as they are on other errors) Hou je goed / Keep well, Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

RE: textspan

Thanks Frédérick, As I said: I must have been blind (Or just plain stubborn) Either way, problem corrected now. Thanks for pointing it out. Erik > -Original Message- > From: Frédéric Bron [mailto:frederic.b...@m4x.org] > Sent: maandag 2 november 2009 19:36 > To: Erik App

RE: error

Thanks Reinhold, As I wanted the hairpins and the forte afterwards for me the output is not erroneous. Indeed the error-wording does suggest a music-coding error where in fact there might be none. I'm not into changing source code, someone else will have to figure that one out. Keep well,

RE: error

Francisco, Reinhold has explained this behaviour in the group.. Keep well, Erik > -Original Message- > From: Francisco Vila [mailto:paconet@gmail.com] > Sent: woensdag 4 november 2009 0:19 > To: Erik Appeldoorn > Cc: lilypond-user@gnu.org > Subject: Re: error &

fermata on final barline

It seems logical that someone has figured out how to create a \fermata on the final barline \bar "|." Hou je goed / Keep well, Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

RE: fermata on final barline

Still have to learn to remember this exists (And then learn how to use it) This is a good reason for a further look what the LSR has to offer. Thanks, Erik > -Original Message- > From: lilypond-user-bounces+ursus.kirk=ziggo...@gnu.org [mailto:lilypond- > user-bounces+ursus.k

RE: slurs and ties

Thanks Nick, Interesting to see how your solution differs from the one Kieren and Carl offered. More than one way to reach the goal. Nice. Erik > -Original Message- > From: Nick Payne [mailto:nick.pa...@internode.on.net] > Sent: zaterdag 7 november 2009 13:27 > To: Erik App

RE: slurs and ties

Kieren, Trying to understand. As I see it you create the two voices as if nothing special was needed. Then create a third voice, with identical notes as the second voice. These remain hidden, but the ties are visible. Am I correct? Erik > -Original Message- > From: Kieren Mac

RE: slurs and ties

ree on the tricky part. All the extra's I need to recreate the score makes my scores unyealding and time-consuming to create. Erik > Now there is something to be said against tieing into a different voice > like that musically: it messes up the audible voice situation. Unless > di

Tie doesn't tie

Why doesn't the first bar tie to the second? mus = \relative c { \autoBeamOff \key d \major \time 3/4 \clef bass << { 2 4~ } \\ { d2 } >> | 2. | } \score { \mus } Hou je goed / Keep well, Erik

quit

from the list, any reply have to be personal. Hou je goed / Keep well, Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

RE: quit

de. I won't say I'll never try again, but not just now. Hou je goed / Keep well, Erik > -Original Message- > From: Patrick McCarty [mailto:pnor...@gmail.com] > Sent: woensdag 11 november 2009 0:39 > To: Erik Appeldoorn > Cc: lilypond-user@gnu.org > Subject

Re: Center-align a score

a lot easier than manipulating a pdf). In those specific situations, svg happened to be my target format anyway, but if you want pdf I suppose you can convert the svg to pdf somehow (?). I don’t know whether this would make sense for you at all, just wanted to mention it!

Gotlandstoner

printing, and an online version for browsing individual tunes. Lilypond has been both a prerequisite and an important inspiration for this project coming true, so thank you for making this wonderful tool! Erik ___ lilypond-user mailing list lilypond-user

Re: Gotlandstoner

eel free to check out the project on github (https://github.com/erikronstrom/gotlandstoner)! The bin folder contains all the scripts (but be warned that the code is a bit messy and mostly undocumented). Most scripts are written in perl. If you have any more specific questions,

Re: Gotlandstoner

t tunes split over page breaks (except the tunes that are too long to fit in one page). Actually that was the main reason for not using lilypond-book: I wanted more fine-grained control over vertical spacing, and I found that much easier to achieve when lilypond takes care of the wh

Re: Gotlandstoner

fit into a single page. Of course that’s mainly an aesthetic decision (and I do find it slightly easier when sightreading) but another benefit is that if you want to print a single tune from the pdf file, you generally only have to print one page. > A possible extension of your work: Yo

Re: [OT] Grammatic gender

to which you have a personal relation). (So I don’t know if you could say that we technically have four grammatical genders, I have a vague memory from my school time about it) Erik > 15 nov. 2017 kl. 23:32 skrev Wol's lists : > > On 15/11/17 20:32, David Kastrup wrote: &

Horizontalized scores

nd then merge these in Photoshop - my concern with that method would be that the vertical distances between staffs would probably not be identical, which would mean that the horizontal score simply would not work... I look forward to hearing your thoughts! Thank you very much for all the work that ha

Re: Horizontalized scores

Hello Jay, Thanks for the tip, I tried it and it works wonders! Truly excellent, will save me enormous amounts of time :) Lunch on me if you come to NYC! Best, Erik On Fri, Feb 7, 2014 at 6:36 PM, Jay Anderson wrote: > On Fri, Feb 7, 2014 at 11:24 AM, Erik Linde wrote: > > Typi

Re: Horizontalized scores

Thanks Janek! Jay's suggestion worked great. I've been talking with Adam as well and will dig into the ly2video project when I get a chance - could definitely be a lot of overlap with Notezilla! All the best, Erik On Sat, Feb 8, 2014 at 4:36 PM, Janek Warchoł wrote: > Hello, &

Re: lilypond-user Digest, Vol 135, Issue 60

processing software such as Photoshop or ImageMagick / GraphicMagick to achieve an even better anti-aliasing effect. Cheers, Erik PS: I am adding some additional information below for anyone who has attempted to create large *transparent* images using Lilypond but failed. It took me a while to get the

Re: lilypond-user Digest, Vol 135, Issue 60

map option automatically, then I think it would work, or if I was able to specify this option somehow during lilypond runtime? Is that possible? Cheers, Erik PS: Pasting the previous discussion regarding GS / pngalpha / png16m for reference. Regarding how to create large, transparent scores:

Padding of VoltaBrackets

Hi List, How do I move VoltaBrackets further from the staff? \override Score.VoltaBracket #'padding = #4 or \override Score.VoltaBracket #'outside-staff-padding = #4 seems to have no effect Erik ___ lilypond-user mailing list lilypond-us

Re: bis

This works perfectly, thanks a lot! Erik > 25 juli 2016 kl. 14:56 skrev David Nalesnik : > > On Mon, Jul 25, 2016 at 6:54 AM, wrote: >> >> Thanks a lot, I'll check it out! >> >> Erik >> >> >> - Ursprungligt meddelande -

Re: Padding of VoltaBrackets

That works, thanks! Erik > 8 aug. 2016 kl. 11:22 skrev Pierre Perol-Schneider > : > > Hi Erik, > > Try: \override Score.VoltaBracketSpanner #'padding = #4 > > Cheers, > Pierre > > 2016-08-08 10:58 GMT+02:00 Erik Ronström : > Hi List, > > How

Custom fonts

} } However, making italic text with \markup { \italic text } doesn’t work anymore. Of course, I can define my own macro, but isn’t there a built-in mechanism to resolve different fonts of the same typeface/font family? Erik ___ lilypond-user mailin

Re: Custom fonts

o have no effect at all in my document. Any tips for why? Erik > > %%% begin LilyPond code > > %{ > \version "2.19.46" > > \paper { > #(define fonts >(set-global-fonts >#:roman "LMRoman10" >#:sans "LMSa

Re: Custom fonts

lained that set-global-staff-size seems to reset all fonts. Moving set-global-staff-size to before the \paper block solves the problem. Thanks again! Erik ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Open Sound control?

AFAIK, OSC is only a communication protocol – what is sent over the protocol is up to the application. So it is not a replacement for MIDI, rather a complement. Erik > 13 aug. 2016 kl. 15:52 skrev bb : > > https://de.wikipedia.org/wiki/Open_Sound_Control > is sayed to replace M

Adding augmentation dots

Hi, For a dotted note, it’s possible to override the number of dots actually drawn. But when there are no dots to begin with? I would like to add a dot, but \override Dots.dot-count = #1 has no effect. Erik ___ lilypond-user mailing list lilypond

Re: Adding augmentation dots

>> I would like to add a dot, but \override Dots.dot-count = #1 has no effect. > > You can also use (e.g.) > > c4.*2/3 > > This puts the dot on, but only uses up a quarter note worth of time. Nice trick, thanks! Erik _

Re: Choosing glyph variants

character #xF101. The drawback is that this codepoint is specific to the font, so when editing the source files, these characters is not displayed ”correctly”. And if I would like to change lyrics font for the score, the quotes won’t show up. Erik > 29 aug. 2016 kl. 22:02 skrev Erik Ronst

Re: Choosing glyph variants

%%% Nice one, thanks! Actually, in my specific case, I’m typesetting a book of many hundred folk tunes from an abc source, so I’m already scripting the generation of the .ly files. So I can just do the replacement there. Erik ___ lilypond-user

Re: New LilyPond website

general website design). Would it thus make sense to have a public-facing ”front-page”, with the current (more ”traditional”) webpage easily accessible for those who are already using Lilypond? (I’m actually not convinced myself that this is a good idea, I just wanted to raise the question) Erik

Re: Re; New LilyPond website

> In fact, I tend to be confused about the different layout and sectioning of > the manual pages for stable and unstable. Now suddenly I wonder whether in > the long run it would be a good idea to have an identical structure for > downloads, manuals, regtests etc. for stable and unstable, but us

Outputting current moment to svg

moment) of each note, and I can’t figure out how to do it. This question seems to have been asked before (https://lists.gnu.org/archive/html/lilypond-user/2013-12/msg00207.html), but I couldn’t find any conclusive answer. Any examples greatly appreciated! Erik

Re: Outputting current moment to svg

Many thanks! I should have found those discussions after more than two hours of googling, but somehow I didn’t… Erik > 16 jan. 2017 kl. 01:57 skrev David Nalesnik : > > Hi Erik, > > On Sun, Jan 15, 2017 at 6:14 PM, Erik Ronström wrote: >> Hi, >> >> I’m

PNG output from lilypond-book using Infotex under Cygwin

3b06d98-systems.texi... Layout output to `lily-e413b06d98-1.eps'... Layout output to `lily-e413b06d98.eps'... Compiling book.texi... Writing `book.texi'... lilypond-book: warning: option --psfonts not used lilypond-book: warning: processing with dvips will have

Re: OO and MIDI support

a > byproduct of this OO support. I don't understand all of this, but wouldn't it be possible to achieve most of this functionality with tags? You could just use \keepWithTag #'midi when creating midi, and then tag stuff with midi in the definition of \turn. Erik

Re: Scheme code for extracting LilyPond header properties?

))) > > (Of course, I should rewrite that to make it somewhat more robust. > It works for me, however). You may want to use SRFI-19 for this, http://www.gnu.org/software/guile/manual/html_node/SRFI_002d19.html#SRFI_002d19 Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

lilypond-book and searchable pdf:s

or know someone who is interested in this, please let me know." I don't have enough skills for such a task, but maybe someone on this list has? And I want to ask the LilyPond team: can this be a candidate for sponsoring, even though it is not r

Re: lilypond-book and searchable pdf:s

ry good! Many thanks!! Too bad I didn't find that earlier :-/ One thing though: the --pdf switch is mentioned in the example, but is not present under "command line options" (section 4.4). Best regards Erik __ Sent from

Tuplet groupings / TupletBracket Padding

;ve tried putting "\revert TupletBracket #'padding" at various places but it doesn't seem to work. I feel like there's probably some solution to this though - hope you can help out! Example file at: http://www.erikhagstrom.net/files/snippet.ly /Erik Hagström _

Re: Tuplet groupings / TupletBracket Padding

Thanks a lot Risto, that did the trick! ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Combine rests from two voices

"two" { \voiceTwo a4 b c d } >> r2 r4 << \newVoice = "one" { \voiceOne a4 b c d } \newVoice = "two" { \voiceTwo a4 b c d } >> but it is not a very practical solution. Regards Erik ___ lilypond-use

Re: Combine rests from two voices

Thank you folks! / Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: \tagsOn, \tagsOff

tion of \tag, because it's based on operations on music expressions. However, I think this can be an application of the new music stream architecture: We could add a layer of listeners between front-end and back-end, which filter out all events with specific tags; \tagsOn/Off

Re: Sponsored feature request--partially-tied chords

uld mean--well, LilyPond would issue an error message? > > The whole-chord tie would take precedence? ;-) > > After some thought, I agree with Werner (as usual), and I've changed the > implementation to do this. > > Erik, can you look over my use of stream events vs. ev

Re: Sponsored feature request--partially-tied chords

On Friday 25 August 2006 11:45, Han-Wen Nienhuys wrote: > Erik Sandberg wrote: > > With my last patch (which I sent a few weeks ago but without response -- > > was it lost?), 'articulations is converted to a stream event list when > > music is converted to event. Also,

Re: functions in \with

the whole \with block if you are clever, by applying a funciton on the \new expression, like \myFun \new Staff=foo \with {bla bla} {music} -- Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: sponsorship offer: \lyricsto with \partcombine

vel expression to make lily understand it. (you'll also have to re-define \partcombine etc. to make them use the new definitions) Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Swing Midi

et AFAIK. However, I can try to guide you if you're interested. (I would guess htat this solution can be coded entirely in Scheme) -- Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Swing Midi

e be a wrapper on top of these music streams? Actually, music streams _are_ already used for partcombine (streams are converted to a format which partcombine uses, the plan is to change that format to a more powerful data structure). You can read my thesis (see link in my other reply on lily-devel) for

Tweaking midi tempo. Beats with sligthly different lengths..

time unregularity. firstbeat=1 secondbeat=0.8 thirdbeat=1 and that would be considered for all the meassures in the whole tune when the midi output is generated. Is this possible? cheers, Erik Sjölund ___ lilypond-user mailing list lilypond-user

Re: OOoLilyPond question

ilypond-book place a \score block around your snippet. -- Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: \mark \default in 2.9.24

't missed something in the > latest manual. Sorry, my fault (I forgot to switch off some debug output). Fixed in CVS. Thanks for reporting! -- Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: I would like to buy this enhancement (highly motivated buyer)

ht spots, then it should give you what you want (this way, you will also get page breaks between systems in a natural way). Also, I hope you know about OOoLilypond; if not, please read the ML archives. -- Erik ___ lilypond-user mailing list lilypond-u

Re: Making notes in Scheme?

ic-function (parser location var1) (integer?) #{ $firstnote #(ly:export (list-ref notes 1)) #(ly:export (list-ref notes 2)) #}) Note that ly:export is built into make-music-function, so in that case you don't have to worry about it. -- Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Polyphonic Tablature

ping indeed. > > > > Right! \simultaneous{...} is completely equivalent to <<...>> > > Actually, the following is exactly equivalent to your example: > > I've added \simultaneous for consistency a long time ago,

Re: The importance of a graphical interface.

on a directory, you can access a menu through which you can perform all common subversion tasks. Would it be useful to create a similar lilypond menu? I.e., when you right-click a .ly file, one of the available choices would be 'compile to PDF'. -- Erik __

Re: The importance of a graphical interface.

y file is quite > cumbersome. There has been support for something similar for a while now (since 2.6, IIRC). Nobody has used it yet, though. IIRC the relevant option is: lilypond -b gnome You can search mail archives for more info. -- Erik ___ lilypond

Re: Is Lilypond right for this need?

n't used with rests & just trying to write an app to > convert some simple text file into an .ly file. > > Really Lilypond probably is overkill for what I need, but there isn't > anything else out there that does what I need any better. There's

Re: beam breaking in tuplets

\with {\consists Foo_engraver bar=#'baz} { c d \tiny e f \new Staff \with {\consists Foo_engraver bar=#'baz} { \tiny g f e d} c d e } (I think such operator can come out as a side-effect of some work I'm doing) -- Erik ___ lilypond-user m

Re: beam breaking in tuplets

On Monday 06 November 2006 12:59, Mats Bengtsson wrote: > Erik Sandberg wrote: > > On Monday 06 November 2006 09:25, Mats Bengtsson wrote: > > > > Mats, do you think it would be useful with an operator \newClone to clone > > the current context? E.g. > > \new St

Re: LilyPondTool 2.10 demo

stant point-and-click) Hi, Do you know if there is any free program which can decode this demo? I have tried two flash players, based on libflash 0.4.13 and swfdec 0.3.6 respectively, and neither one plays your demo. -- Erik ___ lilypond-user mailin

Re: Pitch/ octave notation

se sed or similar tool as a preprocessing step for your score. It should be fairly easy to lexically replace c4 with c', c5 with c'', etc. It will probably be confusing though, because you'll have to write c48 to indicate an eight note of pitch c', etc, and you won

Re: Pitch/ octave notation

On Wednesday 15 November 2006 13:25, Mads Sejersen wrote: > 2006/11/14, Erik Sandberg <[EMAIL PROTECTED]>: > > On Tuesday 14 November 2006 16:50, Peter O'Doherty wrote: > > If you really need this, I'd recommend you to use sed or similar tool as > > a preproc

Re: Pitch/ octave notation

On Thursday 16 November 2006 00:49, Han-Wen Nienhuys wrote: > Erik Sandberg escreveu: > > On Wednesday 15 November 2006 13:25, Mads Sejersen wrote: > >> 2006/11/14, Erik Sandberg <[EMAIL PROTECTED]>: > >> Then he could use 4c8 instead, or does lilypond have any s

Re: Hiding empty staves

erride part of the music expression, like: \score { << \override Score.VerticalAxisGroup #'remove-first = ##t \context ChoirStaff << \context Staff = women << >> \new Lyrics \context Staff = men << >> >> \layout{...} } -- Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

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