There are a couple typos in my last post. It should be minLen, of course.
On Sat, Sep 7, 2024 at 10:12 AM Greg Lindstrom
wrote:
> Kieren (and friends) -
>
> Thank-you. This works great. And since I want to use it in a number of
> locations I made a couple of functions:
>
>
Kieren (and friends) -
Thank-you. This works great. And since I want to use it in a number of
locations I made a couple of functions:
% Length Crescendo - Specify a minimum length for the crescendo
lCresc = #(define-music-function(parser location minLen) (integer?)
#{
-\
Hello -
I am arranging a chart where I have whole notes in a measure and I would
like to start at forte and decrescendo to mezzo-forte (or whatever). The
problem is the measure comes out short:
[image: image.png]
I would like it to be longer so the decrescendo is a bit more prominent. I
tried put
Good evening -
Let me start off by saying I'm loving working with lilypond to engrave
music. Well Done!!
Questions. How can I do this (an umlaut over the o??)
[image: image.png]
And on tempo markings (the "ca." after the equal sign. I could do it as all
text but wanted to know if there's a more
Kieren,
My Original Question:
>> Is there a way I can set something at the top of the file where I can
>> specify which version of the measure(s) I want engraved?
Kieren's Response:
>Look for \tag, and you'll find exactly what you want!
My reaction:
Bingo, Bango, Bongo!! This is EXACTLY what I'
Hello,
I am reworking the bass (tuba) parts for my section in the Natural State
Brass Band. For those of you not familiar with the British-style Brass
band, ALL members of the band are expected to have exceptional technique.
The piece I'm reworking has 32nd note runs (1/4 = 90) which members of my
Hello all -
I am working on a score in Lilypond 2.22.1 and believe I saw, somewhere, a
notation to use in the programming of the notes to repeat the previous
measure of notes. Not in the music, I use the various repeats all the time;
this is in the editor when I am coding the notes so I would not
Hello All,
I keep learning and my score is looking even better! With help from this
list, I separated the Coda from the main body of the score and even figured
out how to suppress a time signature which was appearing at the end of the
"blank" line between the main part and coda. The even better pa
rs,
> Valentin
>
> Am Freitag, 30. September 2022, 20:22:01 CEST schrieb Greg Lindstrom:
>
> Hello Everyone,
>
>
> I've engraved a score which includes a "D.S." and Coda. I had no problem
>
> adding the Text (D.S. al Coda") and signs, but currently the
Hello Everyone,
I've engraved a score which includes a "D.S." and Coda. I had no problem
adding the Text (D.S. al Coda") and signs, but currently there is no break
in the score between after the measure to go back to the sign and the
actual coda. In other works I've seen, the Coda is "broken off"
I just have to take a minute to say "Thank-You '' to everyone who has had
anything to do with creating Lilypond. I have been dabbling in it for a few
years but decided to get serious about it 6 months ago. I've been learning
all I can and even ordered the printed manual (which I HIGHLY recommend to
I have created my first full score for brass band and euphonium solo using
Lilypond (and Frescobaldi). The score looks wonderful; I've had it bound at
a local print shop and it looks downright professional. There are a number
of things to correct and I've created an issue for each and will correct
most cases). Otherwise _( and ^( works
> too.
>
> HTH
> /Leo
>
> 30 aug. 2022 kl. 19:30 skrev Greg Lindstrom :
>
>
> I am finishing up engraving my first full score. It's a piece for brass
> band where we could not find a score anywhere and the one we've orde
I am finishing up engraving my first full score. It's a piece for brass
band where we could not find a score anywhere and the one we've ordered has
been backordered for 6 months! I took it upon myself to pull all the parts
and engrave away. Eventually, I will hook up a midi keyboard to enter stuff
I am working on transcribing a euphonium solo and have come across a
rhythm that I cannot figure out how to notate. As an aside, I am loving
lilypond and am impressed with the level of detail that has gone into it.
It makes engraving scores fun!
Here is the figure; it is a single beat in 5/4 time
I'm using Lilypond 2.22.1 and would like to add a page break but when I use
"\pageBreak" the score "stretches" to fill the page. Is there a command to
fill the page so the next score starts at the top of the next page without
stretching the previous page?
Thanks!
--greg
Wow! This works GREAT! Thank-you!
--greg
On Tue, Oct 26, 2021 at 3:35 PM Jean Abou Samra wrote:
> Le 26/10/2021 à 21:47, Greg Lindstrom a écrit :
> > This is not a high priority request. I'm just wondering if the
> > following can be done.
> >
> > I'm
This is not a high priority request. I'm just wondering if the following
can be done.
I'm writing out a bass part with lots of repeated measures. I'm using
\repeat percent X{measure}, where "X" is the number of times I want the
measure to repeat. Works great!
Can I:
1. Place the count above e
\cadenzaOn and \cadenzaOff do exactly what I am looking for; I apologize
for not finding those before asking the list.
As far as "turning off" and the other parts, I've decided to put the
cadenza in the other parts as a CueVoice. Once I get the score completed I
may look at trying to turn the part
I am constructing a score with 4 instruments (tuba/euphonium quartet) and
have come to a spot where Euph 1 has a cadenza. Since it is an extended
passage, I would like to "suspend" the 4 lines of the score and have only
the cadenza line, then go back to having the 4 line score after the
cadenza. Is
Hello Everyone -
I am transcribing a piece called "Hope" by Dorothy Gates and need some help
with a few of the triplet figures. In particular, I would like to know if
it is possible to create a triplet out of the following (quarter note gets
the beat):
1. An eighth and sixteenth note
2. An
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