. I wind up
doing my formatting in Finale, since the Legato support folks recommend the
MusicXML export from Finale (using Recordare's export plugins) as the
cleanest output for the Legato music player.
By the way, I'll contribute $75 US to the MusicXML exporter project(s).
--
Jack Cooper
}
The exceptions you define applies to any chord of that voicing, regardless of
the key. I do
all of my exceptions in the key of C, for clarity.
--
Jack Cooper, BerLen Music
www.berlenmusic.com
www.jack-cooper.com___
lilypond-user mailing list
lilypond
notation manual chapter
or LSR entry. The hardest thing is sometimes finding the right keyword to
search.
Cheers,
Jack
--
Jack Cooper, BerLen Music
www.berlenmusic.com
www.jack-cooper.com
- Original Message
From: Martin Tarenskeen m.tarensk...@zonnet.nl
To: Jack Cooper
scores.
I suppose that doesn't work if you have different interpretations of chord
names for the same chord in
different pieces, but doing this once will save you a lot of hassle. And
saving you hassle is one of
Lilypond's strongest features.
--
Jack Cooper, BerLen Music
www.berlenmusic.com
Just out of curiosity...
Assuming for the moment that development interest might materialize if there
were
money involved, approximately how much sponsorship dollars would be involved to
tackle this?
Jack
--
Jack Cooper, BerLen Music
www.berlenmusic.com
www.jack-cooper.com
for Sibelius Scorch. Legato
uses MusicXML files as input and allows for extensive digital content
management. I am currently converting some of my Lilypond-generated
songs into MusicXML and am working on integrating Legato sales
into my online ecommerce site.
--
Jack Cooper, BerLen Music
is the standard, learn another format?
Or pay someone to translate output from other formats into the *DOS-based*
score?
Just sayin'...
Jack
--
Jack Cooper, BerLen Music
www.berlenmusic.com
www.jack-cooper.com
That ability would seem to indicate more possibilities. The person I
spoke to who
or are you including popular
genres as well?
Jack
--
Jack Cooper, BerLen Music
www.berlenmusic.com
www.jack-cooper.com
From: Stefan Thomas kontrapunktste...@googlemail.com
To: lilypond-user lilypond-user@gnu.org
Sent: Tue, January 26, 2010 4:18:54 AM
Subject: sheet music site for contemporary music
pdf file, but when the end
product is print, who cares?
I don't know whether the lousy pdf rendering was a result of the
version I was using at the time (the book was finished in February)
and whether subsequent releases have improved pdf import.
Cheers,
Jack
Jack Cooper, BerLen Music
this process.
Jack Cooper, BerLen Music
www.berlenmusic.com
--- On Tue, 4/21/09, craigbakalian craigbakal...@verizon.net wrote:
From: craigbakalian craigbakal...@verizon.net
Subject: Lilypond to XML
To: lilypond-user@gnu.org
Received: Tuesday, April 21, 2009, 6:24 PM
Hi all,
Do we have
For a songbook project I just completed, I've been
using Scribus and Gimp to manage my songbook layout and
import the individual song pages as 300 dpi png files.
This worked reasonably well, although Scribus takes a
bit of playing around with to figure out how to configure
a table of contents and
A silly question- a while back, people were reporting drastically slower
compile times for the newest release of lilypond from that for previous
versions.
For that reason, I haven't version 11 since something like 2.11.32 (or maybe
earlier..).
Has the speed issue been resolved? If I recall, the
My bad- I should have read the fixes for 2.11.43..
Cheers,
Jack
- Original Message
From: Jack Cooper [EMAIL PROTECTED]
To: List lilypond-user lilypond-user@gnu.org; List lilypond-user
lilypond-user@gnu.org
Sent: Thursday, May 22, 2008 2:26:01 PM
Subject: Lilypond version compile
--- Martin Seng Hin Yew [EMAIL PROTECTED] wrote:
Dear lilypond users,
I'm copying some fingerstyle guitar score. Most of the songs are in open
tuning (like D A D G A D) and crosstuning (like E-B-E-G-B-E). The
notation is hard to read because it is totally different from standard
--- Martin Seng Hin Yew [EMAIL PROTECTED] wrote:
Dear lilypond users,
I'm copying some fingerstyle guitar score. Most of the songs are in open
tuning (like D A D G A D) and crosstuning (like E-B-E-G-B-E). The
notation is hard to read because it is totally different from standard
--- Johan Vromans [EMAIL PROTECTED] wrote:
Thomas Bonte [EMAIL PROTECTED] writes:
You may see my current result on this pdf file:
http://www.nabble.com/file/p13829430/CL-v2.pdf
If this is what you want to achieve, I'd suggest to take a look at the
'chords' program. (It is currently
I've attached a peculiar little example to illustrate a problem
I am having with Volta using Alternative endings.
Instead of using a regular chordname context to display my chords,
I am creating a new voice consisting entirely of spaces and text
markups. The text markups contain both the fret
--- Mats Bengtsson [EMAIL PROTECTED] wrote:
Quoting Jack Cooper [EMAIL PROTECTED]:
I've been having a problem generating multimeasure rests within
leadsheets, and until recently I made no serious attempt to figure
out what was going on. What I finally noticed is that lilypond
doesn't
. I've attached a copy of one of the
leadsheet files that exhibits this behaviour..
Cheers,
Jack%
% This lilypond source file produces lead sheet output
% for a Jack Cooper composition, Eyes Wide Open.
% The melody is written out in full in this example- there
% are no musical repeating
Roy Zimmerman [EMAIL PROTECTED] wrote: Hi --
I intend to produce songbooks of my songs in piano/vocal format with occasional
lines of guitar tablature. Is Lilypond capable of doing that?
Thank you,
Roy
Hi, Roy. I just finished completing a songbook of my recent CD using
lilypond. I
Valentin Villenave [EMAIL PROTECTED] wrote:
Hi Jack,
I took the liberty to download and look at your songbook, and just
wanted to share a few questions that occured to me while reading it:
Hi, Valentin. Thanks for your feedback- I would mind responsing
to your questions point by point.
If anyone is interested, I've put the source files online for the songbook
I've recently created (I haven't gotten around to fixing the reference
to lilypond's web site yet!)
To access, go to:
www.jack-cooper.com/lilysource
Username: lilypond
Password: awesome
Cheers,
Jack
be happy
to share one of those with you or anyone if it may be of use.
Cheers,
Jack Cooper
\version 2.10.17
\include english.ly
#(set-global-staff-size 17)
\paper {
between-system-space = 10\mm
#(set-paper-size letter)
%#(define fonts (make-pango-font-tree Times
% Verdana
Mats Bengtsson [EMAIL PROTECTED] wrote:
You can find the basic steps of the solution in the mailing list
archives. However,
it seems that some details have changed, so I include the solution here:
\layout{
\context {
\TabStaff
\remove Axis_group_engraver
\consists
- if it will
help, I can include the syntax, as it currently stands, which produces
the output including tab part.
Thanks,
Jack Cooper
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Mats Bengtsson [EMAIL PROTECTED] wrote: Every time you do \new Lyrics, you
get a new Lyrics context, which is
placed on a separate line. Just include all your lyrics sections into
one and
the same Lyrics context if you want them vertically aligned, i.e.
replace your
current \score block with
Happy new year!
I have been navigating the lilypond world for the past six months and have
been primarily exploring lilypond as a tool for creating leadsheets and
songbooks.
My main interest is figuring out how to create an efficient template
for creating a leadsheet (or fakebook style sheet)
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