On 2024-07-04 09:09, Jason Yip - sripedia_getpgrp(a)slmail.me wrote:
On 2024-07-03 22:06, Werner LEMBERG - wl(a)gnu.org wrote:
Even though you want this special subdivision at just one point in
your example, do you have examples where this special subdivision
occurs at multiple points
On 2024-07-03 22:06, Werner LEMBERG - wl(a)gnu.org wrote:
Even though you want this special subdivision at just one point in
your example, do you have examples where this special subdivision
occurs at multiple points in the same beam? My former suggestion
acts as a offset of # of beamlets for
On 2024-07-02 21:33, Werner LEMBERG - wl(a)gnu.org wrote:
My beam subdivision algorithm tries to strictly respect metric
values as subdivision is intended to ease readers' track of the
current measure position. Adding features that loosen that
strictness such as one to support your desired
Replying from my current email address since the one you cc'd me is
abandoned, wish I could update the git commits' email addresses without
breaking changes haha.
On 2024-07-02 09:47, Werner LEMBERG 'wl at gnu.org' wrote:
``` { \once \set subdivideBeams = ##t \once \set
On 2024-04-29 06:48, Jean Abou Samra - jean(a)abou-samra.fr wrote:
You can do \set Score.midiChannelMapping = #'voice as an alternative to that.
Also \new Voice { } should work (untested) instead of \new Voice { s256 }.
I don't think there's a better way.
Setting midiChannelMapping property
Hi,
Does anyone know how to manually set the midi channel # for a staff to
something other than the default of channel 0/1? Without having to
create dummy staffs with just `s256` as the voice content preceding the
desired staff? The staff in question usually only has one voice, so I
modified
