Re: Markuplist and formatted text

Try this: \markuplist \wordwrap-lines {\concat { "test test test "\italic { "italic text" }", test test test" }} Le samedi 04 mai 2024 à 11:18 -0400, Fr. Samuel Springuel a écrit : > How do I get the comma (which is not italicized) attached to the > italics text just before it? > > \version

Re: Multiple connected slurs

Try this: c''1:32( | c1:32 )( | c1:32 )( | c4 ) r4 r2 | you only need three slurs not four. Hope this helps, Jean Brefort (not the Le dimanche 03 mars 2024 à 18:20 +0100, Gerardo Ballabio a écrit : > Hello, > please what is the correct way to draw multiple slurs connected to > e

Re: French tablature (with note heads)?

Hi, Yes, it is possible. The issue was discussed some times ago on the French users list. I join a sample of the result. Hope this helps, Jean Le samedi 09 juillet 2022 à 11:42 +1000, Alasdair McAndrew a écrit : > Hello, > > I believe I asked a very similar question some years ago, since when

Re: Frescobaldi on Wayland

Le jeudi 02 juin 2022 à 22:21 +1000, Andrew Bernard a écrit : > Lots of distros use Wayland now (like it or not). On Fedora 36 I get: > > QSocketNotifier: Can only be used with threads started with QThread > qt.qpa.wayland: Wayland does not support QWindow::requestActivate() > > Any possibility

Re: Placing text marks next to a note?

Hi Alasdair, You might start from the attached file provided by Nicolas Sceaux. I did not test recently but with a previous version I had to play with the code to add space when a mordent just follows a bar line. I used it to edit the gamba part of Morel's chaconne a few years ago. I am not

Re: bach chorales

Le dimanche 24 mai 2020 à 12:58 +0100, Matt Wallis a écrit : > On 24/05/2020 11:27, Urs Liska wrote: > > I would suggest doing so and making it somewhat more accessible in > > the > > sense to not having each chorale live in a self-contained file. I > > would > > love to see an interface where you

Re: Changing Time Signature Appearance

Hi, Le mardi 06 août 2019 à 18:55 +0200, Nils Nommensen a écrit : > Hello, > is it somehow possible to change the digits of time signatures that > are printed to the score, without actually changing the measure > length? > > Best Regards > Nils Yes, it is possible. I often use things like:

Re: Reusable simulateous notes?

Hi, You might use the q letter for repeated chords, such as: \version "2.19.80" \new Staff { \clef "treble_8" 4-> q \deadNote e, q8-> q } Hope this helps, Jean Le mardi 12 février 2019 à 11:30 +, Stig Brautaset a écrit : > Hi! > > I'm trying to transcribe the guitar

Re: How to control spacing between scores in a bookpart?

Le samedi 22 juillet 2017 à 18:58 +, Stephen Nesbitt a écrit : > When creating a jazz score I typically want to break the page into > two distinct sections - a top section composed of fretboard diagrams > followed by the actual score. I do *not* want the sections to be on > separate pages. >

Re: Lilypond newbie can't compile

Le samedi 20 mai 2017 à 11:18 -0500, David Wright a écrit : > Stable has more than one meaning. 2.18.2 has been stable for a long > time, and promises to be around a lot longer seeing that Debian's > "stretch" (as yet unreleased) still includes it. Debian Stretch currently does not include any

Re: ancient custom time signature

Le mardi 21 février 2017 à 12:29 +0100, k...@aspodata.se a écrit : > I have a piece with the following time sigs: >  alla breve >  timesig.mensural34 followed by a 3. >  alla breve > > How do I typeset the timesig.mensural34 followed by a 3 where > it should be ? > > /// > > I try to typeset

Re: Help coding two different voices in the same bar

Second bar can be coded with: <<{s2 \slurUp aes4( g)}\\{ ees}>> Hope this helps, Jean Le lundi 13 février 2017 à 18:41 -0700, Aldo a écrit : > Hello, I am starting now coding in Lilypond and I am trying to learn > using old scores that I have at home. I found a particular bar that I > can not

Re: ghostscript fails on pdf generation

Le samedi 11 février 2017 à 20:55 +0100, N. Andrew Walsh a écrit : > PS- ghostscript on my system (gentoo Linux) recently updated: on Jan > 31st to 9.20-r1. Can anybody else check and see if they encounter the > same issue with that version of ghostscript? Trawling back through > old github issues

Re: Any idea what this error message means?

Le jeudi 15 décembre 2016 à 19:16 +, Peter Toye a écrit : > As far as I can tell, all I did was move a few files into different > directories. And I am now getting this message when it tries to > convert the PS file to PDF. The PS file is is still on the disk and > looks OK. Any idea what it

Re: Pango warning

t; > -Original Message- > From: Jean Brefort  > Sent: Monday, 31 October 2016 5:37 PM > > > It just means what it says, there is at least one string which is not > correctly utf-8 encoded in the source file. > > Jean > Some codes are not valid as UTF-8, su

Re: Pango warning

Le lundi 31 octobre 2016 à 17:16 +1100, Andrew Bernard a écrit : > Any idea what this may mean? >   > As per usual, no line numbers or location info given in the message. >   > Preprocessing graphical objects... > (lilypond.exe:9308): Pango-WARNING **: Invalid UTF-8 string passed to >

Re: intentionally blank cover page ?

Le dimanche 21 août 2016 à 14:58 +1000, B~M a écrit : > Dear All, I have a simple little problem.  > I have two viola suites, each two pages long. I would like to print > these two pieces > double sided, but with an intentionally blank first page so there is > only one page turn  > from the first

Re: Question concerning my code

Le dimanche 24 juillet 2016 à 09:33 +, Raphael Thoene a écrit : > > > > I'm not top posting > Hi, > > as a newbie, I probably do something very „simple“ wrong but my code > works >  until the lower voice in the  > left hand. Then I receive the following error message: > > Starting lilypond

Re: alternative repeat - extraneous barline

Le samedi 09 juillet 2016 à 16:59 +0100, Phil Holmes a écrit : > - Original Message -  > From: "Ken Pierce" > To: > Sent: Saturday, July 09, 2016 4:41 PM > Subject: alternative repeat - extraneous barline > > > > An extraneous barline appears in

Re: Consecutive slurs with differing dash patterns

Le vendredi 08 juillet 2016 à 07:51 -0700, Andrew Bernard a écrit : > Consider this example: > > \version "2.19.44" > > { >   \phrasingSlurDashed >   c''4^\( c'' c''\)^\( c'' c''\) > } > > How would one get the second phrasing slur to be solid, not dashed? I > cannot simply place

Re: Alla breve notation in Kyrie (2) from Bach's Hohe Messe

Le jeudi 07 juillet 2016 à 13:48 +0200, Jogchum Reitsma a écrit : > Hi all, > > In the second Kyrie from J.S. Bach's Hohe Messe, the time signature > is 4/4, but the bars are filled with 8 quarter notes or its > equivalent in time. > I cannot find in the documentation or last years list archive

Re: Accidental-only in figured bass

Le dimanche 03 juillet 2016 à 12:46 +0200, Urs Liska a écrit : > I have the impression I'm missing something stupid, but I'm unable to > figure out (pun intended) how to print something like > >  7 >  # > > instead of > >  7 > #3 > > in figuremode. > > How can I achieve that? > > TIA > Urs >

Re: How to shift stem from one side of a note to the other side

Hi, May be you can use something like: \score {   <<{g'2 e'4 s}\\{e'2 4 }\\{s2 \override  Stem.stencil=##f f'}>> } Happy new year, Jean Le jeudi 31 décembre 2015 à 12:33 -0600, Cynthia Karl a écrit : > (note newfound knowledge used to create a new topic without hijacking > a thread.) >

Re: Offset fermata problem

Hi Use something like:     <<       {a2 r4}       {s4 s16 \fermata s8.}     >> Regards, Jean Le lundi 05 octobre 2015 à 17:25 +0200, Menu Jacques a écrit : > Hello folks, > > I’d like to obtain the following from Poulenc, in which the fermata > is in-between a2 and r4: > > > > I tried with: