t auto-cropping and
such in the past, too! Might be worth searching the archives (or just
googling to get there faster).
By the way, how are you compiling this? (i.e. command line, frescobaldi, other?)
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her ugly - even without beaming the middle
> voice together
>
>
Can you not split the hands into two distinct staves?
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htt
tp://texdoc.net/texmf-dist/doc/pdftex/manual/pdftex-a.pdf
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t of the process.
Is it possible to attache files on this mailinglist?
Of course, but better if you can embed a tiny example.
Search "LaTeX remove ligatures" and you'll probably find your solution is
to use the *newunicodechar* package.
Best,
Jeffery
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ays had a similar thing happen when the content is extracted from
any LaTeX-typesetted pdf (for "ff" and "ft") in any way.
Never bothered to look into why (or rather how) this happens, but I'm sure
the problem/fix is in that part of the process.
Best,
Jeffery
> --
On Fri, Apr 21, 2017 at 10:24 PM Jeffery Shivers
wrote:
>
> So I'd like to know general thoughts about the use of such a system in
> the first place, for GSoC, but also if people might see a use for it
> outside of the scope of LilyPond.
Oops - I mean *outside of
n. The Slack channel is: https://lilypond.slack.com/
Looking forward to your thoughts.
Best,
Jeffery
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ou didn't
indicate you were using that package in your example.
Could you provide a complete / compilable MWE which still produces the
problem you are having?
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You aren't doing
either. People can block you (I certainly will), but your off-topic
posts are still going to be wasting space in the archives that could
otherwise go to meaningful threads.
Thanks,
Jeffery
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ot;mytitle")
\book {
\header {
title = #mytitle
}
\bookOutputName #(string-append "sub/" mytitle)
\score {
c'4
}
}
But if there is a way to use fromproperty in scheme, I can't figure it out.
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Hi Guy,
On Thu, Apr 6, 2017 at 11:33 AM Guy Stalnaker wrote:
> What I want to do is put a box, visually, around the engraved score, but
> independent of the engraved score. There will be two boxes, one (dashed or
> dotted) representing the margins of the document, and another .25" larger
> tha
l problem a lot in the past few
years (don't ask me why us younger/contemporary composers are inclined
to do it :-) ).
Best,
Jeffery
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Who in the world is this addressed to?
On Thu, Mar 30, 2017 at 5:31 PM, Son_V wrote:
> Hi, I've tried to use your solution, bu I didn't got a good file; if I send
> it to you, may you work on it to obtain what I would?
> Thanks.
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4:46 PM, Son_V wrote:
> If just I could understand that the question I have is about something that
> is called "beaming" in English...
http://lilypond.org/glossary.html
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ng to hear back.
In this case, a search for "lilypond beam" pulls up everything you
need (minus the philosophy; you can find some of that here:
http://lilypond.org/background.html).
Welcome back to the Pond!
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rt playing what is
transcribed from a vocal piece - then *maybe* that could be different.
Still, lyrics pretty much speak for themselves phrasing/beaming-wise..
http://lilypond.org/doc/v2.18/Documentation/notation/beams
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On Fri, Mar 24, 2017 at 3:34 PM, Jeffery Shivers
wrote:
> How about at that moment where the beam is "split" or whatever,
> letting that top beam's stem go all the way down to the d-sharp, and
> at that same moment beginning the second beam with a space? I think
> with
? I think
with some settings for avoiding various collisions, that could at
least visually do what you want there.
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ven up in the past on doing
this exact thing more than once. I can't recall ever spending the time
to work it out. Are the beams for the subdivisions (beyond quavers)
always at least on one side or the other - and never both?
Best,
Jeffery
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jeffer
r.outside-staff-priority = #number1
\override Score.ChordName.outside-staff-priority = #number2
Where number2 is greater.
Best,
Jeffery
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On Tue, Mar 21, 2017 at 1:41 PM, Jeffery Shivers
wrote:
> On Tue, Mar 21, 2017 at 1:28 PM, Jeffery Shivers
> wrote:
>> On Tue, Mar 21, 2017 at 1:18 PM, Urs Liska wrote:
>>>>The problem was subtracting 2 from (length input-file) for `ctx`:
>>>> (input-fi
On Tue, Mar 21, 2017 at 1:28 PM, Jeffery Shivers
wrote:
> On Tue, Mar 21, 2017 at 1:18 PM, Urs Liska wrote:
>>>The problem was subtracting 2 from (length input-file) for `ctx`:
>>> (input-file (string-split (car (ly:input-file-line-char-column
>>>(*location*
eak things in other situations? I assume the "2" is there
> fir a reason ...
So far, no. `cd`ing all around the system (up, down, to the side), it
does just fine. I don't know what other situations you'd have in mind
though.
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s
ngth input-file) for `ctx`:
(input-file (string-split (car (ly:input-file-line-char-column
(*location*))) #\/ ))
(ctx (list-tail input-file (- (length input-file) 2)))
This corrects that:
(ctx (list-tail input-file (- (length input-file) 1)))
Sorry for the noise everyone. Don&
prints when its invoked in the document.
I wonder if the problem is something to do with the compiled doc and
that `annotate/module.ily` being in similarly named directories?
Best,
Jeffery
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___
-- Forwarded message --
From:
Date: Mon, Mar 20, 2017 at 8:20 PM
Subject: RE: Re: Re: What can Premusic do that others can't?
To: Jeffery Shivers
I'm interested to know how you would pronounce the phrase "Can't
anyone read 'dadadaaa'?". Coul
On Mon, Mar 20, 2017 at 7:45 PM, have@anti.capital wrote:
> Viral Anticapital will get back to you shortly.
>
> If this is a throwaway email account, that's fine if unnecessary - please
> remember to keep checking it, though!
Seriously?
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jefferyshivers.co
gt; of the most sensible plaintext file format for premusic.
>
> So Lilypond and MusixTex can be agonizingly written down by hand. They
> weren't optimized for that purpose, and are designed to render in an
> entirely different and intensive layout - mine can be comfortably and
> quickly composed in AND displayed and read in notepad.exe. Again, I implore
> you to at least try composing music in my format.
>
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ort of minimal CLI in the browser, or actually a
way to reach the server from your own?
> Maybe it's even possible already?
I don't think so.
>
> Martin
>
>
>
> Op 20 maart 2017 3:59:53 PM schreef Jeffery Shivers
> :
>
>
>> On Mon, Mar 20, 2017 at 10:3
d-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
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ort of thing recently on
here (within the last month or so).
HTH
>
>
> On 03/19/17 21:34, Jeffery Shivers wrote:
>>
>> On Sun, Mar 19, 2017 at 4:14 PM, wrote:
>>>
>>> The best I've managed to do is to show the clef and keysig. However, I
>>> have
there some way to do this?
>
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ot;
> tupletFullLength = ##t
> }
> }
>
> music = \relative c''
> {
> \tupletUp
> \repeat unfold 5 {
> \time 4/4
> c2 c
> \pageBreak
> \time 3/4
> c4 c c
> \break
> }
> }
>
> \score
it’ll be difficult to help ;)
I *do* get the output they describe.
It looks like it is caused by:
\override TimeSignature.after-line-breaking = #shift-right-at-line-begin
>
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he function is placed in the
> music.
> Any idea how I might go about achieving this?
>
> All best,
>
> jc
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he future, by the way (lilypond-user should be
included as a minimum, unless / until the discussion sprouts into a
private / tangential matter)
>
> Am 13.03.2017 um 22:23 schrieb Jeffery Shivers:
>
> On Mar 13, 2017 5:16 PM, "Ralph Fröhlich" wrote:
>>
>> Than
happens then?
>
>
> Am 13.03.2017 um 22:00 schrieb Jeffery Shivers:
>>
>> I can't replicate the errors you're getting with the latest stable
version.
>>
>> Do you have the option to upgrade to (or install additionally, for
>> testing at least) 2.18.
Wo ist die Kokosnuss,"
>"wo ist die Kokosnuss,"
>"wer hat die Kokosnuss geklaut?“ :|"
> }
>}
> }
>} }
> }
>
> % some settings % vim: sw=2 et
>
> --
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ld try instead .)
>>
>> What to try to have a (scheme? lilypond+scheme?) function to loop over
>> list of "verses" and output some "predefined" markup.
>
> _Now_ you are being unclear. I can't figure out what you did, and
> I can't figure o
#'Slur #'(1 . -2) \markup { not engraved }
d'2( c'4)
}
}
\score {
\music
}
Since footnotes can be applied to spanners, is there a small remedy /
alteration that can be made to the balloon text engraver to accomplish
it as well?
Best,
Jeffery
--
Jeffer
On Fri, Mar 3, 2017 at 10:57 AM, Simon Albrecht wrote:
> Am 03.03.2017 um 16:49 schrieb Jeffery Shivers:
>>
>> [1] find a full list of available glyphs in "ps/encodingdefs.ps".
>
>
> More easily, there is an appendix to the Notation Reference under A: ‘The
> F
On Fri, Mar 3, 2017 at 10:14 AM, David Kastrup wrote:
> Jinsong Zhao writes:
>
>> On 2017/3/3 17:02, David Kastrup wrote:
>>> Jeffery Shivers writes:
>>>
>>>> On Thu, Mar 2, 2017 at 9:48 PM, Jinsong Zhao wrote:
>>>>> On 2017/3/3 10:35,
On Thu, Mar 2, 2017 at 9:48 PM, Jinsong Zhao wrote:
> On 2017/3/3 10:35, Jeffery Shivers wrote:
>>
>> On Thu, Mar 2, 2017 at 9:24 PM, Jinsong Zhao wrote:
>>>
>>> Hi there,
>>>
>>> In a violin score, I saw something similar to the following c
== snip
Beams are started/stopped *post-note*, meaning the syntax is like: c[ c]
Best,
Jeffery
>
> Best,
> Jinsong
>
>
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; u...@openlilylib.org
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> http://lilypondblog.org
>
>
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in mind?
> Is this something that can be done within Lilypond? Any suggestion would be
> really appreciated!
>
> Thanks!
>
> Fede
>
>
>
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ther a matter of scheming up a new engraver or using markup.
The latter will at least take less time, so I will see if I can come
up with a convincing approach that way first.
> Best regards,
>
> Peter
> mailto:lilyp...@ptoye.com
> www.ptoye.com
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; }
> >>
> }
>
Oftentimes searching the web or specifically the LP archives will lead
to past threads in which others have already encountered/debugged
the same problem.
I *strongly* suggest googling this issue yourself first - particular
\relative {
\override TupletBracket #'direction = #UP
\omit TupletBracket
\tuplet 3/2 2 {
4-> -> ->
-> -> ->
}
}
== snip
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On Sat, Feb 25, 2017 at 3:39 PM, Jeffery Shivers
wrote:
>
> Have a look at ...
>
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Creating-titles
Oops, I mean:
http://lilypond.org/doc/v2.18/Documentation/notation/titles-and-headers
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Documentation/user/lilypond/Creating-titles
... and ...
http://lilypond.org/doc/v2.18/Documentation/notation/align
Try this:
\header {
dedication = \markup \column {
\fill-with-pattern #2 #LEFT "" "Dedicated to You" ""
}
title = "Title&q
On Sat, Feb 18, 2017 at 8:51 PM, Andrew Bernard
wrote:
> Hi Jeffery,
>
> \override Score.SystemStartBar.collapse-height = #6
>
> Andrew
Wonderful, thank you Andrew!
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On Sat, Feb 18, 2017 at 8:38 PM, Jeffery Shivers
wrote:
> Hi,
>
> I am using a staff with (many) more than five lines, but when I
> increase the line-count a vertical line appears to the left of the
> staff. How do I prevent that from happening, or at least make that
> line tr
\override Staff.StaffSymbol.line-count = #6
c'4
}
}
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* repLength num))
(nextBar (+ startBar lenScaled)))
(ly:context-set-property! context 'currentBarNumber nextBar
'Score)
#})
== snip
On Fri, Feb 17, 2017 at 12:24 PM, Jeffery Shivers
wrote:
> > The bar number check works, but the printed bar numbers are sti
mber engraver (I'm guessing, or
>> whatever engraves them), I am unsure how to correct what actually
>> gets *engraved* (which is obviously important), but here's a partial
>> solution.
>>
>> \adjustBarNum applies the repeats and does the calculations, and
>>
gt;
>
> --
> View this message in context: http://lilypond.1069038.n5.
> nabble.com/Bar-counts-and-repeats-in-repetitive-music-tp199814p200204.html
> Sent from the User mailing list archive at Nabble.com.
>
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> I think using (ly:context 'measurePosition)
Sorry, this is actually incorrect. `currentBarNumber` is what you need
to look up.
On Thu, Feb 16, 2017 at 12:31 PM, Jeffery Shivers
wrote:
> Could you provide a MWE? Without any knowledge of how your project is
> setup, we hav
> http://lilypond.1069038.n5.nabble.com/Bar-counts-and-repeats-in-repetitive-music-tp199814p200190.html
> Sent from the User mailing list archive at Nabble.com.
>
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constantly available.
That sounds just fine. I'm willing/able to take on that responsibility.
Let me know (off list now, I guess) what I need to do or know for now.
Jeffery
On Fri, Feb 3, 2017 at 2:25 PM, Urs Liska wrote:
> Hi Jeffery,
>
> Am 03.02.2017 um 18:58 schrieb Jeffe
I know that it is difficult to get together
> > a team of potential mentors, so *please* take this call seriously and
> > consider joining the effort. Also from last year's experience I can say
> > that mentoring *does* take its time but it's definitely a worthwile
> &
the final say as to
> whether or not the blog posts would meet your standards and be published.
>
> Otherwise, I could write something, but the above options would be fun
> and the idea is off the table in a few weeks as the GCI contest closes
> in mid-January.
>
> Best,
> D
e.com/BBC-SO-playing-from-a-Lilypond-score-tp197758.html
> Sent from the User mailing list archive at Nabble.com.
>
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aking Notes blog as the
> >> post
> >>>>>> header image for the blog posts.
> >>>>>>>
> >>>>>>> Great work! Can't wait to see the next iteration!
> >>>>>>>
> >>>>&g
Hi,
Are there any emacs packages that currently provide (good) syntax
highlighting and indentation for lilypond *including* embedded scheme?
I've tried using lilypond-mode, but have had a better experience just
sticking to scheme-mode when working with lilypond files that are mostly
scheme (that
Hi Kieren,
He’s **extremely** interested in the possible hooks from Lilypond to
> algorithmic music generation, and the interweaving of music with text
> (e.g., LaTeX). I’m hoping to get him hooked on the ‘Pond, beyond the
> high-energy sales pitch I gave him in person.
This is great! Some peopl
Hi Raphael,
The instructions for setting up lilypond on the command line are here:
http://lilypond.org/macos-x.html
Note that `lilypond` and `lilypond-book` etc. are distinct scripts. Just
having the package on your computer doesn't automatically point the
terminal to lilypond.
best,
Jeffery
On
cally-placed offsets don't exist). That may be the more
appropriate way to handle it.
Hmm, intelligent/automatic footnote offsets - that sure would be nice.
On Tue, Jul 5, 2016 at 2:51 AM, Simon Albrecht
wrote:
> On 05.07.2016 03:31, Jeffery Shivers wrote:
>
>> Since offset is p
I suggest the distinction between annotation type (critical remark, etc.),
edition type (addition, emendation, etc.), and observation type (addition,
emendation, etc.). This is a fairly loose naming scheme, but I'll clarify
that it's all oriented to the usual annotations interface (so not referring
This footnote feature is now up-and-running, for those who are interested.
https://github.com/openlilylib/scholarly/tree/footnotes-feature
There is an example doc also: usage-examples/footnote-trigger-test.ly
-j
On Mon, Jul 4, 2016 at 9:31 PM, Jeffery Shivers
wrote:
> Now offset
atever), that could work. But I will say that I
prefer using something as obvious as offset as a sort of automatic
indication of footnote-ness.
-j
On Sun, Jul 3, 2016 at 11:15 AM, Urs Liska wrote:
>
>
> Am 03.07.2016 um 14:48 schrieb Simon Albrecht:
> > On 03.07.2016 03:34, Jeffery
ngle project could employ certain settings
in various modes that aren't necessarily *not* final, for instance, and OLL
could help easily navigate those modes, it would certainly be an advantage
to using OLL in general. :-)
On Sat, Jul 2, 2016 at 9:34 PM, Jeffery Shivers
wrote:
> I'd ap
I'd appreciate any thoughts on the following syntax for implementing
footnotes with annotations:
\criticalRemark \with {
message = "my annotation"
} #'(1 . 2) "my footnote" Slur a4_\the-footnote-hook ( ...
vs.
\criticalRemark \with {
message = "my annotation"
footnote-offset = '(1 .
Hi Gabriel-Marie,
Could you describe in context what you are trying to achieve? Are you
meaning to apply *stanza* number, rather than instrument names? Have a look
at:
http://lilypond.org/doc/v2.19/Documentation/notation/stanzas
HTH,
Jeffery
On Thu, Jun 30, 2016 at 4:37 PM, Br. Gabriel-Marie |
gt; Hi Jeffrey,
> >
> > It's good to hear about your progress! Just a thought about modes...
> >
> > On 06/27/2016 07:50 PM, Jeffery Shivers wrote:
> >> ***Final/"draft" Modes***
> >> OpenLilyLib will ideally be used in final/draft
Hi fellow LP users,
Firstly, thanks to Urs for all his guidance in the project so far. The
LaTeX package for scholarLY is inching forward still, and hopefully I
will share an initial version after a few more kinks have been worked
out with a couple of the features. I'll have more substantial detai
Oops - I did not send that to the listserv. This does that.
On Tue, Jun 14, 2016 at 11:34 PM, Jeffery Shivers
wrote:
> Hi Don,
>
> If you're working
> in
> lyric
> mode
> and not markups
> ,
>
> you can
>
> :
>
>
> empha
I am trying to find the following two things regarding footnotes:
1) How might I retrieve the accumulated number of footnotes either for an
entire document/section, or at least for a single page?
2) In the notation doc [
http://lilypond.org/doc/v2.19/Documentation/notation.pdf], pg. 481, the
'mar
About the name!
:
Daniel Spreadbury said that
"
originally Dorico was the code name for the program, but in time we failed
to find a better name for the program, and the name stuck. However, please
don’t pronounce it like the name of a corn chip!
"
[1]
Lots of good things about this softwar
Dear all,
I am writing to introduce myself and hopefully begin a role an active part
of this community. I am a student / composer in Boston, and I have used
LilyPond for a few years now. I've gotten a lot of help from this list
(mostly lurking the archives, I admit), especially up until the last y
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