Re: Devnull ignores tie and slur

On 2021-05-22 14:51,  Lukas-Fabian Moser wrote: Hi Kaj, Am 22.05.21 um 14:25 schrieb Kaj Persson: How surprising! I tried using Devnull for a piece, but the lyrics did not synchronize with the music. So I discovered that it ignores ties and slurs. This makes this finesse useless for lyrics

Devnull ignores tie and slur

How surprising! I tried using Devnull for a piece, but the lyrics did not synchronize with the music. So I discovered that it ignores ties and slurs. This makes this finesse useless for lyrics, which is a pity. Could be useful. Well, yes, I know it is intended for cadenzas parties in the

Re: Lyrics and Repeats

YES!  YES!  YES! Thank you Carl. This was exactly the solution I have been searching for. Now I must (a bit ashamed) admit that I have never heard of that function/context Devnull and neither the functions skip-of-length or mmrest-of-length. Devnull isn't even mentioned in Notary Reference,

Re: Lyrics and Repeats

Hello David and Aaron You'll find my message at the bottom ... On 2021-05-16 23:41, David Wright wrote: On Sun 16 May 2021 at 06:07:22 (+0200), Kaj Persson wrote: [ … ] I think I have read most of the relevant parts in Notation manual and also Learning manual, but, according to what I can

Re: Lyrics and Repeats

2021-05-15 20:31 skrev David Wright: On Sat 15 May 2021 at 16:03:54 (+0200), Kaj Persson wrote: In the Notation manual is described how to manage Lyrics in Repeat conditions. It shows examples the Repeat section following an initial part of music. There are also examples when the Repeat

Lyrics and Repeats

Hi all In the Notation manual is described how to manage Lyrics in Repeat conditions. It shows examples the Repeat section following an initial part of music. There are also examples when the Repeat starts the piece and then followed by more music. But if you are searching the combination of

PartCombine with rests

I am working on an SATB piece, and want to produce two things: 1) the note sheet and 2) a MIDI file as an aid for the singers in learning the music. I want two voices on one staff, so I tried using the partcombine facility. At one point there is a long pause for the singers, where instruments

Re: Combining \tag with \quoteDuring does not work

David, On 2017-03-27 at 20:17, David Kastrup wrote: Kaj Persson <70147pers...@telia.com> writes: So the result you show printed is _exactly_ the result according to my explanation, yet you say it isn't, possibly because of glossing over half of the explanation, possibly b

Re: Combining \tag with \quoteDuring does not work

Den 2017-03-27 kl. 18:53, skrev David Kastrup: Kaj Persson <70147pers...@telia.com> writes: On 2017-03-27 at. 17:54, David Kastrup wrote: Kaj Persson <70147pers...@telia.com> writes: Oh sorry, this was not according to my intention. And yet I embraced the code with t

Re: Combining \tag with \quoteDuring does not work - addendum

On 2017-03-27 at. 17:54, David Kastrup wrote: Kaj Persson <70147pers...@telia.com> writes: Oh sorry, this was not according to my intention. And yet I embraced the code with the HTML tags ... , a methode I have been using several times before, with good results. Well I take your words

Re: Combining \tag with \quoteDuring does not work

On 2017-03-27 at. 17:54, David Kastrup wrote: Kaj Persson <70147pers...@telia.com> writes: Oh sorry, this was not according to my intention. And yet I embraced the code with the HTML tags ... , a methode I have been using several times before, with good results. Well I take your words

Re: Combining \tag with \quoteDuring does not work

Oh sorry, this was not according to my intention. And yet I embraced the code with the HTML tags ... , a methode I have been using several times before, with good results. Well I take your words and send this e-mail again as pure text, which means I cannot paste the images, why I instead

Re: Re: A notice about \mark when Mark_engraver is moved

Den 2017-03-23 kl. 17:27, skrev Mats Bengtsson: On 2017-03-23 10:18, wrote: Hello all! I had need of printing marks on several staves, so I moved the Mark_engraver to the Staff context, all according to LilyPond NR, see snippet below. Then I noticed, that I could not control the contents of

Re: A notice about \mark when Mark_engraver is moved

On 2017-03-23 at 16:39, Toine Schreurs wrote: Try: A = { \mark #3 a'4 a' | \set Staff.rehearsalMark = #6 \mark \default a' a' } %etc Yes, it does in fact work. I had seen this variable setting in the Internal Reference manual, but it was noted "(read)" so i did not test it.

Re: MIDI and template for dynamics

_performer to the Staff-context: \midi { \context { \Voice \remove "Dynamic_performer" } \context { \Staff \consists "Dynamic_performer" } } though, I haven't tested that! HTH Jan-Peter Am 30.05.2016 um 11:34 schrieb Kaj Persson: Hi Jan-Peter! Thi

Re: Re: MIDI and template for dynamics

Hi Jan-Peter! This, in fact, worked. Now I have to investigate the consequences for my real case, as this is of course a wee more complicated than the simple snippet. it deals with choir music with double voices (soprano and alto etc.) in each staff, and also other things. The question

Re: MIDI and template for dynamics

Hi Phil, Thank you for the hint. No I had not tried \new Dynamics, but now I have. And sorry, that works even worse. Now there is no dynamic difference, even with no name on the \Music voice. It's a pity, because when you put the question I got the feeling that, this of course is the answer,

Re: Re: Chords and what they mean

On 2015-09-19 05:06, Brett Duncan wrote: On 19/09/15 8:49 AM, Kaj Persson wrote: As you wrote Csus ought to mean that the first third is removed, and nothing else. Among professional musicians, which I am not, but I have friends who are, this is not the whole truth, there exists a de facto

Re: Re: Chords and what they mean

On 2015-09-18 21:39, Thomas Morley wrote: 2015-09-18 21:20 GMT+02:00 Blöchl Bernhard : Am 18.09.2015 19:53, schrieb 70147pers...@telia.com: ... Csus means it would be fine, if I could define this once, and then use my definition(s) when entering the

Re: Chords and what they mean

Den 2015-09-17 11:33, skrev Thomas Morley: 2015-09-17 11:13 GMT+02:00 David Kastrup : Thomas Morley writes: 2015-09-17 10:47 GMT+02:00 Simon Albrecht : Hello Kaj, On 17.09.2015 09:27, 70147pers...@telia.com wrote: First I

Re: Re: Putting lyrics below its staff?

On 2015-05-21 15:30, tisimst wrote: Kaj, On Thu, May 21, 2015 at 2:05 AM, Kaj [via Lilypond] [hidden email] /user/SendEmail.jtp?type=nodenode=176853i=0 wrote: I am working on a piece of choir music. It consists of two parts, the first of which is written on one staff, and the second

Re: Re: How to increase the distance between systems? (new try) (7)

Hi Paul, I think that aids like this are very valuable to lead the novice past all the pitfalls surrounding her/his way towards the bigger understanding. At first you just use it, finding it a good help, which I will do now. Later on by investigating how it works, it also leads to a better

Re: Re: Shortening volta brackets at two (and more) staves

...@gmail.com wrote: Hi Kaj, On Tue, Feb 3, 2015 at 1:37 PM, Kaj Persson kape_...@algonet.se mailto:kape_...@algonet.se wrote: In the snippet collection, the Repeats section, there is one named Shortening volta brackets. I have use for just this, since in a piece

Shortening volta brackets at two (and more) staves

In the snippet collection, the Repeats section, there is one named Shortening volta brackets. I have use for just this, since in a piece of music I need some extra space in order to put a mark immediately after the volta alternative bracket. So I tested it, and, yes, the example promised well.