Re: \oneVoice bug (was "staccato oddity")

2004-01-15 Thread Kieren Richard MacMillan
Hello, Han-Wen: yep, fixed in CVS. Excellent. (Did you just change property-init.ly, or something in the app? Or, asked a more proactive way, how can I access CVS to see where you made your changes?) Thanks, Kieren. ___ Lilypond-user mailing list [E

Re: Wish: Page Layout Diagram

2004-01-17 Thread Kieren Richard MacMillan
Han-Wen (et al.) -- I'm leaving it to others to create the diagrams that each and every object. Volunteers, anyone? Sure, as long as you'll proof-read/edit! Regards, Kieren. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailma

beamed stem rounding problem

2004-01-17 Thread Kieren Richard MacMillan
[ Mac OS X 10.2.8 (Fink); Lilypond 2.1.7 ] Hello, development team -- I love the look of the rounded stems on quarters, eighths, and beams (outer edges) -- very warm and "engraved" looking. However, if you look closely, it's creating a divot on "inner notes" of a beamed group: beamDivot.pd

accidental placement (was "Re: 2.1.7-3!!")

2004-01-17 Thread Kieren Richard MacMillan
Hello, all -- Han-Wen wrote: I suppose the distance should be increased if the acc is before a downstem. I added a TODO. Super! (By the way, if I wanted to experiment on this, what property/settings/code would I need to modify/create?) probably right-padding of AccidentalPlacement. (not sure) I th

Re: beamed stem rounding problem

2004-01-17 Thread Kieren Richard MacMillan
Hello, Han-Wen: No - that's quite difficult. I've fixed the overlap for innerstems, so you won't see this (except when using large blot diameters.) I try to keep my blots pretty small, generally... ;-) The logic of single malt whiskey late in the evening. My favourite kind! I certainly hope your

Re: "inline" (scoped) definitions?

2004-01-17 Thread Kieren Richard MacMillan
Hello, Erik: I like your suggestion, it is something I sometimes have wanted to use. In some situations it makes life easier (like, if you have some special \property tweak which you find yourself using several times within one block, it's kind of irritating to have to move out a definition outs

Re: updates

2004-01-19 Thread Kieren Richard MacMillan
Hello, all -- Stan wrote: I am amazed at the frequency of updates, and at the fact that each seems to include a feature which was on the wish list. Agreed! Kudos and thanks to the team! 2.1.12 offers the new "#(set-staff-size 18)", for example Does this allow different staff sizes per system?

Re: Dynamics: cresc not correctly typesetted

2004-01-19 Thread Kieren Richard MacMillan
Hello, Dave (et al.): I don't like \crescmark too much either, but IMHO something or this sort is a lot more logical and intuitive than what is being done now. \cpin, \endcpin? \dpin, \enddpin? The fact that "<" can be seen as a letter C doesn't hurt. Any better ideas? Do you not like the exi

Re: Appoggiatura + Double Bar Line

2004-01-19 Thread Kieren Richard MacMillan
Will: \appoggiatura a,8( fsharp'8\p) r fsharp2 e16[( d fsharp a]) | (Bonus points for identifying what music it is!) It's almost exactly a quote from "Star Wars: The Empire Strikes Back" (Han Solo's theme, I think), so I'm going to guess Richard Strauss... Best wishes, Kieren. ___

Re: Help! Syntax has me completely stumped!

2004-01-21 Thread Kieren Richard MacMillan
Hello, Andrew: Hopefully someone smarter than I will respond, but in the meantime here's my attempt... I have found that unless I put the \global directive in *all* staves, weird things happen -- try that and see what the result is. Hope this helps! Kieren. __

Re: Help! Syntax has me completely stumped!

2004-01-21 Thread Kieren Richard MacMillan
Hello, Mats: I tried to clarify these aspects in http://mail.gnu.org/archive/html/lilypond-user/2003-12/msg00088.html Yes, you did a great job! In fact, by suggesting Andrew throw the \global into every staff, I am taking your advice from that very post: The easiest is probably to try and see wh

Re: transposing instruments

2004-01-21 Thread Kieren Richard MacMillan
Hello, Fodor: I have a practical question about transposing instruments, perhaps you have some experience. Here's my opinion, from the perspective of: 1. Copyist -- enter the "concert" (i.e., sounding) pitch, to make it easier to enter and reuse material 2. Conductor -- where possible, give the

please add specific version listings in Release Notes

2004-01-23 Thread Kieren Richard MacMillan
Hello, development team: Just a little request... Since you are improving Lilypond so rapidly (which I appreciate more than I can tell you!), it often turns out that I am several versions behind, and can't tell what has been changed since what. If the release notes could be a little more speci

syntax colouring in SubEthaEdit (was "Re: First release of LilyPond tool for jEdit")

2004-01-26 Thread Kieren Richard MacMillan
David (et al.): I'll be very happy to have syntax colouring especially If anyone is interested, I've attached a rudimentary syntax colouring rule set built for SubEthaEdit (free collaborative Rendezvous-enabled Cocoa text editor, ). I'm hoping to improv

Re: syntax colouring in SubEthaEdit (was "Re: First release of LilyPond tool for jEdit")

2004-01-26 Thread Kieren Richard MacMillan
Howdy, Chip: Does that run on FreeBSD? The Coding Monkeys themselves have this to say (http://www.codingmonkeys.de/subethaedit/faq.html): [FAQ] Any chance of a *nix or Windows version? We've had quite a few request for this already. However we are relying heavily on the Cocoa Framework, includi

Re: Score spacing.

2004-02-02 Thread Kieren Richard MacMillan
Hello, Ralph: If I look at professionally produced stuff, within a system, the staves are always equidistant. Actually, I have found just the opposite: the staves are *rarely* exactly equidistant! And this is especially true from page to page (as opposed to within a block of staves on one page):

Re: My own wishlist...

2004-02-03 Thread Kieren Richard MacMillan
Hello, Darius: Since Lilypond variables are just a notational shorthand for scheme "let" constructs, wouldn'it be possible to have Lilypond functions translate seamlessly to scheme functions? I think this sounds like a great idea; in fact, a "library" of Scheme functions which have Lilypond funct

2.1.17-1 (unstable) on Mac OS X 10.2.8 [instructions]

2004-02-03 Thread Kieren Richard MacMillan
Hello, all! Just a note to say that I've got Lilypond 2.1.17-1 (unstable) running on Mac OS X 10.2.8. Thanks to the development team for all their hard work, and to Matthias Neeracher for doing the packaging. If anyone is wondering how I did it, here are the instructions: 1. Update Fink to get

setting letter paper size

2004-02-03 Thread Kieren Richard MacMillan
[ Mac OS X 10.2.8 (Fink); Lilypond 2.1.17-1 ] Hello, all -- I can't seem to change the paper size correctly after converting my files to 2.1.17-1... I tried #(set-paper-size "letter") and hsize = 8.5 \in vsize = 11.0 \in in the \paper block, but I ended up with an a4 (ca 8.2 x 1

beam placement

2004-02-03 Thread Kieren Richard MacMillan
[ Mac OS X 10.2.8 (Fink); Lilypond 2.1.17-1 ] Hey, y'all: I just noticed something when converting my Upside-Down Rag to 2.1.17: beamPlacement.pdf Description: Adobe PDF document If I remember Ross correctly, a beam should either sit on, straddle, or hang from a staff line -- obviously the u

set-global-staff-size integer only?

2004-02-03 Thread Kieren Richard MacMillan
[ Mac OS X 10.2.8 (Fink); Lilypond 2.1.17-1 ] Hey, everyone! Does this work: #(set-global-staff-size 17.613) or can you only choose integer point sizes? [I looked through the docs and couldn't find an explicit answer...) Thanks, Kieren. ___ L

fonts, etc., in 2.1.17-1

2004-02-03 Thread Kieren Richard MacMillan
Hello, development team -- I've been looking closely at the output from this most recent version, and in general I'm extremely impressed! The handling of font and staff scaling is wonderful, and little grob "roughies" that crept up in previous versions seem to have been smoothed out very nicely

Re: fonts, etc., in 2.1.17-1

2004-02-04 Thread Kieren Richard MacMillan
Hello, Han-Wen: I'm not 100% sure I agree with how far "to the round" you took the black noteheads, but I'm waiting until I live with them for a while before arriving at my final judgment. We're also not sure - let me know what you think. Well, my instinct is that the noteheads are now too round (

Re: jazz notation

2004-02-11 Thread Kieren Richard MacMillan
Hello, Joerg: If this does not belong to this list, please excuse and anwer me peronally. Could please anybody help with jazz music notation ? Man, we all have that same question! =) If this is the case: What if one of the pairs shall really be 2 eights? Is there an "unjazz" sign or so ? "straig

Re: jazz notation

2004-02-11 Thread Kieren Richard MacMillan
Hello, David: To make everything easy to understand, maybe it's better to say: Swing 8ths ... Straight 8ths ... Because not everyone will understand if you write "Jazz". Excellent point -- especially considering there are "jazz" styles which do not incorporate "swung 8ths". Regards, Kieren. _

Re: ugly slur

2004-02-12 Thread Kieren Richard MacMillan
Thorkil (et al.): \property Voice.Slur \set #'attachment-offset = #' ((1 . 0) 0 . 0) [...] You actually tell Lily to let the *beginning* of the slur start 1 *something* (I don't know if it's a millimeter, a pixel or something else -- can anyone tell me that?) to the right. The units are staff sp

copyright and the public domain (was "Re: lilypond-user faq, documentation, and small issues")

2004-02-14 Thread Kieren Richard MacMillan
Hello, all: Edward Elgar died February 23rd, 1934, so his music will enter the public domain a week from Monday. Actually, I don't think it will go out of copyright until 1 January 2005 (in most countries), as I think the general rule is the end of the 70th year after the author's death. In a

Re: non-relative relative mode?

2004-02-26 Thread Kieren Richard MacMillan
Hello, all -- One more clarification that might help \relative newbies... Unlike \transpose x {}, the pitch that is chosen to "define" (begin) the \relative mode block is used ONLY to provide the "relative origin" for the FIRST NOTE, and has no other effect on future pitches. For example, the

Re: non-relative relative mode?

2004-02-26 Thread Kieren Richard MacMillan
Hello, all -- It's entirely predictable: if a note a up to a fourth from the previous one, you don't need a ' or a ,; otherwise, you need one (or more) comma or tick. What's the problem? For me, it was a two-step discovery process: 1. Truly being comfortable with what was described above (i.e., w

Re: Line / page breaks

2004-03-01 Thread Kieren Richard MacMillan
Hello, Zbynek: I don't know if this is the "optimal" technique, but in each .ly file, I have a "layout" block the sole purpose of which is to dictate line breaks: layout = \notes { s4*4*5 \break s4*4*3 \break % etc. } Then I just roll it into the \score block: \score { {

Re: pedal question

2004-03-01 Thread Kieren Richard MacMillan
Hello, Atte: How do I get a final pedal that is pressed on the last note and depressed on the final bar-line? I believe you mean "released", not "depressed" -- as far as I know, "pressed" and "depressed" in this context are usually interpreted as indicating the same thing, like "flammable" and "

Re: getting started

2004-03-01 Thread Kieren Richard MacMillan
Welcome, Mitch! Sounds like you did everything right. Two things you might want to try: 1. Restart Terminal -- sometimes, the alias doesn't "link" in Terminal until you restart a session. 2. Use the full executable path to lilypond -- it's likely something similar to /sw/bin/lilypond. Hope th

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