I'm using v. 2.6.5, under Windows XP Home, SP2. Can a Lilypond file with
multiple \score blocks be made to produce a single midi file? I'm working on
some songs with 2 sections: (1) piano with melody lyrics, then (2) SATB chorus
with piano. The only way I can get them to come out right in a
after the first note
where you want the melimsa to begin.) For more info on the \melisma
command, see the manual for version 2.6, section 7.3.4.
Hope this helps,
Linda Cantoni
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Stephen Torri
Sent: Tuesday
Not long ago I saw a message here that it is a bug. You can turn dynamics
off in the midi in order to get the notes to be heard, albeit without the
crescendi and decrescendi. (They'll still be in the printed output.)
Here's the command:
\midi { \tempo 4 = 84
\context {
\Voice
I use (from one of the samples in the manual):
\score {
\layout {
indent = 0.0\cm
}
}
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Michael Welsh Duggan
Sent: Tuesday, November 29, 2005 12:24 AM
To: Don Blaheta
Cc: lilypond-user@gnu.org
I also got the
same message recently and was a little put off by it . . .
From:
[EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Michael Haynie
Sent: Monday, November 28, 2005
5:51 PM
To: lilypond-user@gnu.org
Subject: Fwd: Request to mailing
list bug-lilypond rejected
I had the same problem recently - it's caused by a \fermata command on a
whole-bar or multi-measure rest. If you change this:
R2.\fermata
to this:
R2.^\fermataMarkup
you should be fine.
From: Linda Cantoni [EMAIL PROTECTED]
Date: Sat Nov 26 23:45:09 CST 2005
To: J L [EMAIL PROTECTED
Hi, I had exactly the same problem the other day, also using 2.6.4 Windows
XP native. The only way I could solve it was by switching to a regular SATB
choir format (i.e. using ChoirStaff instead of StaffGroup). I have no idea
why that makes a difference, and I don't know if that will work for
I'm using Lilypond 2.6.4 (Windows XP native). Using the ancient notation
template (Section 3.5.1 of the manual) as a guide, I reproduced a six-voice
version of Sumer is icumen in. The parts are marked Cantus I through IV
and Bassus I and II. Except for a neomensural-style time signature symbol,
