Hello,
I have a fresh install of Lilypond 2.17.28 in my home directory (under
~/local/opt/lilypond-2.17.28) on CentOS release 6.4. I do not have sudo
powers. When I try to compile this file, named test.ly:
\version "2.17.28"
{
c' e' g' e'
}
using lilypond test.ly, I get:
warning: `(gs -q -dSA
bers if you set these options at the
beginning of that group's top staff:
\override Staff.BarNumber #'break-visibility = #'#(#f #t #t)
\set Staff.barNumberVisibility = #(every-nth-bar-number-visible 5) %
or however often you want bar numbers to be visible
Again, thanks, Eluze, and
On p. 125 of my Gardner Read (1964), it says:
"To cancel the double flat and restore the original single flat, it
was formerly required—as cited in the rules on page 123—to write a
natural sign plus the single flat. Today the tendency is to use merely
the single flat-sign without the natural. It ma
#x27;nonstaff-relatedstaff-spacing =
#'((basic-distance . 5)
(minimum-distance . 5)
(padding . 0))
}
}
On Fri, Jun 10, 2011 at 4:45 AM, -Eluze wrote:
>
>
> Nicholas Moe wrote:
>>
>> I am writing a piece which requires lyrics above and below the staff.
>>
I am writing a piece which requires lyrics above and below the staff.
I would like to have regular measure numbers right above the bar-line
(i.e. always approx. 0.75 staff lines above the staff). Ideally I
would like to make the lyrics invisible to the bar numbers.
I have been unable to find a wa
odernised rhythms, I'm content
with doing my compilation checks without multiplying. After everything
is typed in, I can switch on the multiplication and just ignore the
warnings, since I already know I got everything else right!
Nick
On Thu, Jun 9, 2011 at 3:54 AM, Phil Holmes wrote:
> -
Hello,
I am replicating a handwritten score of Renaissance polyphony. I
entered the notes with \autoBeamOff and manually entered the beams
where they were needed using square brackets. Later, I decided I
wanted to double the values of the notes, as is common with this type
of music. I figured out
This does help. Thank you!
Nick
On Mon, May 23, 2011 at 4:10 AM, -Eluze wrote:
>
>
> Nicholas Moe wrote:
>>
>> Hello,
>>
>> I am having trouble hiding an empty staff line following a time
>> signature change when I am using line breaks. In the example
Hello,
I am having trouble hiding an empty staff line following a time
signature change when I am using line breaks. In the example below,
the staff for the melody line should disappear in measure 4. It does
disappear if I use \RemoveEmptyStaves in the Staff context, but I want
to keep the rest in
-
Best,
Nick
On Sun, Mar 20, 2011 at 11:30 AM, Stan Sanderson
wrote:
>
> On Mar 20, 2011, at 1:21 AM, Nicholas Moe wrote:
>
>> That makes the tie how I want it, but I need to shift the middle notes
>> to the right in the second measure to show t
:30 PM, Nicholas Moe wrote:
>
>> I am working on engraving an organ piece, César Franck's Cantabile. In
>> the LH in mm. 16–17, the middle voice is tied, but the tie collides
>> with the notes in the upper voice. Ideally, its shape and position
>> should match the tie in t
I am working on engraving an organ piece, César Franck's Cantabile. In
the LH in mm. 16–17, the middle voice is tied, but the tie collides
with the notes in the upper voice. Ideally, its shape and position
should match the tie in the upper voice, only shifted down. How can I
achieve this?
Here is
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