Re: adding new staff on the fly in a staff group

Am Donnerstag, den 22. Mai 2014 um 14:45:26 Uhr (+0200) schrieb David Kastrup: > Apply the obvious fix to my proposal. :-) Thanx!! -- Orm ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

adding new staff on the fly in a staff group

Hi, in the following example, adding a new staff on the fly within the uppermost staff of a staff group adds the staff below the last staff of the staff group. Is there an easy workaround to create the new staff directly below the uppermost staff? -- Orm \version "2.19.5" \score { << \n

Re: Validating a Scheme list

Hi David, I wasn't aware that SRFI-1 is included in lilypond. Is there any documentation about which libs/packages are included in lilypond? -- Orm Am Donnerstag, den 15. Mai 2014 um 10:26:07 Uhr (+0200) schrieb David Kastrup: > (if (every (lambda (sig) (eqv 2 (length+ sig))) lst) > (displa

Re: Validating a Scheme list

Hi Urs, it doesn't make too much sense to first collect the whole list and then check for membership of #f. It'd be more reasonable to stop iteration once any of the preconditions isn't met. You could achieve this by using a recursive function like below (you could make it more terse by using if

Re: Transposing instruments in orchestra score

Hi David, sounds like a deal. Let me know when you're able to work on it and maybe also the amount of sponsoring you'll need... Yours, Orm Am Samstag, den 10. Mai 2014 um 15:21:40 Uhr (+0200) schrieb David Kastrup: > > I'm thinking about it, but no timeline. > > Basically, it requires reworki

Re: Typesetting exercises with blank space

Hi James, here is how I normaly do it (you can of course wrap this into a definition called "emptyBar" and use rests if you need Midi ouput: \relative c' {c d e f \hideNotes c d e f \unHideNotes c d e f } -- Orm Am Samstag, den 10. Mai 2014 um 18:43:49 Uhr (+0800) schrieb James Harkins: > I wa

Re: Transposing instruments in orchestra score

Hi List, glad I'm not the only one with this use case! As I understand the situation it is a non-trivial matter to get properly implemented. My offer to sponsor this still holds (especially if it gets done in the next two months) but it seems no one with the necessary skills will implement it, s

Re: Transposing instruments in orchestra score

Hi all, as I understand the situation, the most convenient situation for all would be the possibility of a context switch in mid-score affecting the way lilypond is interpreting (seeing) the pitches, which could get changed globally by including different files with redefinitions of the context-s

Re: Transposing instruments in orchestra score

Hi, sorry, I seem to have missed the replies to the thread and just reread them in the list archive. David, could you provide me with a hint on how to get the suggested masterToScore and masterToPart functions working? I guess this would be the most suitable method for my purpose as I'm generati

Re: Transposing instruments in orchestra score

Hi David, thanks, sorry for not noticing this in your previous mail... -- Orm Am Donnerstag, den 08. Mai 2014 um 17:50:15 Uhr (+0200) schrieb David Kastrup: > Orm Finnendahl writes: > > > Hi David, > > > > below is a minimal example. One of the disadvantages of this

Transposing instruments in orchestra score

Hi David, below is a minimal example. One of the disadvantages of this notation is obvious, if you render the file: Both parts are in the wrong octave. The "\relative c'" has to get moved inside the brackets of the \bclarinet and \eb-clarinet calls in order to correct this. I'd much prefer not ha

Transposing instruments in orchestra score

Hi List, I'd like to write a part for a transposing instrument in sounding pitch, having the score printout in C and the part printout transposed. As far as I understand the docs, in this case I'd have to wrap the instrumental part's music into a "\transpose {}" statement and not using "\transpos

Split Parts

Hi List, I'm taking the plunge to write a pretty big orchestra piece with lilypond (contemporary music) and am wondering how to organize the parts: There will be sections in the piece where e.g. the first violins are split (maybe sometimes only for a couple of bars and up to 14 different parts).

Re: xpdf broken on ubuntu

Am Montag, den 08. April 2013 um 08:47:45 Uhr (+0100) schrieb Mark Knoop: > > If you can send me that script and documentation I'll include it in the > git repo. ok, here you go: Configuring evince as the default pdf viewer in emacs with lilypond-mode: 1. Put "mimeapps.list" and "textedit.dektop

Re: xpdf broken on ubuntu

Hi Mark, Am Sonntag, den 07. April 2013 um 16:48:14 Uhr (+0100) schrieb Mark Knoop: > > https://github.com/markk/textedit-ly Thanks that was really helpful (especially the "apparmor" part! Ubuntu seems to gradually digress into some bugridden version of Windows...). I adapted everything to work

Re: xpdf broken on ubuntu

Am Sonntag, den 07. April 2013 um 09:43:30 Uhr (+0200) schrieb David Kastrup: > > I think I also saw some recipe for getting evince to work with > point&click when doing a web search, but it involved meddling with the > gconf configuration of either evince or GNOME's URI handlers. That could be a

xpdf broken on ubuntu

Hi, are there any recommendations for a stand-alone lilypond point-and-click capable pdf viewer for current ubuntu distros? xdf seems to be deprecated (see discussion: https://bugs.launchpad.net/ubuntu/+source/xpdf/+bug/943195). Are there any emacs-cooperative alternatives (without having to ins

Re: Multi column page setup

Hi Hanns Holger, below is a minimal example (with a layout block for each column for illustration how to specify different layout settings for each column). You can extend it to as many columns you want. There is a major drawback though: You can't have lilypond figure out page breaking as the mus

Re: spanners not showing up

Am Freitag, den 01. März 2013 um 19:20:25 Uhr (-) schrieb Phil Holmes: > > Checkout glissando on: > > http://lilypond.org/doc/v2.15/Documentation/notation/spanners Thanks and sorry for the noise. I should have found that myself... ___ lilypond-use

spanners not showing up

Hi, sorry, if that has been discussed before. In the following example, there are two glissandos with an end arrow between each f and g, but only the second one is showing up. This is obviously due to lilypond's spacing decisions, not leaving enough space for the first gliss sign (see attached p

Re: arrow notehead and articulation

Hi Nathan, great, thanks a lot! -- Orm Am Dienstag, den 20. November 2012 um 08:40:03 Uhr (-0800) schrieb Nathan: >On Tue, Nov 20, 2012 at 6:06 AM, Orm Finnendahl ><[1]o.finnend...@inm.mh-freiburg.de> wrote: > > Hi, > >  I'm trying to replace

Re: arrow notehead and articulation

ffset = #'8 >  \once \override NoteHead #'text = >\markup { >    \fontsize #5 { >    \arrow-head #Y #UP ##f }}} > >\relative c''' { \pfeileins f-. \pfeilzwei f-. } > >grüße aus Berlin, >Jeff Treviño > >

arrow notehead and articulation

Hi, I'm trying to replace a notehead above the staff by an arrow indicating a very high pitch. Here is my code, resulting in the attached example png: pfeileins = { \once \override NoteHead #'stencil = #ly:text-interface::print \once \override NoteHead #'stem-attachment = #'( 0.1 . 1 ) \o

Re: vibrato squiggle

Am Mittwoch, den 20. Juni 2012 um 08:46:33 Uhr (+0200) schrieb m...@apollinemike.com: > > If you google "vibster lilypond", there used to be a snippet for 2.12 that > did something like this. I'm not sure if it works in 2.14. doesn't seem to work here: GNU LilyPond 2.14.2 Processing `/tmp/con

Re: contemporary accidental style

Am Montag, den 21. Mai 2012 um 16:18:16 Uhr (+0200) schrieb Orm Finnendahl: > The example for neo-modern in the documentation actually is an > excellent example for a situation where the musician has to ask about > the second fis because it's not obvious if the accidental has been

Re: contemporary accidental style

Am Montag, den 21. Mai 2012 um 15:58:14 Uhr (+0200) schrieb Jan Nieuwenhuizen: > Question is: is neo-modern used and appreciated as it works right now > and do we indeed need a "contemporary" style, or should neo-modern > behave like Orm describes? I would opt for that. The only situation, I know

Re: contemporary accidental style

Am Montag, den 21. Mai 2012 um 15:37:33 Uhr (+0200) schrieb David Kastrup: > > \accidentalStyle "neo-modern" does not match your requirements? > its close, but the immediate repetition is the problem. I encounter calls by musicians quite often if I don't explicitely restate the accidental (even

contemporary accidental style

Hi, for years I'm sorely missing an accidental style for contemporary music, which I always use and which is quite common among contemporary composers in my experience. At the moment it requires quite some extra work in every score implementing the accidentals explicitely although its behaviour c

Re: How to generate small example PNGs

Hi Ralf, did you try the -dclipsystems option? Its explained in 3.4.1 of the notation reference ("Extracting fragments of music"). -- Orm Am Thursday, den 23. June 2011 um 10:06:47 Uhr (+) schrieb Ralf Mattes: > Hello list, > > for a webproject with music examples I need to create PNG fil

voice context on the fly and lyrics

Hi, in the example below, I'm trying to create a Voice context on the fly and add lyrics to it. It doesn't seem to do what I would expect. The attached png shows my output (lilypond 2.13.43 on Linux). My questions: 1. Why are the b and a eigth notes rendered simultaneously with the c on the

Re: ps to pdf conversion fails

Am Saturday, den 18. December 2010 um 11:23:17 Uhr (-) schrieb Phil Holmes: > This normally occurs when it's not possible to delete the previous > version of the PDF - often because it's open in a PDF viewer. Try > deleting the old version and see if that fixes it. Thanks !!! -- Orm ___

ottava bracket and fingering

Hi, the fingering of columns is placed outside the ottava bracket in the following example: \version "2.13.43" \new Staff { \relative c''' { \override OttavaBracket #'outside-staff-priority = #20 \override OttavaBracket #'staff-padding = #60 \override OttavaBracket #'y-offset = #60

ps to pdf conversion fails

Hi, a file I could typeset yesterday now fails on the conversion to pdf with the following error: `gs -q -dSAFER -dDEVICEWIDTHPOINTS=841.89 -dDEVICEHEIGHTPOINTS=1190.55 -dCompatibilityLevel=1.4 -dNOPAUSE -dBATCH -r1200 -sDEVICE=pdfwrite -sOutputFile="./schnell-pno01.pdf" -c .setpdfwrite -f "sc

Re: empty Staff context and vertical spacing

Hi Xavier, Thanks a lot, I wasn't aware of the change and will look into it. -- Orm Am Tuesday, den 12. October 2010 um 10:52:06 Uhr (+0200) schrieb Xavier Scheuer: > The vertical spacing system has changed from 2.12 to 2.13. > You have to use a syntax like > > between-system-spacing = #'((sp

empty Staff context and vertical spacing

Hi, when using \RemoveEmptyStaffContext, between-system-padding and between-system-space seem to have no effect, the staff systems are squeezed together with seemingly no vertical space between them. Sorry if I'm missing the obvious. I tried to find information in the doca about that but didn't

starting music with an acciaccatura

Hi all, starting a score with an \acciaccatura gives unintended results in the following example on my machine: \version "2.13.23" \score { \new PianoStaff { << \new Staff { \clef G \acciaccatura { c'16[ c'16] } c'16-> r8. } \new Staff { \clef bass c4 } >> } \layout {} } As the

Instrument Names for Staff Groups?

Hello, I'm trying to typeset a piece for 4 Percussionists. Each of them will use 4 \Staffs combined into a \StaffGroup: 2 percussion staffs and a combined bass/treble \PianoStaff for Mallets. I would like to have the name "Percussion 1" printed in front of the whole group, vertically centered and

Re: Instrument Names for Staff Groups?

Hi Trevor, thanks a lot, worked right away! -- Orm Am Tuesday, den 21. September 2010 um 23:02:02 Uhr (+0100) schrieb Trevor Daniels: > You need to add the Instrument_name_engraver to > StaffGroup, and also set shortInstrumentName. > > See > http://lilypond.org/doc/v2.13/Documentation/notati

Instrument Names for Staff Groups?

Hello, I'm trying to typeset a piece for 4 Percussionists. Each of them will use 4 \Staffs combined into a \StaffGroup: 2 percussion staffs and a combined bass/treble \PianoStaff for Mallets. I would like to have the name "Percussion 1" printed in front of the whole group, vertically centered and

Re: page breaking issues

Dear Alexander, thanks so much! -- Orm Am Wednesday, den 09. December 2009 um 13:07:06 Uhr (+0100) schrieb Alexander Kobel: > Orm Finnendahl wrote: >> Hi, >> >> I'm arranging piano parts for optimal page turning and have a lot of >> trouble getting it right by

page breaking issues

Hi, I'm arranging piano parts for optimal page turning and have a lot of trouble getting it right by tweaking system sizes, inserting \break and \nobreak, adjusting system-count, recompiling and hoping that this time the pages break at the right place (just to find out that the page break I'm wor

Re: number of systems on a3 page

ok, thanks I'll try that. Am Friday, den 27. November 2009 um 14:31:23 Uhr (+0100) schrieb Federico Bruni: > David Kastrup wrote: >> >> With the current developer version (2.13.9 or so), there are 12 systems >> per page with your input file. >> > > also with the last development version (2.13.8) t

number of systems on a3 page

Hi, it seems I can't fit more than 8 systems of piano music on an a3 page, although at the bottom there is plenty of space. You can see the result here: http://icemserv.folkwang-hochschule.de/~finnendahl/download/lilytest.jpg It seems the layout doesn't produce systems beyond a certain point (t

change temporarily to custom clef

Hi, in contemporary music sometimes unusual "Clefs" are temporarily used within a piece (for example for string instruments clefs where notes indicate the contact point of the bow between fingerboard and bridge). I guess for designing custom clefs one has to define a custom font but I wonder whth

Re: Adding an extra staff

Hi Alistair, Am Dienstag, den 26. August 2008 um 11:47:07 Uhr (+0200) schrieb alistair zaldua: > and that didn't work. Where should I type the notes for the middle bar ? > what you're trying to do seems to be creating a staff system on the fly, but the code shows a staff system which is conta

Re: double fermata

ave to add > one back afterwards.) > > /Mats > > Orm Finnendahl wrote: > >Hi, > > > > on DrumStaffs I get two fermatas on multimeasure rests, normal Staffs > >work as expected (see below and attached pdf). > > > >Am I doing something wrong? > >

double fermata

Hi, on DrumStaffs I get two fermatas on multimeasure rests, normal Staffs work as expected (see below and attached pdf). Am I doing something wrong? \version "2.11.42" \score { << \new DrumStaff { R1^\fermataMarkup} \new Staff { R1^\fermataMarkup} >> } -- Orm test.pdf Descript

Re: cross staff beams in choir staff

Hi Neil, thanks, the output looks o.k. with 2.11.42, so I guess I should upgrade. I hope it doesn't break too much of my edited parts. Yours, Orm Am 15 Mär schrieb Neil Puttock: > On Fri, Mar 14, 2008 at 11:47 PM, Orm Finnendahl wrote: > > > Sure. The first attached file

Re: cross staff beams in choir staff

Hi Neil, Am 14 Mär schrieb Neil Puttock: > Hi Orm, > > Would you mind posting a minimal example which demonstrates the > problems you're having? Sure. The first attached file works, the second doesn't (and neither works with "DrumStaff" instead of "Staff"). Please try it out. Maybe my lilypond v

cross staff beams in choir staff

Hi, I'm trying to typeset cross staff notes on a 12-staff percussion system. Defining the staff systems as "Staff" and the StaffGroup as "PianoStaff" works well. Trying the same with "ChoirStaff" and the individual Staff systems as "DrumStaff" results in lots of errors and the beams and staff lin

coloring dots (and ledger lines)

Hi, I'd like to color some notes in a piece but the dots aren't colored as well (see example below). I found an option called dot-color but can't get it to work. In addition I think it might be better to color the ledger lines as well, but don't know how to accomplish that either.. Can somebody

Re: multimeasure rest on single line DrumStaff

Hi all, Am 04. März 2008, 00:42 Uhr (+0200) schrieb Risto Vääräniemi: > > However, as Reinhold pointed out, if you use multi-measure rests to > "skip" measures you have to revert the extra-offset for that period. > Assuming you always know when the kip takes place. > \revert DrumStaff .MultiMeasu

Re: multimeasure rest on single line DrumStaff

ra-offset = #'(0.0 . -1.0) { \time 9/8 R4.*3 } } } Does that have anything to do with the version I'm using,or am I doing it wrong? -- Orm Am 03. März 2008, 23:37 Uhr (+0200) schrieb Risto Vääräniemi: > Hi Orm, > > On 03/03/2008, Orm Finnendahl wrote: > > I

multimeasure rest on single line DrumStaff

Hi, I'm trying to input multimeasure rests on a single line DrumStaff. Unfortunately these rests are drawn above the stave (as the single line represents the middle b). How can I make this rest appear hanging on the single line instead of above it? (sorry if I'm missing the obvious). -- Orm __

Re: Three questions about good German usage?

Am 29. Februar 2008, 23:56 Uhr (-0600) schrieb Trevor Bača: > Hi, > > I have three questions about good German usage: > > > 1. Are "natürlichen Flageolettönen" and "künstlichen Flageolettönen" the > correct terms for natural and artificial harmonics? It is probably not wrong to use the term "Fl

printing Staff Symbol before \stopStaff

Hi, stopping a Staff at the beginning of a piece results in the clef and time signature being printed without the staff symbol. Is there a way to make the staff symbol appear *without* having to enter music (or to skip musical time) before the \stopStaff? Below is an example: I would like to have

Math mode in lilypond?

Hi, I'm writing an introductory text to tuning systems and need to print mathematical expressions like roots, exponentials and such as markup. I would like to use TeX's capabilities for that but am not sure whether this can get integrated inline (without including the formulas as graphics or direc

Re: proposal: second style for quartertone accidentals

Am 29. Januar 2007, 12:24 Uhr (+0100) schrieb Han-Wen Nienhuys: > Maximilian Albert escreveu: > > > > Well, I'd be delighted to give it a try because this sounds exactly like > > the kind of rather easy task which merely distracts the core team from > > doing more difficult and really important st

Re: PNG size issue

lala lala wrote: >More weird : if I check lily output I see that lily call : >gs -dEPSCrop -dGraphicsAlphaBits=4 -dTextAlphaBits=4 -dNOPAUSE >-sDEVICE=png16m -sOutputFile="test.png" -r72 "test.ps" -c quit > >When I executed this line after running lilypond my PNG is overwritted >by a PNG with th

Re: proposal: second style for quartertone accidentals

Hi, we use additional simple up/down arrows placed left to normal accidentals, giving a concise way to specify the complete eighth tone scale. The glyphs are actually included in the font. This would make even more changing of alteration syntax necessary, though. I don't mind to be able to combin

Re: proposal: second style for quartertone accidentals

independent from the above selection of glyphs, as we usually try to > strictly separate musical content and engraving style. Considering this > principle, maybe the right thing is -- similarly to including proper > internationalized notenames -- the user to \include his/her favourite

Re: proposal: second style for quartertone accidentals

Am 27. Januar 2007, 12:06 Uhr (-0600) schrieb Trevor Bača: > > Question: would it be possible to have access to *both* sets of > glyphs? It seems to me that I've seen both types of glyphs mixed > together in single scores; usually the existing quartertone glyphs > show exact quartertone alterations

Re: proposal: second style for quartertone accidentals

Am 27. Januar 2007, 15:33 Uhr (+0100) schrieb Ole Schmidt: > Hi, > > I did not understand if these accidentals are already implemented so > that I can use them? If not, I'am interested strongly in using them, > they are indeed much easier to read and to handle... No, They aren't implemented

proposal: second style for quartertone accidentals

Hi, for a while I wanted to suggest adding the option of using a different style for microtone accidentals. I personally prefer the use of up or down arrows on extended vertical lines of the standard accidentals (see attached example). The advantage of this style is a better differentiation of enh

Re: Questions regarding creation of a new glyph (was: White diamond, black diamond, and possible small sponsorship?)

Am 23. Januar 2007, 23:55 Uhr (+0100) schrieb Han-Wen Nienhuys: > > A harmonic head is slightly bigger so it protudes through the staff > lines, if printed in a space. AFAIK, they only exist in the open form, > and Trevor's use of the black form is not canonical. There are many things not canoni

set-octavation bug?

Hi, something seems completely wrong here: \version "2.11.7" \relative c { #(set-octavation 1) b4~ #(set-octavation 2) b4~ #(set-octavation 1) b4~ #(set-octavation 0) b4 } all pitches should be the same (and lilypond obviously thinks so as it prints the slurs) but the octaves are messed up

harmonic in pitched Trill and bracketed Notes

Hi, as I didn't get any response regarding my question concerning harmonics in brackets in pitched Trill contexts: I'm really interested in getting some way to put smaller notes, chords or music expressions with and without arrows, brackets, articulations and all sorts of things as cues within the

different margins for even and odd pages

Hi, is there a way to set different margins for left and right pages (for double-side printing), or to put some extra margin to the inner part of the page in a book? -- Orm ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mai

pitchedTrill with harmonic

Hi, can somebody give me a working example how to greate a pitched trill with a harmonic (diamond) notehead between the brackets? I suspect it could be tweaked with the #'stencil property of the TrillPitchHead, but I don't know how to do it. -- Orm _

between-system-padding in multiple score blocks

Hi, the between-system-padding value doesn't seem to work if more than one score block is present. Is there any way to enforce this value to be taken into account on formatting for both score blocks? In the following example the systems are stacked together vertically. Removing the second \score

Re: Scheme Problem

Am 31. Dezember 2006, 15:23 Uhr (+1100) schrieb Brett Duncan: > > But when I put > >\compFor #16 > > into my .ly file, the following error occurs: > > syntax error, unexpected NUMBER_IDENTIFIER, expecting DIGIT or UNSIGNED >\repeat "unfold" >

Re: Off-Topic: Orchestration Aid

> 2006/12/30, Mehmet Okonsar < [EMAIL PROTECTED]>: > > > >Does anyone in the list knows some helper software for instrumentation > >topics, > >instruments ranges, fingerboard positions on strings etc.. For general information and ranges you can look here (there's a menu for all the instrument grou

numbers as arguments in define-markup-command

Hi, I try to define a markup for vertical arrows and can't get the function to take two numbers as arguments. Using strings as arguments or a number and a string works. It seems the last argument to define-markup-command has to be a string. Does anybody know why and how to make it work with number

Re: LilyPondTool 2.10.2 Visual Edition (tm)

Hi, Am 29. Dezember 2006, 10:14 Uhr (+0100) schrieb Bertalan Fodor: > Hi, > > I've just released LilyPondTool's new version on sourceforge > (http://www.sourceforge.net/projects/lily4jedit) > I called it visual edition because it is so trendy and because > LilyPondTool now features some visual

vertical arrow

Hi, I'm trying to produce a vertical arrow with arbitrary length at a specified horizontal position above the staff, preferrably with a definable dashed line. I got the arrowhead with the following markup command but don't get the line of the arrow: ^\markup{\arrow-head #1 #-1 ##t} Is that somew

Re: Constructive Criticism and a Question

Am 28. Dezember 2006, 11:30 Uhr (-0800) schrieb David Rogers: > > >bf16[d, f ef] \tuplet 4 { { { d16 ef f } { g a } } { bf32a c bf d c bf a > >g f > >g ef } } > > > >The above would generate a parent tuplet with the number "5" and two > >sub-tuplets with "3" and "2", followed horizontally by the "

segfault on \acciaccatura

Hi, don't know if that's the one you already caught. This segfaults on my machine: \version "2.11.2" \score { << \new Staff { \relative c' { \acciaccatura d16 s16 } } >> } It doesn't segfault if the skip is changed into a note.

Re: thoughts

Am 28. Dezember 2006, 17:59 Uhr (+0100) schrieb Han-Wen Nienhuys: > > numbers and underscores do make things easier to read, but it makes things > hard to parse. Consider: > > c4_\staccato_\markup { bla } > > does this reference \staccato or \staccato_ ? Underscores make most sense in the mid

thoughts

Hi, I just wanted to add to my recent comments. It might seem that my posts are unadequately critical. Although they are fueled by my frustration using the program I want to make clear that I really appreciate the tremendous and excellent work which has been done so far by the developers! Part of

Re: uniform-stretching

Hi Graham, thanks for the notes. Am 24. Dezember 2006, 05:48 Uhr (-0800) schrieb Graham Percival: > > >\acciacatura s32 > > Do you mean > \acciaccatura > ? When complaining about a bug, please include a complete example that > we can compile (or in this case, not compile). I can't reproduce t

Re: uniform-stretching

Hi Han-Wen, Am 16. Dezember 2006, 16:48 Uhr (+0100) schrieb Han-Wen Nienhuys: > > segfaults are always serious errors. Please send the offending input. This caused the segfault: \acciacatura s32 It worked in 2.11.0 but for this score I found a way around it. Do you know why the markup is ren

text markup above eps-graphic

Hi, there was an error in the example I just sent. The third line was incomplete. It should read: #(set-global-staff-size 15) -- Orm ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

text markup above eps-graphic

Hi, below is an example to show my problem with 2.11.2. In order to make it work you will have to put the attached eps-file in the same folder as the example. The second time signature was below the graph in 2.11.0 All time signatures should be horizontally aligned. Maybe I'm doing it wrong alt

Re: uniform-stretching

Hi Trevor, thanks very much for getting back to me! I just downloaded and tried it. Spacing seems much better controllable, but lilypond segfaults now for parts of the score (it doesn't segfault in 2.11.0), so I can't really tell until I've found out what causes the segfault. There is one issue n

Re: uniform-stretching

Hi Trevor, Han-Wen, > Note to Orm then that we should remember to try the sample score > example on 2.11.2 when it releases. Thanks a lot for the fix Han-Wen! When will be the release of 2.11.2? I'm a little reluctant to compile myself and would rather do the spacing part of the work with the f

Re: uniform-stretching

Hi Trevor, The mailserver of my ISP was down for 14 hours, sorry for the late response. Thanks a lot for all your time and effort! The last example you sent works pretty well here now except for the first measure (4/4). It takes about the same amount of space as the following 3/8 measure. Replaci

uniform-stretching

Hi, I tried the uniform-stretching property but couldn't get it to work as expected. If I understand this property correctly, it should stretch out bars according to their time-signature regardless of skips or rests within. This fails (e.g. the first measure should be much wider than the second,

Re: proportional notation screws up score

r the loss, ideally the error should get stretched out over a couple of notes to make it look nicer. -- Orm Am 03. Dezember 2006, 15:26 Uhr (-0600) schrieb Trevor Bača: > On 12/3/06, Orm Finnendahl <[EMAIL PROTECTED]> wrote:> Hi > Trevor, Han-Wen,>> thanks a lot for your

Re: DynamicLineSpanner padding

Hi Mats, thanks for the reply. Am 03. Dezember 2006, 20:33 Uhr (+0100) schrieb Mats Bengtsson: > This problem has been discussed before and in the mailing list > archives do you have any idea how the thread was called? I presume, the workaround is similar to using a \strut box in TeX? -- Orm

Re: proportional notation screws up score

Hi Trevor, Han-Wen, thanks a lot for your efforts to help me out and thanks a lot for your ideas and thoughts! Sorry if I sounded desperate. Trevor's post seems to indicate that it might not work out to get everything perfectly aligned (although I was very close for the first three lines before th

Re: passing music symbols to define-music-function

Thanks for the help! I'll look into it. For those interested: I found a workaround for now in the following way: bracket = #(define-music-function (parser location note ) (ly:music? ) #{ \once\override TrillSpanner #'transparent = ##t \pitchedTrill s32 \startTrillSpan $note s32 \stopTril

proportional notation screws up score

Hi, it seems proportional notation and the spacing is more broken than I ever expected. I'm extremely frustrated (especially after I put so much hope into lilypond) having spent 5 days to enter 12 lines of music and now having lost 4 hours of work trying to space 4 lines of music correctly (with t

proportional notation

Hi, trying to convince lilypond to keep the proportional notation correct is very time-consuming (ca. 1/2 hour for one line; sigh!). It is especially hard to figure out, why the second value of the ly:make-moment form sometimes has to get doubled in order to make a bar stretch out 10% more than wi

passing music symbols to define-music-function

Hi, how is it possible to write music functions which use symbols as parameters which get interpreted as pitch entities by the function? I made three examples below to illustrate the problem. The third works but is less than ideal in the lilypond source as the main purpose of the definition is to

a2 paper

Hi, it seems, lilypond can't deal with a paper size of a2. It reports an error if trying teh following: #(set-default-paper-size "a2") \paper { #(set-paper-size "a2") left-margin = 2 \cm right-margin = 1 \cm indent = 0 \cm } If the paper size is set to "a3" lilypond outputs

Re: DynamicLineSpanner padding

ooks pretty bad and the only fix in this case is to use empty spaces for the edge textes and then do simple text markup, shifting the text around with padding, which is unlikely to be the purpose of the "edge-text" property. Should I file that as a bug report somewhere? -- Orm Am 02.

DynamicLineSpanner padding

Hi, I observed a nasty behaviour trying to set the #'padding property of the DynamicLineSpanner: The \p and \pp are not baseline-aligned with the \ff or \mf. Has this been reported before? To me this looks like something which should rather get corrected in lilypond itself than cluttering the scr

Re: brackets around noteheads

ving to deal with any extra-offsets or such. -- Orm Am 02. Dezember 2006, 15:16 Uhr (+0100) schrieb Orm Finnendahl: > Hi, > > I would like to write noteheads with brackets around them (preferably > square brackets) without using Markup commands, as most of them have > to be on ledger

brackets around noteheads

Hi, I would like to write noteheads with brackets around them (preferably square brackets) without using Markup commands, as most of them have to be on ledger lines and it is very awkward to get those drawn. It would be very nice to enter the notes in question using a new voice context in order to

Re: which language for programming

Am 28. November 2006, 08:56 Uhr (+0100) schrieb Jean-marc LEGRAND: > > So Santa Claus will have to find a good book on that ! Regarding scheme I would recommend the following two books. You can actually get them electronically in full text (no need to wait for Santa Claus ;-): http://www.scheme.

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