Hello,
On 17 November 2011 17:46, David Kastrup wrote:
> "Phil Holmes" writes:
>
>> It now thinks that your cue voice is already in the bass clef, so
>> doesn't show another clef.
>>
>> Add this before each \clef command you want to force to be shown:
>>
>> \set Staff.forceClef = ##t
>
> Perha
Ming
On 17 November 2011 11:55, MING TSANG wrote:
> Hi, lily users:
> I need help. I coded "\clef bass" before the last third note on measure
> two, but the bass sign does not appear.
Yes because you have already defined your clef.
Use \cueClef instead.
James
--
--
James
__
Paul,
On 15 November 2011 04:49, paul wrote:
>
> I am typesetting rhythmically challenging music by B. Martinu.
> A typical feature in Martinu works is a perpetually changing
> time signature. What I'd like to do is rhythmically annotate
> the beat groupings for tricky parts only,
> for example
Hello,
On 14 November 2011 14:44, Stefan Thomas
wrote:
> Dear community,
> I have a problem with polymetric music and the Dynamics context.
> In the below quoted snippet, a linebreak isn't possible, and the
> Dynamics-context is definitely part of the problem:
I'm not so sure.
For instance if y
Hello,
On Tue, Sep 27, 2011 at 1:08 PM, Jonas Müthing wrote:
> Hello list,
>
> I'm writing a piece in which I have four speakers with megaphones. To
> indicate if the megaphone is used or not I use a circle with an M in it.
>
> \markup { \circle { \pad-markup #.5 \bold M } }
>
> This is supposed
pears again
> after the solo and before the restatement of the head, and once
> again at the coda/fourth ending.
>
> BTW, is there any hope for my suggestion of being able to use a
> 'chordmode' section as a RhythmicStaff music expression without
> getting the funny doubled
Hello,
On Sun, Nov 13, 2011 at 2:35 AM, wrote:
> Failing that, if there were a way to attach markup to a bar line,
> that (plus perhaps an 'extra-offset') would suffice in the majority
> of situations I can think of.
>
> Is there such a way to attach markup to a high-level music
> expression o
Ralph,
On Fri, Nov 11, 2011 at 2:36 PM, Ralph Palmer wrote:
>
>
> On Fri, Nov 11, 2011 at 7:49 AM, Phil Holmes wrote:
>>
>> Thanks to Ralph, Marek and Eluze for volunteering to help with the Bug
>> Squad. Based on their input, I believe this is a workable schedule.
>>
>> Monday: Ralph
>> Tue
Ralph,
On Thu, Nov 10, 2011 at 6:50 PM, Ralph Palmer wrote:
>
>
> On Thu, Nov 10, 2011 at 1:44 PM, Phil Holmes wrote:
>>
>> The stuff at
>> http://lilypond.org/doc/v2.15/Documentation/contributor/issues :-)
>>
>> What days are you free enough to be put on the schedule?
If you could do my shifts
Wilbert,
On Wed, Nov 9, 2011 at 11:02 AM, Wilbert Berendsen wrote:
> Op Fri, 14 Oct 2011 11:42:54 +0200
> Rodolfo Zitellini schreef:
>
>> I just have an annoying issue with the Music View: the scrollbar size
>> does not seem to get calculated correctly and it is possible to scroll
>> the doc onl
Hello,
On Mon, Nov 7, 2011 at 4:24 AM, wrote:
> Wow, what great software. I've been looking for something
> like this, and am very glad to have found it.
>
> I use lilypond to write lead sheets. I have a chart with a
> coda jump that occurs right after a second ending. The coda
> symbol gets
Hello,
On Thu, Nov 3, 2011 at 9:50 PM, David Kastrup wrote:
> Matthew Collett writes:
>
>> For a variant on the \lyricsto wierdness:
...
>
> My guess would be that when the inner contexts disappear, a
> corresponding iterator gets rewired and then typesets the e1 as lyrics
> to the f1 (or vice
Tim,
On Tue, Nov 1, 2011 at 5:00 PM, Tim Reeves wrote:
>> Date: Tue, 1 Nov 2011 13:56:08 +
>> From: Peekay Ex
>> To: Timothy Reeves
>> Cc: lilypond-user@gnu.org
>> Subject: Re: accidental in a header?
>> Message-ID:
>>
>> Content-
Phillipe,
On Tue, Nov 1, 2011 at 4:15 PM, Philippe Bonnier wrote:
> Hello.
> I am a new user of LilyPond and this is my firts Post / Question.
> Please forgive my mistakes in English (it's not my mother tongue).
>
> The code here under produces a pdf file with 4 lignes :
> - the 1st line is OK
Hello,
On Mon, Oct 31, 2011 at 7:17 AM, Timothy Reeves
wrote:
> Hello list,
> Could someone point me to the documentation or snippet that would show me
> how to put a flat sign into a header (e.g. in the subtitle)?
> The documentation says I can just use a \markup in a header, but I get
> errors
Sven,
On Sun, Oct 30, 2011 at 8:18 PM, Sven Axelsson wrote:
> Is there a way to typeset a number of one line scores within a book in
> two columns?
>
> Ideally I'd like something like
>
> \book {
> \score {}
> \markup {
> \column {
> \score {}
> \score {}
> }
> \column {
>
Hello,
On Thu, Oct 27, 2011 at 1:48 AM, wangsong wrote:
> I have install lilypond, then start it. But i cannot get correctly menu
> display, just Îļޣ¨F£©, ±à¼£¨E£© ...
> I think there are some bug on international support. My OS is windows 7, the
> language is chinese.
> I want to post the sn
Sven,
On Wed, Oct 26, 2011 at 10:22 AM, Sven Axelsson wrote:
> On 26 October 2011 02:59, Colin Campbell wrote:
>> On 11-10-25 07:38 AM, Sven Axelsson wrote:
>>>
>>> On 21 October 2011 00:52, Jon Chalk wrote:
I think I may have found a small problem with bagpipe.ly... Each
embell
Graeme,
On Wed, Oct 26, 2011 at 4:34 AM, GRAEME F ST CLAIR
wrote:
> I just built a hymn under 2.14.2 using the Hymn structure from Learning
> Lilypond 2.12.3 secn 3.2.3 "Voices & Vocals". The structure is unaltered,
> except that I have added a \version and a \header (and there are only 2 vv
> i
Graeme
On Mon, Oct 17, 2011 at 10:17 PM, GRAEME F ST CLAIR
wrote:
> I'm trying to include an o-umlaut in the header, so:-
>
> \header {
> title = "Blah Blah"
> poet = "Words: Aloysius Schlör"
>
> but all I get is "Schlr" with some error msgs, s
I use this method
poet = \markup { \concat { "Wo
Hello
On Sun, Oct 2, 2011 at 10:15 PM, Mark Lindberg
wrote:
> (You can skip this first part if you don't want my life's story)
> I've had an iPad for a while, but it just occurred to me the other day
> that, oh duh, it can read PDF files. I at once downloaded a PDF reader
> (iBooks) and sent some
@Mike S
2011/10/1 Alberto Simões :
> Hello
>
> I found this code:
> \once \override Stem #'transparent = ##t
> \once \override Stem #'length = #8
>
> in the snippets repository, to hide a stem. But my stem continues to
> appear...
>
> can it be because it is inside a cue voice used with \cueDuri
hello,
On Tue, Sep 27, 2011 at 3:20 AM, luis jure wrote:
>
> hello list,
>
> i'm making clean copies of transcriptions i made from recordings of a
> traditional drum. it's only one instrument, and the notation is in one
> two-line staff. i haven't tweaked the vertical spacing between systems,
> a
Hello,
On Tue, Sep 27, 2011 at 10:58 AM, Nick Payne
wrote:
> On 27/09/11 16:17, Javier Ruiz-Alma wrote:
>
> I wish to show a staff with a few ledger lines above/below an empty staff.
> I don't want any notes to show.
>
> \relative c'' {
> \override NoteHead #'transparent = ##t
> \override
Hello,
On Mon, Sep 26, 2011 at 4:32 AM, Louis Guillaume wrote:
> Hi,
>
> This may be a FAQ but I can't find definitive answers by googling.
>
> I'm looking for more control over chord symbols.
>
> For the most part - what I'm looking for is something close to what we see
> in the Real Book. But t
Mike
On Fri, Sep 23, 2011 at 1:22 PM, Urs Liska wrote:
> Am 23.09.2011 01:53, schrieb Tim Roberts:
>>
>> Janek Warchoł wrote:
>>>
>>> If your friend would like to see what Lily can do, i'd show him this:
>>> http://www.apollinemike.com/scores/granini.pdf
>>
>> From a publishing perspective, that
Hello,
On Wed, Sep 21, 2011 at 12:09 PM, m...@apollinemike.com
wrote:
> Hey users,
>
> This question has been kicked around a few times on this list, but I can't
> find a current response, so I'm looking for some help.
>
> In a piece I'm working on, the singers need to clap in rhythm and say tex
Hello,
On Wed, Sep 14, 2011 at 7:18 AM, Nick Payne wrote:
> I've been setting some Carcassi studies. His Op60 No 8 has a "pf" dynamic
> marking at one point (see
> http://erato.uvt.nl/files/imglnks/usimg/c/c8/IMSLP34430-PMLP03629-ribs0980_06.pdf,
> fifth stave on the first page), which does not e
Crist,
On Fri, Sep 16, 2011 at 3:03 PM, Crist Khachikian wrote:
> I am having trouble with fingering notes that have other things going
> on (e.g., a staccato note, a tied note, etc.). The only way I have
> figured out how to do this is by using this notation (for a staccato
> note):
>
> c-.^\m
Hello,
On Thu, Sep 15, 2011 at 9:23 PM, Patrick Schmidt wrote:
>
> Am 15.09.2011 um 22:10 schrieb Reinhold Kainhofer:
...snip..
>>> whereas on the first full page of the same score they get
>>> lost in the left margin (see page1.png). Is there an option for the
>>> automatic calculation of the le
Hello,
On Wed, Sep 14, 2011 at 7:46 PM, Sven Axelsson wrote:
> Hi list.
>
> This is probably in the manual,
http://lilypond.org/doc/v2.14/Documentation/notation/beams#setting-automatic-beam-behavior
--
--
James
___
lilypond-user mailing list
lilypon
Hello,
On Mon, Sep 12, 2011 at 12:52 AM, Albert Finney wrote:
> Hi,
>
> Lilypond 2.14 PDF puts all of the music on 2 staves, even through it
> should be 3-4 pages. It wraps the first staff (like "word wrap" is
> on, as an analogy). But the second staff, "word wrap" is off and all
> of the music
Hello,
On Sat, Sep 10, 2011 at 2:02 AM, harm6 wrote:
>
>
> George_ wrote:
>>
>> Ah, I see, thank you. Another question, then.
>>
>>
>
> You should have a detailed look at
Actually you should be using
http://lilypond.org/notation.html
That's where the 'official' documentation is.
;)
--
--
J
Pablo,
On 8/30/11, Pablo Zumarán wrote:
>
> Thank you very much for that tip. Following your advice, I've installed Lyx
> in my Ubuntu. In the included documentation, I've found only one reference
> to Lilypond (to use Insert>File>External Material>Lilypond file). When I do
> this (ie, insert a .
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