Andrew Bernard wrote:
> Ties are not really very perfect in lilypond, and there was an effort to
> fix them up, but I understand that project came to end end due to time and
> resource matters on the part of the developer.
>
Thank you so much for your answer Andrew, maybe a bugfix in the future?
Ben wrote:
> If you can't get it to work with the shape, maybe you'd get some results
> with this tiecolumn approach? It's from a while ago, but I remembered
> it...for a rainy day :)
>
Interesting answer, thank you so much Ben!
Peter
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Dear people,
Another question.
Trying to change the shape of the tie in such a way that the c note becomes
free from the tie overlap.
The \Shape command works on the lowest tie but not on the next?
To add the \Shape command a second time makes no difference.
Here is the example:
\score {
\relat
Malte Meyn wrote:
> ~/MyLilyIncludes
>
> which contains files like
>
> ~/MyLilyIncludes/big-grace-fingering.ily
> ~/MyLilyIncludes/house-style.ily
> ~/MyLilyIncludes/shorthands.ily
>
> and call lilypond with the -I option (lilypond -I~/MyLilyIncludes).
Thank you again Malte!
Ben wrote:
> Can you show us your code as an example?
Thank you kindly, have found what i was looking for in David's and Malte's
response.
Peter
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David Kastrup wrote:
> If some of those settings are useless/illegible, we'd need to adjust
> them generally.
Thank you kindly, that works perfect!
Peter
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Malte Meyn wrote:
> You can change this by copying the definition of
> general-grace-settings/score-grace-settings and commenting out the
> Fingering.font-size. This has the advantage that you don’t need to
> change this for every type of grace notes (grace, slashedGrace,
> acciaccatura, appoggiat
Dear People,
Have a piece here with a lot, lots of acciaccatura's.
The fingering numbers font size under the principal notes is good but those
under the
acciaccatura's are too small to read.
Is there a way to increase the fontsize under the acciaccatura's all at once,
without changing the
font
Ben wrote:
> * \override Hairpin.shorten-pair = #'(0 . -5)*
Thank you kindly Ben, this line is not accepted by version 2.18.2.
Have a wonderful day,
Peter
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Noeck wrote:
> you tell lilypond to end the hairpin after the note by writing:
> 4. <>\!
> instead of
> 4.\!
> So you end it on an empty chord (which takes no time).
Thank you so much Noeck, that was what i was looking for.
Kindly,
Peter
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Dear people,
Have looked this up in the lilypond doc and it work in the example there but no
in mine, which is a bit different.
How do i do this?
Example:
\version "2.18.2"
\score {
\relative c'' {
\mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn
\override Hairpin.to-barline = ##t
<< {
Pieter Terpstra wrote:
> Configuration doubleslur?
>
Solved it in this way, but maybe someone knows a simpler or better way?
\relative c' {
\time 2/4
<< {
\voiceOne
%\override Slur.positions = #'(-3 . -3)
r8 [_()]
} \\ {
\voiceTwo
Dear people,
Don't know if it is possible but wonder if there is a way to get the topslur
down to almost touch the noteheads?
Have this example for you:
\version "2.18.2"
\relative c' {
\set doubleSlurs = ##t
%\override Slur.positions = #'(1 . 1)
\time 2/4 r8 [()]
}
Thank you so much in
Ben wrote:
> Which accidentals did you want to show, the larger one?
> You could just do a few overrides I think, like this:
> (see attached)
>
> Is this what you meant?
Yes exactly as i was looking for, thank you so much Ben and have a nice day!
Peter
Dear lilypond users,
How would you recommend to fix this?
Most kindly,
Peter
Have an example here:
\version "2.18.2"
\relative c'' {
\key gis \minor
\time 2/4
<< {
% Voice "1"
\teeny
g16 ais b cis d e fis gis | eis, fis gis a eis!4
} \\ {
% Voice "2"
g4 d' | eis,4 eis!
Thomas Morley wrote:
> or to move the NoteColumn of the target note
> {
> c'4 \glissando
> \once \override NoteColumn.X-offset = 1
> des'
> }
Thank you so much Harm, this one did exactly what i needed.
Peter
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Dear readers,
Google did not gave me an answer to this so i ask it here.
Is there a way to change the positions of a sharp?
P.e. to prevent overlapping with a glissando and when the sharp is completely
in the way the glissando does not even
get printed.
Apologies for my bad English.
Most Kindly
Pieter Terpstra wrote:
> Thank you Marc.
>
> You mean the BartGliss.ly code?
It worked perfectly. Also managed to do it with the \draw-line command but this
one is much easier and doesn't have
to be readjusted when a space-setting has changed.
Ki
Marc Hohl wrote:
> I used the code in this thread:
>
> http://lilypond.1069038.n5.nabble.com/glissando-in-fingering-notation-td159875.html
>
> This works out of the box for almost all occurrences in my scores.
Thank you Marc.
You mean the BartGliss.ly code?
Will study on this one.
Kindly,
Dear readers,
Trying to draw a line between the numbers, copied some code but don't know
exactly what the commands do.
Trying to raise the line so that it fits nicely between the ones but don't know
how, have tried the \raise command
here without success.
Anyone?
Thank you so much in advantage
Thomas Morley wrote:
> HTH,
> Harm
>
Works, thank you so much!
Peter
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Federico Bruni wrote:
> You've just hit the famous "grace syncronization" bug:
> https://sourceforge.net/p/testlilyissues/issues/34/
Oh, thank you!
Peter
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Dear Readers,
Have some issues here.
Stem goes down here (even if i try a \stemUp) and get double crosses and time
signature.
What goes wrong here?
Thank you again so much!
Peter
score:
\version "2.18.2"
global = {
\key a \major
%\defaultTimeSignature
\time 2/4
}
CGVoiceOne = \relativ
Thomas Morley wrote:
> \markup \override #'(font-name . "Morris Roman,") "qwerty"
Thanks, interesting your use of a comma after the fontname, never did that
before but it works for this
Morris Roman font.
Kindly,
Peter
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Dmytro O. Redchuk wrote:
> Does your 120-Arpeggios.ps looks good?
Yes.
> Does your logfile contain any errors during PS compiling stage?
No errors.
> Does `lilypond 120-Arpeggios.ly` produce good pdf with no any custom fonts?
Have tried several fonts but til now only the Roman Morris gave thi
Dmytro O. Redchuk wrote:
Thanks for your help Dmytro!
> Do you use any custom fonts in the .ly?
That seems to be the issue in the title i used Morris Roman, which was no
problem before.
Always have used custom fonts. Some other fonts aslo seem to work fine on this
file.
> Have you tried lilyp
Dear people,
With one file that i wanted to reedit today gives now a failure, it worked fine
in june, 2016.
Will not post it here because it is 1274 lines long.
The log says this:
Layout output to `120-Arpeggios.ps'...
Converting to `./120-Arpeggios.pdf'...
warning: `(gs -q -dSAFER -dDEVICEWIDT
David Nalesnik wrote:
> \override TextSpanner.bound-details.left-broken.text = ##f
> \override TextSpanner.bound-details.right-broken.text = ##f
Thank you so much David!
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Dear Lilypond friends,
Doing a Textspan gives me some difficulties.
I would like to see the word pizz. only once in the bi=eginning and not
repeated on the next line
and also would like to have the \draw-dashed-line to appear on the last end. Is
this doable?
Thank you so much in advance!
Apolo
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