* 2015-05-19 23:23 +0200:
> With the backquotes the display of the new language-pitch-names ends like
> this:
> (lak . #) (lakk . #) (sibb . #) (sib
> . #) (si . #) (sik . #) (sikk . # bisis >) (i unquote (ly:make-pitch 8 0 0)) (o unquote (ly:make-pitch 8 0
> 1
> you can see that lily does not
* 2015-05-19 18:18 +0200:
> The aim would be to add two notes to all the languages.
> I write
> #(define fisarmonica
> '(
> (i . (ly:make-pitch 8 0 DOUBLE-SHARP)) ; input note, ie a closing
> note
> (o . (ly:make-pitch 8 0 DOUBLE-FLAT)); output note, ie a drawing
> note
> ))
>
* 2015-04-03 10:25 +0200 Andrew Bernard :
> Can I make a simple abbreviation for input? For example \t instead of \tuplet?
Since your question already got answered directly, I hope I can add a
piece of advice without sounding too destructive:
Don't do it. Redefining standard commands just to save
On 07.04.2013 10:35, Andrew Bernard wrote:
I measure my Henle Verlag books of Bach to be 235 x 309mm (+/- 1mm)
[9.25 x 12.17 inches]. I rather like this size, but I cannot find it
referred to as a standard paper size anywhere at all. Do my learned
colleagues here know what size it is, or is it a
* 2012-10-22 06:41 +0200 Reedmace Star:
> * 2012-10-22 04:44 +0200 Ian Hulin:
>
> > If my-scheme-defs.scm is in path my-scheme-dir
> >
> > --- file master.ly ---
> >
> > \version "2.16.0"
> > % allow guile to find your file.
&g
* 2012-10-22 04:44 +0200 Ian Hulin:
> On 21/10/12 22:00, Reedmace Star wrote:
> > --- file my-scheme-defs.scm (same directory as master.ly) ---
> >
> > ;;; scheme definitions...
> >
> >
> > --- file master.ly ---
> >
> > \version "2.16.
's
not really pretty, if only because editors do a better job at syntax
highlighting and indentation with pure scheme files than with embedded
scheme code.
Is there a better way?
Best regards,
Reedmace Star
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lilyp
's
not really pretty, if only because editors do a better job at syntax
highlighting and indentation with pure scheme files than with embedded
scheme code.
Is there a better way?
Best regards,
Reedmace Star
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lilypond-user mailing list
lilyp
* 2012-09-03 11:55 +0200 Peter Gentry:
> I have a line of text
>
> {\fontsize #1 Engraved \bold \date with \with-url
> #"http://lilypond.org/"; \line { LilyPond \simple #(lilypond-version)
> (http://lilypond.org/) } }
>
> call this TEXT in examples below
>
...
> \markuplines {
>
* 2012-08-13 16:55 +0200 BrAthanasius:
> I am having difficulty understanding what is going on in the \chords
> dialog. I have not seen anything on the website that clarifies the
> point either. Is "s4" supposed to skip four beats, and if so is that
> what a \breve is worth?
Durations in chord m
* 2012-07-20 17:39 +0200 David Kastrup:
> Dominique Faure writes:
> > Despite the RhythmicStaff is simplifying the process, how
> > could I make it display chord of dotted notes as single dotted
> > notes?
> > Dots are kept unmerged. Is it a bug?
>
> Calling it a bug seems like a reasonable inter
* 2012-05-08 11:46 +0200 Jan Kohnert:
> Am 2012-05-08 11:31, schrieb Urs Liska:
> > I would like to write a script that allows me to compile all .ly
> > files in one run.
>
> [...]
>
> This would be a bash solution:
>
> for dir in $(find . -maxdepth 1 -type d -regex "^\.\/[0-9].*$"); do
> cd {
* 2012-05-08 20:01 +0200 worshipgeek:
> Recently, I've noticed that Lilypond has begun automatically listing
> N.C. every time I have put a rest in for a chord. Often I would use
> this as a way to get around tricky rhythms, but now I've got N.C.s
> scattered all over my music. Is there a way to
* 2012-03-17 08:47 +0100 -Eluze:
> Reedmace Star wrote:
> > The layout overrides may still be useful for scores where there is
> > occasional small overlap between the voices, though.
>
> I wonder how this would look like!
Well, like this:
\version "2.14.2"
\la
* 2012-03-16 08:48 +0100 -Eluze:
> maybe the simplest is without these layout overrides:
>
> \new Staff <<
> \new Voice = "a" { f'4 g' r2 | s1 f'4 g' r2 | s1 }
> \new Voice = "b" { s1| a'2 g' s1| a'2 g' }
> \new Lyrics <<
> \lyricsto "a" \lyricmode { may -- be sec
* 2012-03-16 10:42 +0100 coffer:
> Reedmace Star wrote:
> > Now, the lyrics to "a" and "b" appear on separate lines, like this:
> > maybe
> >
> > that the
> >
> > Instead, I would like to see them combined on one
* 2012-03-15 21:53 +0100Janek WarchoĊ:
> * 20012-03-15 3:01 PM, Reedmace Star
>
> Search for "centering the new Lyrics" thread by Keith OHara, from
> December 2010. it might be exactly what you're looking for.
Thank you, yes, that was exactly what I nee
ssociatedVoice = "b"
\lyricmode { that the }
}
>>
This fails, I guess, because of the requirement to change the associated
voice one syllable early (2.1.1)? While that would be easy to fix in
this minimal example, it would be inconvenient in the actual score,
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