gn"} a e'
\break
c4_\markup{ "A pseudo-lyric" } b a g
f g_\markup{ \null \vspace #0.85 "now aligns"} a e'
\break
c4_\markup{ \concat { "A pseudo-lyric" \hspace #3 "re-aligned" }} b a g
f g a e'
}
I hate the kludge required to eye-
AH, very slick. Yes, that does the trick. Thank you!
On Fri, Jan 14, 2011 at 5:10 AM, Jan WarchoĊ <
lemniskata.bernoulli...@gmail.com> wrote:
> 2011/1/14 Robert Stoddard :
> > The typesetting term for this is "kerning" -- modifying the space between
> > le
Undoubtedly, this is a simple request for those who understand Scheme...
How can I change the lyric extender from a solid line to a dotted one?
Nothing in the LSR or manuals discusses this.
Thanks,
Robert
www.bostonsing.org
___
lilypond-user mailing li
*The Sacred Harp, 1991 Edition (which is the dominant 4-shape tunebook) uses
dots for extenders .. see the page at the link below. Not sure whether you
all consider the Sacred Harp Publishing Company as a "reputable publisher",
but for a chunk of your user base, it's the gold sta
I am setting a piece in which different parts repeat at different points
(because the repeated sections in each part are the same number of bars,
this works out in the end...). I thought this was going to be
straightforward using code like this:
\version "2.13.61"
staffChoir = \new ChoirStaff {
Thank you -- moving the Timing_translator and Default_bar_line_engraver from
the Score to the Staff contexts worked perfectly.
On Wed, May 11, 2011 at 6:34 PM, -Eluze wrote:
>
>
> Robert Stoddard wrote:
> >
> > I am setting a piece in which different parts repea
