Grace note at the beginning makes instrumentName disappear:
macOs 12.1
LilyPond 2.23.6
--
\version "2.23.6"
GraceVoice = \new Voice
{
\grace
c'8 b4
}
GraceStaff = \new Staff
<<
\set Staff.instrumentName = "Grace"
\GraceVoice
>>
\score {
\GraceStaff
}
NoGraceVoice = \new Voice
{
Hi all,
I installed this version today, everything seems to work.
It might be of interest that the MacPorts version of 2.23.6 runs around three
times faster on my MacBookPro M1, macOs 12.1
Carver Missa compile times are 28,6“ and 10,3“ MacPorts version.
Thomas
> Am 08.02.2022 um 14
Am So., 13. Feb. 2022 um 16:02 Uhr schrieb Jonas Hahnfeld via LilyPond
user discussion :
>
> Am Samstag, dem 12.02.2022 um 20:43 +0800 schrieb Jinsong Zhao:
> > On 2022/2/12 18:48, Jonas Hahnfeld wrote:
> > > Am Mittwoch, dem 09.02.2022 um 20:39 +0100 schrieb Jonas Hahnfeld via
> > > LilyPond user
> Am 12.02.2022 um 13:04 schrieb Paolo Prete :
>
> Hello Thomas,
>
> Spontini is not compatible with Safari, as specified on the homepage of the
> project. Just use Chrome or Firefox.
> Note: if you use Firefox, you will see an alert popup which says there is a
>
from the main project page.
>
> https://github.com/paopre/Spontini
>
> The important features of this version are:
>
Hello,
after installation I get an application window at
localhost:8000/spontini-editor/, but cannot use it:
"Error while connecting to SpontiniServer.“
Did
Great!
Thank you again,
Thomas
> Am 19.01.2022 um 15:28 schrieb Jean Abou Samra :
>
> Le 19/01/2022 à 14:47, Thomas Scharkowski a écrit :
>> This does not work for me (I did change of course PianoStaff to Staff).
>>
>> To get the „normal“ brackets I use:
>>
> Am 19.01.2022 um 14:17 schrieb Jean Abou Samra :
>
>
>
> Le 19/01/2022 à 13:58, Thomas Scharkowski a écrit :
>>
>>> Am 19.01.2022 um 13:09 schrieb Jean Abou Samra :
>>>
>>> Le 19/01/2022 à 09:46, Thomas Scharkowski a écrit :
>>>&g
> Am 19.01.2022 um 13:09 schrieb Jean Abou Samra :
>
> Le 19/01/2022 à 09:46, Thomas Scharkowski a écrit :
>> Hallo,
>>
>> I’d like to replace the arpeggioBracket by a curly bracket / brace.
>> Thank your for your help!
>
>
> Here's a stencil cal
Hallo,
I’d like to replace the arpeggioBracket by a curly bracket / brace.
Thank your for your help!
Thomas
Dear Devin,
did You succeed with your research? I would be interested in a file with
definitions for notenames and accidental glyphs.
Thanks,
Stefan
Am Do., 29. Juli 2021 um 13:24 Uhr schrieb :
> Thank you; I will do some research.
>
> On 2021-07-28 13:49, Stefan Thomas wrote:
>
Am Fr., 14. Jan. 2022 um 05:38 Uhr schrieb Tim's Bitstream
:
>
> There was a thread earlier this year on that very topic:
>
> https://mail.gnu.org/archive/html/lilypond-user/2021-06/msg00023.html
>
>
>
>
> On Jan 13, 2022, at 8:48 PM, Sam Gibson wrote:
>
>
> Good day.
>
> I wish to use the
Am So., 9. Jan. 2022 um 17:16 Uhr schrieb Valentin Petzel :
>
> Hi Richard,
>
> It is hard to try to understand the problem with just some pictures. Do you
> have some code you can send us?
>
> Cheers,
> Valentin
>
> Am Sonntag, 9. Jänner 2022, 13:34:48 CET schrieb Richard Shann:
> > Hi,
> >
> >
Am Fr., 7. Jan. 2022 um 02:31 Uhr schrieb Joel C. Salomon
:
>
>
> Yesterday, I wrote:
> > \version "2.23.5"
> > \include "articulate.ly"
> >
> > music = \relative c' {
> >c1
> >\repeat volta 2 {
> > e
> > \alternative {
> >{ g } { gis }
Am Di., 4. Jan. 2022 um 20:52 Uhr schrieb jerome talkington
:
>
> Harm,
>
> Thanks so much for sharing and tightening up this code for hiding redundant
> bass notes in successive slash chords, and thanks Elaine Alt for initiating
> the thread. It's a really useful feature to have in a leadsheet,
Am Di., 4. Jan. 2022 um 11:15 Uhr schrieb Paul McKay :
>
> Hi
> Speaking as someone whose eyesight isn't quite as good as it used to be,
Same problem here
> I'd like to suggest that anything in a colour is also in bold so that there
> are enough pixels for me to see what the colour is.
I'd go
Am So., 2. Jan. 2022 um 09:06 Uhr schrieb Flaming Hakama by Elaine
:
>
> On Fri, Dec 31, 2021 at 8:07 AM Thomas Morley
> wrote:
>> How about:
[...]
> Yes, thanks, this works well if the initial chord is a minor chord.
>
> What would it take to have it work when the
Am Do., 30. Dez. 2021 um 20:29 Uhr schrieb Flaming Hakama by Elaine
:
>
> Hi,
>
> I'm looking for a way to print a chord symbol which is a slash chord,
> but where the top part (above the slash) is blank.
>
> So, I only want to print the slash + root note.
>
> The usage for this is when the
Dear David,
thanks for Your reply.
Can it also be done with \once \override?
Am Do., 2. Dez. 2021 um 17:07 Uhr schrieb David Kastrup :
> Stefan Thomas writes:
>
> > Dear community,
> > is it possible to make a clef change invisible, at the end of the line?
> > I don't w
Dear community,
is it possible to make a clef change invisible, at the end of the line?
I don't want to see the bass clef at the end of the first line here:
\version "2.22.1"
Musik = \relative c'' {
\clef "treble" g f e d
\break
\clef "bass" c4 b a2 }
\new Staff \Musik
Thanks,
Stefan
For comparison:
My iMac late 2013 Intel i5 3,2 GHz 8 GM RAM needs 27.4“
Both macOS Monterey 12.0.1 btw
> Am 02.12.2021 um 09:05 schrieb Thomas Scharkowski :
>
> Hi,
>
> the Carver takes 10.6“ to compile on my MacBook Pro M1 16GB RAM with LilyPond
> 2.23.5
>
> Hth
>
Hi,
the Carver takes 10.6“ to compile on my MacBook Pro M1 16GB RAM with LilyPond
2.23.5
Hth
> Am 02.12.2021 um 02:55 schrieb Paolo Prete :
>
> Note too that there's a list of the results for the Gzip test:
>
> https://openbenchmarking.org/test/pts/compress-gzip
>
> From this list it
Am Mo., 29. Nov. 2021 um 22:49 Uhr schrieb Valentin Petzel :
>
> Basically grob.after-line-breaking is a function that get’s called on grob
> after line breaks are determined and allows us to do tweaks related to line-
> breaking. So what this function does is:
>
> If the ottava bracket is broken
Am Mo., 22. Nov. 2021 um 23:29 Uhr schrieb Paolo Prete :
>
> Hello,
>
> Please, have a look at this:
>
> { c'''!-> s c'''?-> }
>
> From (at least) 2.19.45 on it adds an unwanted space between the cautionary
> accidental and the ">" script. Any Idea of how to fix this without tweaking?
>
> Thanks!
Am So., 21. Nov. 2021 um 17:15 Uhr schrieb Leonid Hrabovsky
:
>
> Thomas and colleagues,
> my attempt to download new version for Windows failed - two .dll files
> missing (nrs. 1 & 6) and the install cannot continue. Your advices?
>
> Леонід - Leonid
No clue, I'm on Linux
Cheers,
Harm
, b2 and b4 are now undistinguishable. How do you want to handle this?
Cheers,
Harm
Am So., 21. Nov. 2021 um 15:51 Uhr schrieb Leonid Hrabovsky
:
>
> Great, Thomas, I am very grateful - now I have the proper notehead for the
> score of my large old composition that remained in manuscript
Am So., 14. Nov. 2021 um 18:07 Uhr schrieb Dimitris Marinakis
:
>
> First let's look at a few sources that show the expected behaviour. I have
> attached an example from Gould pg.71 and the output from Dorico and last the
> output from your code.
The Gould-excerpt is cut off, thus I can't view
Am Sa., 20. Nov. 2021 um 19:55 Uhr schrieb Leonid Hrabovsky
:
>
> Thomas,
> And might DurationLine continue not only individual notes, but framed groups
> of notes, too? I just need the zigzag line you introduced, but increased in
> vertical size to, say triple size - is it
Am So., 21. Nov. 2021 um 01:58 Uhr schrieb Leonid Hrabovsky
:
>
> Hi Thomas, here is my attempt to make a new notehead out of the grob
> neomensural94 -
>
> \version "2.20.0"
> \language "english"
>
>\score {
> \new Staff {
>
>
Am So., 21. Nov. 2021 um 07:21 Uhr schrieb Kenneth Wolcott
:
>
> Hi Carl;
>
> When I try this tremolo with the colons, it displays fine, but midi
> sounds as if there is no abbreviation. Of course, I see that the colon
> syntax is not supported for midi with Lilypond.
>
> So I try the same
Am Sa., 20. Nov. 2021 um 19:38 Uhr schrieb Valentin Petzel :
>
> Hello Harms,
>
> I do not quite see how this is related.
> I'm not talking about fretboard diagrams, but about string number choice in
> tablature.
>
> Valentin
Ah, ok, I misread you post.
Sorry for the noise,
Harm
commit b58377f1eb6af0add4e1d20c1cd36f7039e9246a
Author: Thomas Morley
Date: Tue Jul 14 15:05:52 2020 +0200
Scheme-based implementation of the new grob DurationLine
It continues a rhythmic event (usually a `NoteHead`, `Rest`, or
`NoteColumn` grob) with a line. Available line styles are: `beam`,
`line`, `dashe
Am Sa., 20. Nov. 2021 um 18:34 Uhr schrieb Valentin Petzel :
>
> Lilypond's current function for determining strings for notes attempts to
> chose a position as low as possible. For this it assumes that the string
> tuning is descending. In the cases when it isn't, Lilypond will fail to
>
Thanks, I'll check it out.
Am Mi., 10. Nov. 2021 um 22:42 Uhr schrieb Gilles Thibault :
>
> > I would like to understand what is the difference
> > beetween
> >
> >> \new Staff \new Voice \A
> >>
> > and
> >
> >> \new Staff \A
> >>
>
> This is not related to arranger.ly :
>
> This snippet works
Am Mi., 27. Okt. 2021 um 16:29 Uhr schrieb Dimitris Marinakis <
dtsmari...@gmail.com>:
> Thomas fantastic work as always. I found a potential limitation. Can you
> confirm if this is possible with the current code?
> I'd like a bit more control on the stem attachment of th
Am So., 14. Nov. 2021 um 14:15 Uhr schrieb Valentin Petzel :
>
> Hello Jacques,
>
> Frescobaldi does not always know the latest Lilypond language. As far as I see
> \compressMMRests and \comressEmptyMeasures do the same, but
> \compressEmptyMeasures works like a toggle that needs to be unset by
>
Am Fr., 12. Nov. 2021 um 13:44 Uhr schrieb Leo Correia de Verdier
:
>
> Dear Harm and list!
>
> The chords were not that hard to implement. What I did was:
>
> 1) Removing the overrides for NoteHead.transparency and NoteHead.Y-offset
> from glissandoStemsOn and glissandoStemsOff. Transparency is
1 18:26, Stefan Thomas a écrit :
> > Dear community,
> > I would like to do with arranger.ly something similar to
> > Key = { \key f \major }
> > music =
> > { \Key c'4 d' e' f'2.}
> > artiA = { s2.( s) }
> > music = { \context Voice << {\music} {\ar
Am Fr., 5. Nov. 2021 um 09:50 Uhr schrieb Mahanidhi <
mahani...@protonmail.com>:
>
> Hello,
> I'm triyng to have the second line open at the end as the first. But with
> repeats bar at the third line the second line get a bar and if I try to
> overrite with *\once \hide Staff.BarLine *also the
Am Di., 2. Nov. 2021 um 03:43 Uhr schrieb Adam M. Griggs
:
>
> Hello,
>
> This topic is of particular interest to me. Using the proof-of-concept code
> Thomas Morley provided, I've arrived at the attached pdf. The results aren't
> quite what I'm aiming for, but it's close.
>
Am Di., 2. Nov. 2021 um 19:14 Uhr schrieb Steven A. Falco
:
> This is part of a guitar solo (key of E major), where two notes are played
> individually, then both are slid up two frets into a chord. So it is a bit
> like a two-note arpeggio sliding into a chord.
Well, I've no clue how it
>>
>> Am 31.10.2021 um 18:36 schrieb Hans Åberg :
>>>
>>>
>>>> On 31 Oct 2021, at 11:43, Thomas Scharkowski
>>>> wrote:
>>>>
>>>> Hi, I have installed this version on a fresh MacOS 12 and get this error
>&
>
> Am 31.10.2021 um 18:36 schrieb Hans Åberg :
>>
>>
>>> On 31 Oct 2021, at 11:43, Thomas Scharkowski
>>> wrote:
>>>
>>> Hi, I have installed this version on a fresh MacOS 12 and get this error
>>> message:
>>
Am Mo., 1. Nov. 2021 um 15:35 Uhr schrieb Kieren MacMillan
:
>
> Hi all,
>
> Having struggled with this for almost a decade (see, e.g.,
> https://lists.gnu.org/archive/html/lilypond-user/2013-03/msg00314.html)… Is
> this something that could be handled really well with an engraver? Or at
>
Dear community,
I would like to do with arranger.ly something similar to
Key = { \key f \major }
music =
{ \Key c'4 d' e' f'2.}
artiA = { s2.( s) }
music = { \context Voice << {\music} {\artiA } >> }
I tried in in the following way, without success, unfortunately:
\version "2.22.1"
Am Mo., 1. Nov. 2021 um 13:02 Uhr schrieb Mahanidhi :
>
> I forgot to add the \include file:
>
> \version "2.22.1"
> \language "english"
>
> show-barline = {\once \undo \hide Staff.BarLine \bar "|"} % to show bar line
>
> fine = {\once \override Score.RehearsalMark.self-alignment-X = #RIGHT \mark
Am 31.10.2021 um 18:36 schrieb Hans Åberg :
>
>
>> On 31 Oct 2021, at 11:43, Thomas Scharkowski
>> wrote:
>>
>> Hi, I have installed this version on a fresh MacOS 12 and get this error
>> message:
>
> I have made an installer using MacPorts
Am Sa., 30. Okt. 2021 um 15:54 Uhr schrieb Thomas Morley
:
>
> Am So., 24. Okt. 2021 um 18:19 Uhr schrieb Aaron Hill
> :
> >
> > On 2021-10-24 8:05 am, Thomas Morley wrote:
> > > Am So., 24. Okt. 2021 um 16:35 Uhr schrieb Aaron Hill
> > >> Let me t
side /opt/lilypond/bin in this package.
>
> So, add /opt/lilypond/bin to your classpath. If using zsh:
>
> echo 'export PATH="/opt/lilypond/bin:$PATH"' >> ~/.zshrc
>
>
>
> Em dom., 31 de out. de 2021 às 07:44, Thomas Scharkowski
> escreveu:
>>
.pdf’
—
The tmp file seems to be a ps file - if I understand correctly gs is missing so
no pdf can be produced.
Can I solve this?
Thank you,
Thomas
> Am 25.10.2021 um 17:57 schrieb Hans Åberg :
>
> This is a LilyPond 2.23.3 installer, latest unstable release, for use on
> MacOS 1
Am So., 24. Okt. 2021 um 18:19 Uhr schrieb Aaron Hill
:
>
> On 2021-10-24 8:05 am, Thomas Morley wrote:
> > Am So., 24. Okt. 2021 um 16:35 Uhr schrieb Aaron Hill
> >> Let me take a stab at converting the print routine to Scheme.
> >
> > Would be great !!
>
&
Am Mo., 25. Okt. 2021 um 12:00 Uhr schrieb Leo Correia de Verdier
:
>
> Don’t worry, you’re doing far more on this than anyone could reasonably
> expect.
>
> The final result should be something along these lines, but what I was asking
> about is just the chord possibility. I have looked a
Am Mo., 25. Okt. 2021 um 00:02 Uhr schrieb Leo Correia de Verdier
:
> One feature I would find useful would be the ability to make chords with one
> ”gliss-note” and one regular notehead. I implemented this (not entirely
> successfully) on top of an earlier version of your code by making it
Am So., 24. Okt. 2021 um 18:19 Uhr schrieb Aaron Hill
:
>
> On 2021-10-24 8:05 am, Thomas Morley wrote:
> > Am So., 24. Okt. 2021 um 16:35 Uhr schrieb Aaron Hill
> >> Let me take a stab at converting the print routine to Scheme.
> >
> > Would be great !!
>
Am So., 24. Okt. 2021 um 16:35 Uhr schrieb Aaron Hill
:
>
> On 2021-10-24 6:22 am, Thomas Morley wrote:
> > Though, how could I have found it myself?
> > My lack of C++-knowledge hinders me to understand the "logic from
> > Line_spanner::print". I usually learn
Am So., 24. Okt. 2021 um 01:18 Uhr schrieb Aaron Hill
:
>
> On 2021-10-23 5:17 am, Thomas Morley wrote:
> > Any hints?
>
> normalized-endpoints
>
> Your Y-left and Y-right are the extreme values that have not been
> interpolated using the values from normalized-endpoin
Am So., 24. Okt. 2021 um 12:29 Uhr schrieb David Kastrup :
>
> Kira Garvie writes:
>
> > What I was told is that there are some features on the back-end of the
> > program that turns the Lilypond scores into manipulatable scores for the
> > company that doesn't play well with some of the newer
Hi,
in order to make stemmed glissandi work with cross-staff glissandi, I
made the experience calling Glissando.stencil and getting the needed
values from the stencil to calculate the real start/end-points and
gradient will cause bad results for cross-staff Glissando.
Thus I tried to calculate
Am Do., 21. Okt. 2021 um 22:13 Uhr schrieb Jean Abou Samra :
>
> Le 19/10/2021 à 23:13, Thomas Morley a écrit :
> > Hi Jean,
> >
> > thanks for your insights.
> >
> > Currently I try a complex coding, messing with Glissando, Beam,
> > NoteHead just look
Am Fr., 22. Okt. 2021 um 15:45 Uhr schrieb Thomas Morley
:
>
> Am Fr., 22. Okt. 2021 um 14:48 Uhr schrieb Thomas Morley
> :
> >
> > Am Fr., 22. Okt. 2021 um 14:33 Uhr schrieb Dimitris Marinakis
> > :
> > >
> > > I'd really like to test this version
Am Fr., 22. Okt. 2021 um 14:48 Uhr schrieb Thomas Morley
:
>
> Am Fr., 22. Okt. 2021 um 14:33 Uhr schrieb Dimitris Marinakis
> :
> >
> > I'd really like to test this version but I'm getting an error :
> > In procedure ly:grob-object in expression (ly:grob-object
Am Fr., 22. Okt. 2021 um 14:33 Uhr schrieb Dimitris Marinakis
:
>
> I'd really like to test this version but I'm getting an error :
> In procedure ly:grob-object in expression (ly:grob-object stem (quote
> glissandi) ...):
> Wrong number of arguments to #
You need a more recent version, 2.23.3
(just that I haven’t been able to solve them)
> they could be bypassed by allowing manual settings for stems, something like
> it’s done with beams.
>
> Would you have time to help me with this?
>
> Thanks!
> /Leo
>
> > 26 okt. 2019 kl. 12:39 skrev Thomas Morley
Am Do., 21. Okt. 2021 um 18:07 Uhr schrieb Knute Snortum :
>
> Hi everyone,
>
> In piano music, there's a technique for holding down a key with one
> finger, then switching to another. I know how this looks in music
> notation (see attached) but I don't know how to engrave it with
> LilyPond.
Am Di., 19. Okt. 2021 um 19:42 Uhr schrieb Jean Abou Samra :
>
> Le 19/10/2021 à 17:47, Thomas Morley a écrit :
> > Hi,
> >
> > please consider:
> >
> > {
> >b4\glissando
> >\once \override NoteColumn.glissando-skip =
> > #(lam
Hi,
please consider:
{
b4\glissando
\once \override NoteColumn.glissando-skip =
#(lambda (grob)
(pretty-print
(list
(cons 'X-parent (ly:grob-parent grob X))
(cons 'Y-parent (ly:grob-parent grob Y
#t)
c'
d'
}
I.e. NoteColumn seems to have
Am Mo., 18. Okt. 2021 um 16:14 Uhr schrieb David Kastrup :
>
>
> Hi,
>
> currently entering drum scores for the ensemble I am playing in (getting
> a note-savvy living drummer for regular practice is comparatively
> challenging) and I frequently have the situation that there are large
> pauses in
Am Do., 7. Okt. 2021 um 13:32 Uhr schrieb Jean Abou Samra :
>
> Harm,
>
> Le 07/10/2021 à 11:46, Thomas Morley a écrit :
> > Not sure Jan-Peter's approach is the best method ...
>
> What makes you think so?
>
> Best,
> Jean
Maybe my wording was misleadin
Am Do., 7. Okt. 2021 um 11:30 Uhr schrieb Peter Toye :
>
> The potential need has gone away now - my Sibelius user has told me that he
> uses ScoreMuse to export the PDF into a suitable format for Sibelius. Looks
> to me like an expensive way of doing it, but if he can afford Sibelius he can
>
Am Fr., 1. Okt. 2021 um 20:53 Uhr schrieb Mahanidhi :
>
> In this music the third line as two grace notes. The lylirc automatically
> starts from the note and not from the grace note.What's the code to tell
> Lilypand to start fron the grace note?
> Thank you.
>
> CODE:
> \version "2.22.1"
>
Hi Jacques,
Am Mo., 27. Sept. 2021 um 00:48 Uhr schrieb Jacques Menu
:
>
> Hello folks,
>
> The recent posts on this subject show there is interest in the matter. Sorry
> for the length of this one...
Tbh, most of the mor detailed stuff is way over my head..
>
> My work was initially homed by
Am Mo., 27. Sept. 2021 um 17:05 Uhr schrieb Ivanov Dmitry :
>
> Something is not right. I installed lilypond 2.23.3 and processed
> hello2.xml. I still have an incorrect result.
>
> Here is what I do and what I get:
>
> $ musicxml2ly ./hello2.xml
> musicxml2ly: Reading MusicXML from ./hello2.xml
Am Sa., 25. Sept. 2021 um 17:39 Uhr schrieb Marcin Damianiak
:
>
> Dear All,
>
> I'd like to ask for a little bit of help with the following matter:
>
> What I'm trying to achieve is to make single centered incipit bar for the
> staff group of two instruments. As for now, my code produces three
Am Sa., 25. Sept. 2021 um 18:21 Uhr schrieb Carl Sorensen :
>
>
>
>
>
> From: lilypond-user
> on behalf of Mario Moles
> Date: Saturday, September 25, 2021 at 7:05 AM
> To: "lilypond-user@gnu.org"
> Subject: Re: attenzione: troppe collisioni tra pause
>
>
>
> Ok! Rest and silence don't go
Am Sa., 25. Sept. 2021 um 16:24 Uhr schrieb Jean Abou Samra
:
>
> Hi Harm,
>
> Le 24/09/2021 à 22:52, Thomas Morley a écrit :
> > I was tempted to offer a very high bounty to get a working xml-export.
> > Alas, we already have
> > https://gitlab.com/
Am Fr., 24. Sept. 2021 um 22:33 Uhr schrieb Carl Sorensen :
>
> We have automatic tests for xml2ly that check compliance with the musicXML
> standard.
>
> I'm fairly certain it's a problem with your musicXML, rather than xml2ly.
>
> Unfortunately, I'm not expert enough on musicXML to find the
Am Fr., 17. Sept. 2021 um 01:26 Uhr schrieb Kenneth Wolcott
:
>
> Hi;
>
> I have a tremolo question.
>
> 4/4 time
> bass clef (piano part)
> polyphony apparently required
> two half notes, the first half note is in both voices
>
> I don't understand the tremolo repeat section in the
Am Di., 14. Sept. 2021 um 11:35 Uhr schrieb Paul Hodges :
>
> I have successfully used https://lsr.di.unimi.it/LSR/Snippet?id=1048 to add
> slashes to beamed grace notes - thanks!
>
> But I have the problem now that I am being required to place the slashed
> grace notes before a bar line. I can
Am Fr., 3. Sept. 2021 um 20:24 Uhr schrieb Gordon Bower :
>
> I am having two issues with a custom unpitched-percussion staff in a score.
>
> Item 1: \RemoveEmptyStaves does not remove the percussion staff even though
> it suppresses other staves correctly. (I had the same problem with a
>
Am Mo., 30. Aug. 2021 um 18:57 Uhr schrieb Paul Scott :
>
> Adding a rest to the contemporary glissando snippet (1,3,3) in the
> notation manual results in a barcheck error\version "2.23.3"
>
> \relative c'' {
>\time 3/4
>\override Glissando.style = #'zigzag
>c4 c
>\cadenzaOn
>
Am Mo., 30. Aug. 2021 um 15:52 Uhr schrieb Dirck Nagy :
>
> Hi Jacques
>
> Your example works, but when i try the same syntax in my example, it still
> doesnt work.
>
> I can't figure it out. Here is my code.
>
> Can anyone see the problem? Please let me know!
>
> Thanks for your trouble!
>
>
Am So., 29. Aug. 2021 um 19:43 Uhr schrieb Knute Snortum :
>
> On Sun, Aug 29, 2021 at 10:24 AM Thomas Morley
> wrote:
> >
> > Am So., 29. Aug. 2021 um 15:37 Uhr schrieb Knute Snortum
> > :
> > >
> > > I thought this used to work, to move the "c
Am So., 29. Aug. 2021 um 15:37 Uhr schrieb Knute Snortum :
>
> I thought this used to work, to move the "cresc." to the left. It
> doesn't seem to work any more.
>
> %%%
> \version "2.23.3"
>
> \relative c' {
> c4 -\tweak X-offset -3 \cresc c c c |
> c4 c c c \! |
> }
> %%%
>
> Is this not
Dear friends,
I cannot find a binary package for arm64 and macOS 11 on the official
website. I don't know how to compile this software on my platform.
Can someone help me please?
Thanks,
Thomas Wu
Am Di., 24. Aug. 2021 um 18:38 Uhr schrieb Paul Hodges :
>
> I am making a score one of whose pages (the last) will fold out from the
> previous. The previous page is numbered 5, but I have been told to make
> the fold-out page not 6 but 5a. I can't see how to change the header
> format for just
Am Mo., 23. Aug. 2021 um 20:32 Uhr schrieb Kees van den Doel :
>
> Trying to shift a note away from the barline which it's touching by adding a
> \grace s16, but I ran into what appears a bug?
>
> \version "2.22.1"
>
> mus = \relative {
> \repeat volta 2 {
> c'1
> }
> \alternative {
>
Am So., 22. Aug. 2021 um 15:54 Uhr schrieb Paul Hodges :
>
> I have been asked to change my serif font to Times New Roman. I have
> done this, using:
>
>#(define fonts
> (set-global-fonts
> #:roman "Times New Roman"
Use
"Times New Roman,"
Note the trailing comma (see NR for the
Am So., 22. Aug. 2021 um 13:42 Uhr schrieb Paul Hodges :
>
> Encouraged by the fantastic responses to my first problem, I now offer my
> other issue.
>
> The composer uses a special barline to mark the phrase pattern of a piece.
> The form of this barline is like this:
> (MS)
Am So., 22. Aug. 2021 um 11:41 Uhr schrieb Paul Hodges :
>
> I have been asked to set a modern piece for Flute, and it has some
> elements which are new to me, and which I have been unable to find a way
> to present. The first of these is that the composer regularly writes
> rests within (or at
Am Mi., 11. Aug. 2021 um 07:51 Uhr schrieb takumi ikeda :
>
> \version "2.22.1"
>
> {
> \clef bass
> \time 5/4 r8 r16. g32 f32 a32 d32 a32 r8 r2 r4
> r1 r4
> r2 f32 d32 g32 a,32 a32 r16. r4 r4
> r1 r4
> }
>
> % The whole bar rests below are too wide.
> {
> \clef bass
> \time 5/4 r8
Am Sa., 7. Aug. 2021 um 23:20 Uhr schrieb Aaron Hill :
>
> On 2021-08-07 2:14 pm, Kenneth Wolcott wrote:
> > How to write an extended dim and cresc (text, not hairpins) ,like a
> > trillSpan?
> > [ . . . ]
> > Where do I look in the manual for this long extension (span?) of the
> > expressive
Am Do., 5. Aug. 2021 um 20:29 Uhr schrieb Jean Abou Samra :
>
>
>
> Le 05/08/2021 à 12:39, Owain Evans a écrit :
> > That is totally fantastic! Works perfectly!
> > I've one variable / context defining both left and right pages: system
> > in-between distance and bars per system.
> > And will
Am Do., 5. Aug. 2021 um 08:53 Uhr schrieb Owain Evans :
>
> I'm arranging for a beginner piano duet where left and right pages mirror
> each other:
> same bars per system, same system alignment-distances, same Y-offsets on each
> system.
>
> I would like the same Y-offset value on left and right
Am Di., 3. Aug. 2021 um 18:18 Uhr schrieb Thomas Morley
:
>
> Am Di., 3. Aug. 2021 um 17:03 Uhr schrieb Kees van den Doel
> :
> >
> > Looks good. For testing just compare output as gotten from my package with
> > old LP version. I haven't run all regression on the new
Am Di., 3. Aug. 2021 um 17:03 Uhr schrieb Kees van den Doel :
>
> Looks good. For testing just compare output as gotten from my package with
> old LP version. I haven't run all regression on the new persian.ly (that
> works with current LP version) yet.
Ok, then you may be interested in the
Am Mo., 2. Aug. 2021 um 18:33 Uhr schrieb Kees van den Doel :
>
>
> Sorry, keep forgetting to "reply-all"...
> -- Forwarded message -
> From: Kees van den Doel
> Date: Mon, Aug 2, 2021 at 9:24 AM
> Subject: Re: Persian music package
> To: Thomas M
Am So., 1. Aug. 2021 um 09:58 Uhr schrieb Kees van den Doel :
>
> OK, so I'll stick with my own convert-ly files as I'm on the stabgle version.
>
> Problem now seems to be that the positioning tweak in persian.ly such as
> "persianStringsXExtents" is no longer working correctly with my file.
>
Am So., 1. Aug. 2021 um 07:24 Uhr schrieb Jean Abou Samra :
>
> Le 01/08/2021 à 00:54, Thomas Morley a écrit :
> > No idea why "glyph-name-alist" was not converted to
> > "alteration-glyph-name-alist" (an oversight?), had to do it manually.
>
> Runnning
Dear Devin,
there's also the "society for ekmelic music" in Salzburg, Austria.
They also support mictronal notation with lilypond.
Have a look at
http://www.ekmelic-music.org/en/extra/ekmelily.htm#Download
Maybee this helps You!
Best,
Stefan
> Hi All,
>
>
> I need help from users who have some
Am Do., 22. Juli 2021 um 16:13 Uhr schrieb Silvain Dupertuis <
silvain-dupert...@bluewin.ch>:
> Hello,
>
> I made a chord version of the first Praeludium of the *Wohltemperierte
> Klavier*
> (in which the chords were programmaticall reconstructed from the liste of
> notes)
>
> As the chords
Am Mi., 21. Juli 2021 um 12:07 Uhr schrieb N. Andrew Walsh
:
>
> Hi List,
>
> I have the following:
>
>
> \version "2.20.0"
>
> textStencil =
> #(define-music-function
>(grob text)
>(key-list? markup?)
>#{ \override #grob . stencil = #ly:text-interface::print
> \override
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