.html
Saludos,
Vicente Solsona
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So in the future it may become possible to drag a note to a different
octave, or to draw slurs between notes by dragging, or to right-click
a slur and select "Down" or "Dashed" or whatever. All without needing
any change to LilyPond itself.
if you allow me to make a feature request, the slur tw
On Sat, 15 Jan 2011 13:28:44 +0100, Helge Kruse
wrote:
Hello,
I have installed several versions of Liylpond in parallel. That's useful
if you migrate to a newer version to use it's features. But I can't
modify all sources at once. That's why I need to install the current
version while ke
dear lilyponders,
just received this from planet.linuxaudio.org:
http://createdigitalmusic.com/2010/12/utterly-brilliant-fan-made-jonathan-coulton-music-video-with-lilypad-notation-cameo/
the following comments in the original video page
(http://vimeo.com/17419652) are remarkable:
Q. "Brillian
On Thu, 09 Dec 2010 01:36:23 +0100, Jonathan Wilkes
wrote:
Greetings Lilypouncers,
Is there a quick way to parenthesize a simple time signature?
I'm not sure whether this is standard or not, but I used it once or
twice at the beginning of a score that shows an excerpt from, say, the
midd
On Wed, 24 Nov 2010 21:17:46 +0100, Dominic Neumann
wrote:
Hi,
I want to produce a special Coda which does not reside on a new line but
is separated by a gap. You can find the original in the attached file
"examplecoda.jpg".
I already tried for a long time but the result isn´t exactly wh
On Thu, 11 Nov 2010 10:58:13 +0100, Steve Yegge
wrote:
I've got a text spanners with a relatively long string for its
#'bound-details #'left #'text property, and the spanner spans
several line breaks. The result is something like
long spanner text ... \break
long spanner text
On Thu, 04 Nov 2010 05:07:34 +0100, Colin Campbell wrote:
> wrote:
please remember to forward to the list.
also please review your examples before posting. your example contains
syntax errors.
there's no E flat in your example. the only common note between voices 2
and 4 is an F (if I've inter
On Wed, 03 Nov 2010 19:01:18 +0100, Ken wrote:
Hi,
I tried looking in archives for a solution to my problem but I'm not sure
quite how to put in a search description.
I'm writing a 3-part piece for the piano. 3 voices. In one measure, I
have
the second and third (voiceFour in lliypond bec
On Wed, 03 Nov 2010 19:01:18 +0100, Ken wrote:
Hi,
I tried looking in archives for a solution to my problem but I'm not sure
quite how to put in a search description.
I'm writing a 3-part piece for the piano. 3 voices. In one measure, I
have
the second and third (voiceFour in lliypond be
rrect. Except for the no beam.
Ken
On Wed, Nov 3, 2010 at 1:45 PM, Vicente Solsona
wrote:
please remember to forward to the list.
also please review your examples before posting. your example contains
syntax errors.
there's no E flat in your example. the only common note be
On Mon, 01 Nov 2010 14:27:10 +0100, Stephan Elliot Perez
wrote:
How can I move other objects? I would like, for example to move dynamic
symbols and text into the system itself. I know how to move text around
within a markup with /lower and /hspace , but not through other objects.
There is proba
On Sat, 23 Oct 2010 02:35:24 +0200, PMA
wrote:
Hi List.
I have a LilyPond score in which an arpeggiated chord tends to be
preceded by
a rest. And too often, the arpeggio glyph overlaps its preceding rest.
How can I shift horizontally -- either the rest slightly leftwards, or
the arpeg
On Mon, 18 Oct 2010 12:43:18 +0200, James wrote:
On 18/10/2010 06:21, Xavier Scheuer wrote:
2010/10/18 Janek Warchoł:
I've tried doing some things described here, but i don't understand
them
well enough and it didn't work like i wanted :(
The reason is that while the previous example in th
On Tue, 12 Oct 2010 19:58:18 +0200, Gilles Filippini
wrote:
Looking for another method :/
I think the following code does it, but putting the music inside a
function is probably not a good idea. Maybe some scheme specialist can
help you better, I'm surpassed beyond that...
Well, it does the
On Mon, 11 Oct 2010 22:02:51 +0200, David Santamauro
wrote:
my personal experience is that the most productive thing I've done
in Lilypond is learning to search in the documentation :)
Yes, searching is important and I have been doing that all day. This is
my first big scoring with lilypond a
On Tue, 12 Oct 2010 01:00:28 +0200, Gilles Filippini
wrote:
I thought I could trigger the mark using a function and a global
variable, but that doesn't work as expected. It seems the function is
evaluated only once while setting the "toto" part instead of being
evaluated in the context of each
On Mon, 11 Oct 2010 23:57:42 +0200, Vicente Solsona
wrote:
afaik \unfoldRepeats is intended mainly for the output...
sorry I meant "afaik \unfoldRepeats is intended mainly for the midi
output..."
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On Tue, 12 Oct 2010 00:06:26 +0200, James Wilkinson
wrote:
On 10/11/10 5:22 PM, Graham Percival wrote:
On Mon, Oct 11, 2010 at 04:32:48PM -0400, James Wilkinson wrote:
On 9/23/10 6:00 PM, Vicente Solsona wrote:
if the dynamics are the same, it's better to write them just once.
thus
On Mon, 11 Oct 2010 22:32:48 +0200, James Wilkinson
wrote:
[...]
if the dynamics are the same, it's better to write them just once. thus
you:
[...]
you just need to create a third voice with spacers and all the common
marks, in parallel with the other two:
Took me a while to get around to
On Mon, 11 Oct 2010 21:40:30 +0200, Gilles Filippini
wrote:
To me the "standard" way would be to have the Volta_engraver doing this
for me, and taking care not to do it when inside \unfoldrepeats {}.
afaik \unfoldRepeats is intended mainly for the output...
maybe you could just override the
On Mon, 11 Oct 2010 20:51:19 +0200, David Santamauro
wrote:
Is it possible to move objects like that markup with the proper
directives? If it is and is documented, please point me to the relevant
snippets or section in the manual.
forgot that.
you can read about that in the Learning Manual 4
On Mon, 11 Oct 2010 20:51:19 +0200, David Santamauro
wrote:
[...]
r2 \mark \markup { \teeny "div." } cs'4\downbow e'4
[...]
why do you use a rehearsal mark? by attaching the "div." to the rest, the
result is closer to what you want, isn't?
r2-\markup { \teeny "div." } cs'4\downbow e'4
y
On Mon, 11 Oct 2010 14:22:36 +0200, Gilles Filippini
wrote:
From the answers I've had I infer that there is no standard way of doing
that.
well, with Rehearsal Marks you can print almost whatever you want over a
bar line. how far is that from the "standard" way?
The answer the closest fr
On Wed, 06 Oct 2010 21:06:39 +0200, Chip Wiegand wrote:
I am having an issue with getting a lyric to align the first word to
the first note of the piece. I have even commented out all the lyrics
except the first two words of the two stanzas, but only the first word
of each stanza appears
On Tue, 05 Oct 2010 22:27:40 +0200, Mario Moles
wrote:
Hi lilyponders!
How i can for \tempo=40-42 ?
Cheers!
use markups. I guess you mean something like this:
\tempo \markup {
\concat {
\general-align #Y #DOWN \note #"4" #1
" = 40-42"
}
}
did you look in the manual? there's a p
On Mon, 04 Oct 2010 23:11:01 +0200, Marten Visser
wrote:
Hi Vincente, thanks for the suggestion. However, I do not only want to
delete a music expression (which can be tagged), but an entire staff,
namely the tabStaff. I wouldn't know how to create code removing a staff
by tagging it.
yo
On Mon, 04 Oct 2010 01:03:30 +0200, Marten Visser
wrote:
Hello again,
Typesetting my masterpiece :D, I ran into the following problem:
I have a piece for piccolo and guitar. If I typeset the music for
guitar, I'd like to have a tablature staff in addition to the notes, but
If I typset for
On Sun, 03 Oct 2010 15:30:34 +0200, Marten Visser
wrote:
Hello,
[...]
In the following example, everything has been properly scaled down,
except for the crescendo. Thanks for looking!
please forget my previous reply! indeed the hairpin is not scaled in
2.12.3 either;
as it has no "font
On Sun, 03 Oct 2010 15:30:34 +0200, Marten Visser
wrote:
Hello,
[...]
In the following example, everything has been properly scaled down,
except for the crescendo. Thanks for looking!
==
%{
Example:
graphical dynamics do not scale
%}
\version "2.13.32"
% --
On Wed, 29 Sep 2010 19:17:56 +0200, Sam Domonkos wrote:
I am definitely closer thanks to your visibility reference. The
remaining problem seems to come when a \bar "|." is followed by a \bar
"|." even if they are separated by a \break. To confirm this I tried
\bar ".|" \bar "|." \bar ".
I would like to explicitly separate parts of music by having these bar
lines always at the beginning and end of parts, but they do not all
print.
the answer is probably at the Notation Reference 5.4.7 "Visibility of
objects" -> "Using break-visibility"
\version "2.13.14"
you seem to
On Wed, 29 Sep 2010 09:11:45 +0200, Dmytro O. Redchuk
wrote:
Sorry for delay. I am still brave enough to add "this" to the tracker
but not
sure that this issue is clear enough, sorry.
Dmytro,
many thanks for taking the time to keep this alive :)
I am affraid, if this is _a question_ ("shou
On Tue, 28 Sep 2010 21:31:03 +0200, Qian Li wrote:
Hi, folks.
I have a multistaff score that requires alternative brackets. I tried the
tweak for getting brackets to show in staves below the top staff (below:
I
may be putting it in the wrong place), but I'm not getting brackets at
all.
The
On Thu, 23 Sep 2010 22:19:05 +0200, James Wilkinson
wrote:
\version 2.13.31
When I put two voices on the same staff that have identical markings
for dynamics and tempo, Lilypond prints them both, one above the
other.
[...]
Back to my original question: if Lilypond can see that one of these
hello,
a markup can be rotaded. I can't find information about how to scale it.
is that possible at all?
(this can be useful for instance when you put a \score inside a markup)
greetings,
Vicente
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Is posible tweak the metronome mark style?
using markups in the tempo definition allows you to put virtually anything
you want in the metronome mark.
the Notation Reference is your biggest friend. see "1.6.3 Writing parts"
and "1.8.2 Formatting text".
greetings,
Vicente
__
this doesn't work
c4\3
It does! This avoids a string number indication in standard notation and
leads to a correct fret number in tablature. See Default tablatures in
the Notation Reference.
and this does:
4
This basically has the same effect but a string number indication
On Mon, 20 Sep 2010 18:27:37 +0200, "Vicente Solsona"
wrote:
To sumarise:
String numbers, harmonics and right hand fingerings *must* be defined
inside a chord construct even if there is only a single note.
you can attach finger numbers to single notes:
a-1 b-2 c-1-2-3-4
On Wed 15 Sep 2010, 22:40 Xavier Scheuer wrote:
On 15 September 2010 19:53, Vicente Solsona wrote:
> It probably has something to do with the fact that string numbers and
> right hand fingers must be put inside a chord, but skips cannot, but
> I'm stuck here.
This limitati
Hi!
Here lilypond puts dots "in betweens noteheads", i need both of them
(all of
them) would be in spaces below noteheads:
\version "2.13.33" % 2.12 does the same
[...]
It looks to me as if this strange behaviour is caused by the
\voiceTwo-command. It also happens with \voiceFour. For now
Hi,
How can I make this (a piano lefthand chord with fingering below the
staff) look better:
\relative c' { 1 }
You could use tweak:
\relative c' {
1
}
I think this does precisely what you want, unless you want to further
tweak a specific
number:
%%
\vers
dear list,
I'm trying to extend the example given in NR 5.1.2 "Creating contexts" to
separate
music and guitar annotations (a very neat feature btw), by funneling the
music
itself and another expression with guitar instructions, but I'm facing some
problems: fingerings do partly work, but st
I use the same system as Shamus, but I use the dash simbol instad the
minus symbol, because I find it to be a bit more polite. So I have then:
jazzyChordsMusic =
{
1-\markup {#(ly:export (ly:wide-char->utf-8 #x2013))} % Cm -> C-
% and so on...
}
I have jazzyChordsMusic and jazzyChordsAdd i
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