Javier Ruiz-Alma wrote
> Hi Eluze,
> I tried to add this to LSR, but the facility supports syntax only up to
> 2.14.
> This being a demo of waitForTie with tuplet rhythm and crossStaff (not
> available in 2.14), just couldn't get a snippet this facility would
> accept.
Javier Ruiz-Alma wrote
> Solved overlaying a 2nd voice with cross-staff stems
> [...]
thanks for sharing this solution - maybe it's worth to be recorded in the
LSR?!
Eluze
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ve the fingering in a compilation.
best put this in a file which you can include or not when invoking LilyPond.
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lypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-paper-variables,
specifically the /List of flexible vertical spacing \paper variables/
hth
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Sent from
racket.direction = #DOWN
\override TupletNumber.direction = #DOWN
\tuplet 3/2 { f8[( e]) f }
\tuplet 3/2 { g8[( f]) g }
\tuplet 3/2 { a8[( g]) a }
\once \override TupletNumber.avoid-slur =#'outside
\once \override TupletNumber.extra-offset=#'(0 . 1.3)
\tuplet 3/2 { b8[(
fly #not-first-page \fill-line { \with-color #green
\fromproperty #'page:page-number-string }
\on-the-fly #first-page \fill-line { \with-color #red \fromproperty
#'header:copyright }
}
}
}
\header {copyright=copyright }
{ c d e f
\pageBreak
c d e f
}
and there are plen
\fromproperty #'page:page-number-string
\on-the-fly #first-page \fromproperty #'header ...
}
hth
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Sent
atic tie or slur directly in the sense of
a tiny example!?
thanks!
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in lilypond?
you can use a specific engraver in each voice with
\new Voice = "sop" \with { \consists \Ez_numbers-engraver }
Eluze
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Sent from th
David Nalesnik-2 wrote
> Hi,
>
>
> On Tue, Feb 11, 2014 at 3:35 PM, Phil Holmes <
> mail@
> > wrote:
>
>> OK - so this "tiny" example is 107 lines of code.
>>
>>
>>
>> - Original Message -
>> *From:* MING T
> under what the code is doing except they display numbers or solfege.
you could at least specify where the code you use is coming from!
thanks!
Eluze
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contribution might also be interested in
follow ups to this question
Eluze
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Eluze wrote
>
> guocuozuoduo wrote
>> Is it possible to setup the basic template for Breton bagpipe notation?
>> (as opposed to Scottish notation, Breton notation has all melody notes
>> stem-up and all grace notes/embellishments stem-down.)
>>
> can you simp
> \version "2.19.2"
> \layout {
> ...
can you simply reverse the definitions in the \layout section?
or can you give a tiny example how this should look like? Scottish and
Breton?
Eluze
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!
parameter 1 lettrine
parameter 2 capitalized text
parameter 3 flow text
(without deeper thoughts)
thanks for your effort so far!
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at top-level as well as in the \score-header:
\bookpart {
\header { piece = ##f }
\score {
{ ... }
}
\header { piece = wonderful}
}
and - unexpectedly - "wonderful" will spread over the whole score...
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t-into-other-programs
?
please come back if there are still problems or it isn't satisfactory!
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S
it seems that adding
\override Score.MetronomeMark.self-alignment-X =#1
is a simple solution
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dge,
key-cancellation, key-signature, and time-signature.
Each type of object has its own default reference point, to which rehearsal
marks are aligned"
you'll have to determine the reference point you like.
hth - a bit
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glissando
?
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Noeck wrote
>> well - the collision avoidance behavior of LilyPond may not be optimal
>> here
>> but you can simply
>>
>> -\tweak Glissando.Y-offset #-.5
>>
>> there might be other solutions (just ask if you're not happy with this)
>>
&g
by providing the solution
> or directing me to a documentation page where I may do so myself.
> Thank you!
well - the collision avoidance behavior of LilyPond may not be optimal here
but you can simply
-\tweak Glissando.Y-offset #-.5
there might be other solutions (just ask if you're not happy
Joshua Nichols wrote
> I'm sorry, it should read #'none. It does not work even there.
\layout{
\context{
\Staff
\override DynamicTextSpanner.style = #'none
}
}
Eluze
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le
>
> } } }
>
>
> The snippet does not work.
Uh, you didn't apply the snippet correctly:
- it says "none", not "invisible"
- you apply it to the wrong context - since you didn't show your code Glen
assumed your dynamics are in a Dynamics context - put
David Kastrup wrote
> Federico Bruni <
> fedelogy@
> > writes:
>
>> 2014/1/27 Eluze <
> eluzew@
> >
>>
>>> pleas always check the log - it says:
>>>
>>> "warning: no systems found in \score markup, does it ha
esn't produce more than the help information
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lilypond-user mai
though.
>
>
> Is it a bug ?
I think so and I've created
https://code.google.com/p/lilypond/issues/detail?id=3825&colspec=ID%20Type%20Status%20Stars%20Owner%20Patch%20Needs%20Summary
for this
thanks for reporting it!
Eluze
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>>
> }
> }
pleas always check the log - it says:
"warning: no systems found in \score markup, does it have a \layout block?"
does this help?
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I think what Patrick tells is the way to do it:
to display the fret diagram as defined in the mentioned just add
\new FretBoards \myChords
in the appropriate place!
was that your question?
Eluze
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bsolutely correct - the confusion may have come from the fact that
to-barline = ##t usually stops the hairpin at the bar line before the last
note... and obviously it is the bar line before the last (null-)event.
thanks for clarifying!
Eluze
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at does this mean?
did you search for the possible reasons of this error (bug list/tracker)?
is there an override/setting missing?
is it a bug?
Eluze
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\override Hairpin.to-barline = ##f
c'1 \< c'1 *<>* \! \bar "||"
}
this draws the hairpin to the bar line though there are error messages.
Eluze
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Richard Shann-2 wrote
>>
>> searching for the *word* q would help:
>>
>
> ??? I tried both indices, clicked on the alphabetical Q link and got a
> list which doesn't include "q", what else could I do?
see above
Eluze
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lp:
one place you'll find it is /E. LilyPond index/ , but in /D. LilyPond
command index/ it's missing, indeed
I wonder, after the introduction of repeating pitches and chords with a
simple duration in 2.19.1(?), if there is good reason to keep this command!?
Eluze
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he first occasion for LP to make a legal page break.
if you let LP do its own layout it should work correctly.
Eluze
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Tom van der Hoeven wrote
> it worked, and as a bonus it gave me an extra blanco page.
I don't get a special page - example?!
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Sent
uggest it may be best,
> given your layout, to use purely manual page breaking. You can forbid
> automatic page breaking with
>
> \override NonMusicalPaperColumn.page-break-permission = ##f
>
> and can then place \pageBreak appropriately.
I think it's strange behavior.
empty \markup {} to enable the label to be evaluated.
Eluze
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thanks for sharing your
> PDF MIDI AND LILYPOND SOURCES!
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number to appear?
please see in NR "print-first-page-number=##t"
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jensgc wrote
>
> Eluze wrote
>> you can define the spanner in its own (dynamic) context and move it
>> wherever you want:
> thanks for the answer. I am aware of the possibility to have the dynamics
> in a separate voice - and it might be the solution here. I am however
;output-scale)))
(ly:make-stencil "" '(0 . 0) (cons 0 (abs (/ amount o-s))
#(define-markup-command (put-mm layout props dir amount arg)
(ly:dir? number? markup?) (interpret-markup layout props
(markup #:put-adjacent Y dir arg #:mm-feed amount)))
Eluze
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TextSpanner #'(bound-details right attach-dir) = #LEFT
s2. s4
\startTextSpan
s2. s4
\stopTextSpan
s1
}
<<
\new Dynamics \myDynamics
\new Staff { R1*3 }
\new ChoirStaff <<
...
...
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ely for each
> kind of barline would work, of course, but would be a pain in the butt,
> and may not work for all staff sizes.
can you share your code so far?!
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f e d c |
>}
>\midi {}
> }
> %end of example
>
> Result: The MIDI file starts without a rest in the first bar.
> The rest in the 3rd bar behaves normally.
>
> Is this a bug, or intentional?
I can't reproduce that - could it be your midi player is wrong
rd (open chord in first position)?
why not barred on fret 7 - it's easy to play (at least easier than your 1st
example), you can strum all strings and in many cases it fits better.
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myoctavate c'' \relative c' { a b c d e f g a }
or
\myoctavate c, \relative c' { a b c d e f g a }
would give the wanted result.
but for the \relative issue I can't figure out a solution (unless you
want to define two functions, one for relative
Nick Baskin wrote
> Eluze,
>
> Apologies for being unclear! I've attached a minimal example that I hope
> will demonstrate what I mean. Notice how the "8va" text collides with the
> beam; I would like to move the "8va" text to the left to avoid this
> co
What do I have to override to make this
> change?
as you're not very specific about the code I just hope this fits:
\set Staff.ottavation = \markup { Text \hspace #4 }
Eluze
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enders." R1
> \mark \default \tempo "No descenders." R1
> \mark \default \tempo "going going going." R1
> }
<http://lilypond.1069038.n5.nabble.com/file/n157511/test3.png>
in this example the 1st measure is much longer than the text requires -
expect
t; this?
in NR "Changing staff automatically" there is:
"A \relative section that is outside of \autochange has no effect on the
pitches of the music,
so if necessary, put \relative inside \autochange."
hth
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ilyPond version you've installed, so there
should be no difference
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Fulvio Turra wrote
> Hi Eluze, thanks for your suggestion.
> I inserted \hspace #-7 before \column: in the attachment you can see the
> result.
*before the column* means before the specs for the column:
\set TabStaff.instrumentName = \markup {
\hspace #7
\override #'(basel
Fulvio Turra wrote
> It works, but there's too much space between the string names and the tab.
> ...
> Is there a way to move the string names a bit to the right?
you can add
\hspace #7
before the column
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thanks both - added as
https://code.google.com/p/lilypond/issues/detail?id=3783&thanks=3783&ts=1389001131
in the issue tracker
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#(define (octave-up m t)
>
> (let* ((octave (1- t))
>
> (new-note (ly:music-deep-copy m))
>
> (new-pitch (ly:make-pitch
>
> octave
>
> [...]
instead of this (broken) snippet you could use dak's most elegant and short
proposal:
http://lilypond.1069038.n5.nabble.co
ce notes in staffOneNotes or you
add corresponding grace notes in addKey like
addKey = { \key g \major \time 4/4 \grace s8. }
then it works correctly, doesn't it?
this said, I also prefer the form
{ \addKey \staffOneNotes }
Eluze
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version you can simply rename it or move it to
another folder so the installer can install LilyPond in the default folder!
Eluze
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get the version I'm running (2.18.0)
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}
so probably defining
markup-system-spacing #'((basic-distance . 29)) is the new setting!
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ay? I've been trying to find a solution for hours (if
> not days) now.
the preferred way is most often detected/delivered by convert-ly.py - try
it!
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\trillspanSharp c1\startTrillSpan |
\trillspanNormal c1\stopTrillSpan\startTrillSpan |
}
try it in the Staff context:
\override Staff.TrillSpanner.to-barline = ##t
Eluze
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karol wrote
> Seems that \override NoteHead.extra-spacing-height = #'(-inf.0 . +inf.0)
> is the right solution.
interesting - do you have experiences with this in more complex situations
(polyphonic, more than one staff...)
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Marten Visser wrote
> Eluze
>
> gmail.com> writes:
>
>
>> when you transpose from as to c in the middle staff position the stem
>> direction changes - this is producing the warning about clashes.
>>
>> if you put the as in a voice with clear setti
karol wrote
> Unfortunately "uniform-stretching" doesn't work here.
and it's also recommended there to use
proportionalNotationDuration = #(ly:make-moment 1/200) % choose your number!
to improve the results!
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there?
when you transpose from as to c in the middle staff position the stem
direction changes - this is producing the warning about clashes.
if you put the as in a voice with clear settings (\voiceOne,...) opposite to
that in the cued voice there will be no more collision and you might even
o
Mark Stephen Mrotek wrote
> Eluze,
>
> As far as I can see the code you suggest is what is used (see the
> attachment
> provided) as copied from
> http://lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-attached-to-notes
> What can I do if Lilypond confuses its
7;avoid-slur= #'inside
\override TextScript #'outside-staff-priority = ##f
what's the result if you do so?
do you really need the extra-offset?
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adding this to the user list:
Amreg wrote
> Le 04/12/2013 00:38, Eluze a écrit :
>> the source in
>> http://www.lilypond.org/doc/v2.17/Documentation/snippets/vocal-music#vocal-music-vertically-centered-common-lyrics
>> starts with
>>
>> \include "english.
Mark Stephen Mrotek wrote
> It is here,
> http://lists.gnu.org/archive/html/lilypond-user/2013-12/txtHVW62yOy_y.txt
this is a archive/mailing list!
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the code presented in the manual ( and copied in my
> exampled) does not produce in my work the same as is in the manual?
I couldn't find your example with turns and fingering.
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o say /#'avoid-slur = #'inside/ because other
items have a higher or lower priority and can interfere!
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cato } prints it between the lower staff lines
(version 2.17.97)
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.ly
you could try (in the first Lyrics)
\new Lyrics \with{
\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
#'((minimum-distance . 9))
}
hth
Eluze
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y environment,
[...]
> for instance the \book environment.
if with 'variable definition' you mean the assignment of a music expression
to a variable the answer is /yes/!
there are other variables which may be defined in their specific
environment: \paper, \header ...
Eluze
; figure out what to use to increase the vertical spacing at that place.
>
> Is it possible to increase the spacing there inside the lyricmode?
hi Tom
can you illustrate this with a picture and a piece of code, please!
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#red "Piano 3rd staff"
shortInstrumentName = \markup \with-color #red "Piano 3rd staff"
\RemoveEmptyStaves
\override VerticalAxisGroup.remove-first = ##t
}
{ R f }
>>
(how) can this be prevented?
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ertical spacing of the staff group
above is applied
I'm sorry I can't even see a workaround - I'll report this issue to the bug
list.
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I've just been informed by Phil that due to internet connection problems
during the upload not all files have reached the server - this will be fixed
as soon as possible!
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couldn't find the windows version!
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karol wrote
> Hi Eluze,
>
> it works, but only if all three piano-staves are visible. When staff 'c'
> is empty (hidden), distance between 'b' and 'd' is smaller than it should
> be. No idea how to solve this...
what if you augment the value in th
\new Staff \music
\new Staff \music
\new Staff \music
>>
\new Staff \music
>>
\new StaffGroup <<
\new Staff \music
\new Staff \music
\new Staff \music
>>
>>
}
does this work for you?
Eluze
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ogram Files (x86)\LilyPond\usr\bin" is in the
system variable /path/ - check this with the command /set path/
if the above folder is not in the variable you can invoke the procedure with
C:\Program Files (x86)\LilyPond\usr\bin\musicxml2ly yourfile.xml
if that doesn't work I'd s
Eluze wrote
>
> 胡海鹏 - Hu Haipeng wrote
>> I have not used command line for several years. Now I'd like to use
>> musicxml2ly, and have forgotten how I invoked it in 2008. I first run
>> cmd.exe on XP, changing to d:\my documents, then musicxml2ly
>> ove
de Fingering.self-alignment-X=#9.8
\override Fingering.color=#cyan
}
1 ^1^2^5
\once \override TextScript.self-alignment-X=#8
1 ^\markup {
\override #'(baseline-skip . 1.5) \bold \finger \center-column { 5 4 1 }
}
}
- or wait till the issue(s) is fixed
hth
Eluze
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y <http://lilypond.1069038.n5.nabble.com/file/n154765/test5.ly>
Eluze
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Chris Crossen wrote
> Do I have to create measures with "s1" for the other
> measures of the fourth voice?
the other way is
http://www.lilypond.org/doc/v2.17/Documentation/notation/multiple-voices#single_002dstaff-polyphony
- Temporary polyphonic passages
Eluze
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gt;>
\new Staff = "left" {
\clef bass <<
\leftOne
\\
\leftTwo
>>
}
>>
\score {
<<
\pianoPart
>>
}
I would consider upgrading to the newest version!
Eluze
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d be http://lsr.dsi.unimi.it/LSR/Item?id=545
then you could look for snippets where notes are colored according to their
pitch
Eluze
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no more warnings.
is there a reason why you put it inside the \book?
Eluze
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lilypon
on/snippets-big-page.html> is an
approach!?
Eluze
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lil
the moderating team at http://www.lilypondforum.de/ now agrees and has
changed the permissions - I'm glad to announce that /LilyPond deutsch/ will
been deleted soon and work goes on as usual at the link above.
Eluze
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ng his own threads seems tame in comparison.
it is! and it's the first time this happened afaik.
I was curious if we could set up a new forum easily. if the moderator
changes these settings (with Nabble you can obviously define what action a
user is allowed to) I will remove this forum, of c
Urs Liska wrote
> Am 21.11.2013 11:40, schrieb David Kastrup:
>> Eluze <
> eluzew@
> > writes:
>>
>>> find it at
>>>
>>> http://lilypond-deutsch.996767.n3.nabble.com/
>> What's wrong with <URL:http://www.lilypondforum.de>;
find it at
http://lilypond-deutsch.996767.n3.nabble.com/
Eluze
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nction is used, it must be placed before any
other functions
used within the same \paper block."
otherwise they (the functions you invoked) are overwritten.
Eluze
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yricsto "part two" {
\lyricIV
}
\new Lyrics = " line 2" \lyricsto "part one" {
\altI
}
\context Lyrics = " line 2" \lyricsto "part two" {
\altIV
}
% lyrics line 2
[...]
Eluze
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and didn't find any warnings or errors (thou with 2.17.95) -
can you be more specific about these messages!? (attach the log file, the
messages)
Eluze
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Sent
r.font-size = #-8
\override BarNumber.break-visibility = #begin-of-line-invisible
\override BarNumber.color = #blue
} \violin
>>
\layout {
\context {
\Score
\override BarNumber.color=#red
\override BarNumber.font-size=#+5
}
}
Eluze
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