here?
instead of trying to add some invisible (and silly) spacers I suggest to
look at the results in the newest stable version (actually 2.16.1) - I
promise it's much better!
Eluze
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repancy could come from?
sorry - I can't investigate without the code of the attachment!
is there a short example producing this?
Eluze
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I tried a little bit but couldn't get the sliding tempo!
cheers
Eluze
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snippets as:
>
> \fromproperty #'header:composer (\fromproperty #'header:opus)
>
> Using \concat doesn't help as it eats ALL white space.
use \hspace #1 between two items
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nable item it's easier to find answers.
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\column { \wordwrap { Play
entirely in the 2nd position 2nd position 2nd position 2nd position 2nd
position 2nd position. } }
}
\line { \with-color #red { C Dur. {\italic Do majeur.} C major. } }
}
}
Eluze
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the quickest I (and dirtiest) I could find (you have to use the newest dev
version for \once \textLenghtOn) is:
\relative {
\time 2/2
\once \textLengthOn
\grace s8 - \markup \hspace #3
\time 2/2
c d e f
c d e f
}
hth
Eluze
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Kevin Patrick Barry wrote
> Dear Thomas,
>
> Thank you for this it works perfectly. I just wish I understood it!
> Thanks also Eluze even though I couldn't test your suggestion: I am still
> on the latest stable (roll on 2.18!).
\once \textLenghtOn is only an easier form
s I quote above are part of a \column (in fact the 1st column you write
in your example) so I'd guess the \override #'(baseline-skip . 4) just after
the \rounded-box would apply.
cheers
Eluze
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e with
dots it adapts to the height of the dots and not to the effective height.
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= #12
last-bottom-spacing #'basic-distance = #12
ragged-bottom = ##t
}
/ragged-bottom = ##t/ seems important because otherwise LilyPond tries to
spread the systems evenly over the page.
hth
Eluze
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Kevin Patrick Barry wrote
> P.S. here is the style code I am using:
when I use your settings I get a warning
/warning: margins do not fit with line-width, setting default values/
is your run ok?
Eluze
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nd a tiny example - including your style code and the LilyPond
code - producing this?
thanks
Eluze
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mbol #'staff-space = #2.5) - and maybe
other grobs - to get a better result. sorry I have no time and no example
right now.
Eluze
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see how the voices are set up!
please post a tiny example (just one or two necessary measures) to show the
problem!
thanks
Eluze
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Kevin Patrick Barry wrote
> Dear Eluze,
> I was able to produce the problem both on
> Ubuntu 12.10 with LilyPond version 2.16.1 and on Windows 8, but only with
> 2.16.0. Upgrading LilyPond on Windows to 2.16.1 fixed the problem (this
> must be why you could not reproduce it).
&
rs-and-footers
- it should be explained there.
Eluze
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Hans Aikema-2 wrote
> So in essence it's the same as saving the snippet as samplefile.ly and
> running
> lilypond -fpng -dresolution=1200 -dbackend=eps samplefile.ly
> from a command prompt
what do you need -dbackend=eps for? with it I get those 17 pixels, without
it's the
ution where you can write the tweaks after the
grace note (as usual) despite the fact that you have to put it in a chord:
{
e'2-1 \slashedGrace {
< gs
-\tweak ParenthesesItem.color #green
-\tweak ParenthesesItem.font-size #5
\parenthesize -1
>8
}
a2 -2
}
Eluze
-
, on
which OS it is installed, which version is used … …
Eluze
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Colin Campbell-8 wrote
> I regret that I couldn't get your code to work, as it complains about
> "unexpected postevent" after the
> \parenthesize.
with 2.17.9 there is no complaint - I'll check again when 2.17.10 is out!
Eluze
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lt;
\new Voice {
\voiceOne
e2( f)
}
\new Voice {
\override NoteColumn.force-hshift = #.005
\voiceThree
b 2( c)
}
>>
}
hth
Eluze
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Pierre Perol-Schneider wrote
> Just in case : if \version "2.16.1" you should use :
thanks, I always forget - should we make a request for a
backward-converter!?
Eluze
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Am 03.01.2013 18:22, schrieb David Kastrup:
Eluze writes:
Pierre Perol-Schneider wrote
Just in case : if \version "2.16.1" you should use :
thanks, I always forget - should we make a request for a
backward-converter!?
What do we want done before releasing 2
you include the version
and eventually the OS you're using the chance to get a quick(er) answer
increases!
please note that it can last up to a few days till there is an answer.
Eluze
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the whole code you're using to make sure we have the same!
thanks
Eluze
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EmilLask wrote
> Thaks in advance
>
> Here it is:
thanks - I was thinking of a tiny example (1 or 2 measures) showing the
relevant problem.
assuming you mean the first two measures I've to tell you that here it
compiles and sounds correct!
can you send the midi file!?
Eluze
ardless of the
chordChanges setting. I'd love a shorthand for this — say, c:min7 c:min7!, analogous to
how ! is used to force the display of accidentals.
Is there already something like this?
do you mean
\once \set chordChanges = ##f
Eluze
__
Am 05.01.2013 01:43, schrieb Kieren MacMillan:
Hi Eluze,
> do you mean
\once \set chordChanges = ##f
No... if I had meant that, I would have said that. ;)
I meant what I said:
c:min7!, analogous to how ! is used to force the display of accidentals
Thanks,
Kie
ties!
\new Staff \with {
\consists "Balloon_engraver"
\balloonLengthOn
}
should respect the length of the balloon text, whereas putting
\balloonLengthOn/Off between the notes will \override the /voice/'s property
only.
hth
Eluze
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Kieren MacMillan wrote
> Hi Eluze,
>
>> just to be sure: do you mean a different functionality or just a shorter
>> (and postponed) shortcut?!
>
> A shortcut for the current functionality. =)
thanks, Kieren, I've added
https://code.google.com/p/lilypond/issues/
ld like a 1 above the first
> bar.
please post the code (or better just a minimal example) with this effect!
thanks
Eluze
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re{
\new Staff {
\key fa \major
\time 2/4
<<
\new Voice { \voiceOne \relative do'' \voiceA }
\new Voice { \voiceTwo \relative do' \voiceB }
>>
}
}
Eluze
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ed note - but this seems
pretty awkward!
Eluze
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ut following the instructions
on the bottom of the link below you can make a request to the bug-list
http://www.lilypond.org/productions.html
hth
Eluze
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Sent from the
is really helpful when a break occurs -
using q would automatically produce a chord name to appear at line breaks
but s doesn't do that.
please tell us if you have more precise ideas about the wanted behavior - I
will then try to add a enhancement request or a bug report to the tracker!
El
to show the problem
thanks
Eluze
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thanks, Jim
added to the tracker as
https://code.google.com/p/lilypond/issues/detail?id=3092&thanks=3092&ts=1357730898
another - not perfect - workaround is using less chordnames than there are
notes:
{ aes*1*:7.5-9- q q q }
Eluze
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s* uses \override to
> change this ChordName font. and/or who does not like this font.
hi Martin
what about using -dinclude-settings=… when invoking LilyPond
this allows to define your personal preferences and will automatically be
included before the file is compiled
Eluze
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#x27;' {
\voiceOne
\voiceA
}
\relative do'' {
\voiceOne
\voiceB
}
\new Voice { \voiceTwo \relative do' \voiceC }
>>
>>
}
Eluze
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has no effect since no
notes are following.
one approach - define
repetition = \markup { \huge \bold ℟}
then use it in the lyrics within a \markup which includes the syllable after
which you want this sign:
verseOne = \lyricmode { \set stanza = "1."
"This is the" first
of the music, but no amount of tweaking or
> realigning seems able to displace this vertically from its position above
> the staff.
can you give a short example of this (and what you tried) - so that the
experts can just point to other solution(s) (if there are).
Eluze
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rks are shifted
with extra-offset.
I had to add a hidden note (and text) at the end to display the response and
stop the staff to not display the staff lines after. - no idea why this is
necessary!
of course you can also simply write the responsum in the music part and
shift it with extra-offset f
csto "sopranos" {
\set stanza = "1."
one two three four five \responsum ""% <--
}
>>
is there a straighter way?
thanks
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ics) by some other method entirely?
I'd say (a) [extra-offset] and (c) [David's hint for leveling with the
Gregorian \responsum] are solved!
remains how to simplify how to enter it.
Eluze
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Matthew Collett wrote
> As I said in my reply to David, the \responsum from gregorian.ly is a red
> herring.
why don't you use the red herring and add
\override LyricText.extra-offset = #'(-2 . 0)
\responsum ""
in the code I proposed!?
Eluze
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explicitly define the responsum in
\lyricmode - before you simply could write
responsum = \markup{ \bold \fontsize #-1 "℟." }
is that change intended?
Eluze
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David Kastrup wrote
> Eluze <
> eluzew@
> > writes:
>
>> Matthew Collett wrote
>>> Changing my definition of
>>> \responsum to
>>> responsum = \lyricmode { \once \override LyricText #'extra-offset = #'(2
>>> .
>>&
Werner LEMBERG wrote
> Folks,
>
>
> what must I write to shorten an unbeamed stem by, say, one unit? A
> naive approach would be
>
> \once \override Stem.length #(- ly:stem::calc-length 1)
looking for
\override Stem.length-fraction = #(magstep -1)
?!
Eluze
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sign the numbers manually you could use something like
\mark \markup \circle \concat {\with-color #white "." "9" \with-color #white
"."}
of course this can be refined or a markup function could be created.
Eluze
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I attached a minimal example to clarify. Its repeat bars at marks A and B
> are
> created by the music's repeat, the other two bars by the lyrics' repeat.
not sure to understand correctly why you want repeat volta in the lyrics at
all!? for the reader it doesn't make clear what sha
e \override *Score*. … will tell LilyPond in which context this
override must be applied
or did I misunderstand your question?
Eluze
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rescendo (\cresc) on the 7th repeat as it goes to a
> measure with a dynamic following. How can I accomplish this?
use a (temporary) 2nd voice!?
<<
\repeat percent 7 {a8 \p\staccato e'8 \staccato a,8 \staccato e'8
\staccato }
\\
{ s1 s s s4 \< s s s \! }
>>
(do
= #20
does it - or not?
Eluze
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.padding/ you *are*
in the Voice context and it works as expected!
try other numbers and you'll see!
Eluze
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I don't think this is explained in the manuals (maybe I'm wrong)
the alternative is to find out what these predefined commands stand for and
then you can revert that property in the appropriate context - this doesn't
make much sense when shorthands are defined
Eluze
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Federico Bruni-5 wrote
> Il 21/01/2013 15:44, Eluze ha scritto:
>> Federico Bruni-5 wrote
>>> But I need to use that override in a voice context.
>>
>> in your original example
>>
>> \relative c'' {
>> \repeat unfold 4 { R1*4 \break }
David Kastrup wrote
> Eluze <
> eluzew@
> > writes:
>
>> ryanmichaelmcclure wrote
>>> Is it possible to add either dynamics or markup to a percent repeat? I
>>> have a measure which is repeated 7 times with the following command:
>>>
&g
last two bars.
> I attach two pictures so that it's clear.
try \newSpacingSection before the last line!
Eluze
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the same score for MIDI output and don't
> need
> to start with \tag magic or chopped up lyrics blocks.
in \lyricsmode, using
\repeat unfold 2 {
should to it!
Eluze
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or have a look at Xavier's solution + explanations at
http://lilypond.1069038.n5.nabble.com/Extraneous-repeat-with-leading-rest-tt140059.html#none
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y spacing with code I use - can you
reveal how it happens!?
Eluze
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please respond to the list !
Am 27.01.2013 00:45, schrieb Frank Steinmetzger:
On Thu, Jan 24, 2013 at 02:18:52AM -0800, Eluze wrote:
Frank Steinmetzger wrote
not sure to understand correctly why you want repeat volta in the lyrics
at
all!? for the reader it doesn't make clear what sha
oles, but especially on the side keys) disappear
> from the diagram.
>
> Is there some overide to stop (or influence) that behaviour?
hi
please send your code, the version number and everything needed to reproduce
this behavior!
Eluze
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(in version 2.17.11 another error appears) -
maybe you can send a mail directly to the author of this snippet (I don't
know if he observes this list)
Eluze
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negative values in \hspace.
the snippet mentioned now uses \halign
Eluze
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to
illustrate!?
thanks
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occurring in the middle of the music.
adding
\stopStaff \startStaff
works
Eluze
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you mind putting the affected objects in color?!
thanks
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Thomas Morley wrote
> 2013/1/30 Eluze <
> eluzew@
> >:
>> Thomas Morley wrote
>
>>>> http://lsr.dsi.unimi.it/LSR/Item?u=1&id=865
>
>> would you mind putting the affected objects in color?!
>
> Done.
thanks (although I'd choose an
Thomas Morley wrote
> 2013/1/31 Eluze <
> eluzew@
> >:
>> Thomas Morley wrote
>>> 2013/1/30 Eluze <
>>
>>> eluzew@
>>
>>> >:
>>>> Thomas Morley wrote
>>>
>>>>>> http://lsr.dsi.unimi.it/LSR/I
dded each time
a simple workaround is to remove this engraver before you add it (although I
don't think this should be necessary):
\layout {
\context { \Voice \consists "Horizontal_bracket_engraver"}
\context { \Voice
\remove "Horizontal_bracket_engr
uot; \with {
\override LyricText.font-size = #16
}
or before the blah blah in the txt= assignment.
Eluze
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issues (e.g.
https://code.google.com/p/lilypond/issues/detail?id=997&can=1&q=keep-inside-line&colspec=ID%20Type%20Status%20Stars%20Owner%20Patch%20Needs%20Summary)
don't look encouraging.
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Am 04.02.2013 15:40, schrieb Rustik:
Eluze wrote
try or
\new Lyrics = "sopranos" \with {
\override LyricText.font-size = #16
}
There is not absolute value. There is relative value.
Eluze wrote
try before the blah blah in the txt= assignment.
If I
Am 07.02.2013 22:46, schrieb Peter Crighton:
Hmm, that doesn’t work for me, and I can’t see why. I’m just using
\raise #0.25 \concat { \bold "|" |: }
now. That looks good enough for what I need.
But thanks for your answer anyway!
Peter
--
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;
>
> %
and also "2.17.11" - thanks!
this seems much better than the solution with \markup \score …
also, the resulting bar lines are scalable!
certainly a function for the LSR!!
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Nick Payne-3 wrote
> On 08/02/13 23:01, Eluze wrote:
>> Thomas Morley wrote
>>> below a markup-command to print bar-lines.
>>> For now it is limited to bar-lines containing thick-bar-line,
>>> thin-bar-line and/or colon-bar-line.
>>> Every additiona
dak wrote
> Eluze <
> eluzew@
> > writes:
>
>> the big difference is that you can scale it in the \markup where you use
>> it,
>> e.g.
>> \markup {
>> \fontsize #14 \bar-line #".|:"
>> \fontsize #-4 \bar-line #".|:"
&
David Nalesnik-2 wrote
>
> I agree. A \bar markup would be very useful for making form diagrams.
added
https://code.google.com/p/lilypond/issues/detail?id=3164&colspec=ID%20Type%20Status%20Stars%20Owner%20Patch%20Needs%20Summary
to the tracker
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n/internals/stem
>
> Any suggestions appreciated,
hi
I never used such transformations, but in
/NR 1.6.2 Modifying single staves /(2.17.11) I found:
"The clef position and the position of middle C may need to be adjusted
accordingly to fit
the new lines."
maybe this can be of u
> )
> }
afaik there is only /inverted/ for this, e.g.:
(place-fret 2 10 4 inverted )
search for fret-diagram-verbose in the Notation Reference.
hth
Eluze
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des2( as,)
}
\context Voice = "2" {
\voiceFour
\override NoteColumn #'force-hshift = #.01%%% prevents shifting, so
it looks like a chord.
des,~ des,
}
>>
Eluze
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a"
}
\relative {
c c \once \override BreathingSign.text = \markup \breatheFermata \breathe
c c
}
Eluze
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Sent from
}
% \\
\context Voice = "1" {
r32 d, fis h d[
\change Staff=lower
\clef treble fis h cis] d \change Staff=upper \clef treble fis h
cis
}
>>
}
...
sure you can omit certain \new or \context above, but it should be clearer
with the
t; }
> \layout {
> \context {
> \Voice
> \remove "Fingering_engraver"
> }
> }
> }
there's also the New_fingering_engraver and one acts upon fingerings in a
chord while the other is for fingerings outside
ted to an example with \footnote, etc. - you can find
more in the Learning Manual (but imo the NR isn't a reference if such items
are not there)
ah - I just found an open issue concerning this, so let's hope for the
future!
Eluze
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Jay Hamilton-3 wrote
> Alas none of the proposed solutions work
in pre-2.17.6 (?) versions you must write
\override BreathingSign #'text = \markup \breatheFermata \breathe
Eluze
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calName = \markup \fontsize #-2 "Note"
just a few quick ideas - hth.
Eluze
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__
uot;|" "_" }
this combining seems necessary to stop the stanza name shifting under the
first note.
Eluze
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esn't perform what you're expecting
you should attach that code (and mention the version you're using)
Eluze
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\context {
> \Staff
> \accepts ImproVoice
> }
> }
> }
the Rhythmic_column_engraver seems missing - if you add it
\consists "Rhythmic_column_engraver"
is your output correct and you get rid of
tracker https://code.google.com/p/lilypond/issues/detail?id=3195 has been
added
Eluze
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the code you are pointing to does
not produce what is in the image.
Eluze
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forwarding from a private response:
Hi Eluze,
the Rhythmic_column_engraver seems missing - if you add it
\consists "Rhythmic_column_engraver"
is your output correct and you get rid of the warnings?
That works like a charm! Thanks a million!
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please always answer to th
(stretchability . 0))
what's wrong with using the default settings of LilyPond? (also for the
other override of VerticalAxisGroup)
Eluze
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notes.
>
> To hide stems, use
>
> \override Stem #'stencil = ##f
/beams/ are removed
Eluze
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David Kastrup wrote
> Eluze <
> eluzew@
> > writes:
>>
>> /beams/ are removed
>
> Hardly. Autobeaming is switched off, so you get only beams for manual
> beaming. But that does not mean that the beams are "removed": rather
> you get the defaul
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