/:/Applications/LilyPond.app/Contents/Resources/share/lilypond/current/fonts/otf/
pdfcrop myscore.pdf
If anyone has a cleaner solution I would be glad to hear about it!
Erik
> 27 sep. 2021 kl. 20:47 skrev Erik Ronström :
>
>> That option was removed again, but as far as I understand
or Emmentaler-14.
Substituting font Helvetica-Bold for CMUSerif-Bold.
Substituting font Helvetica for Emmentaler-13.
[…]
Do I have to install the fonts used system-wide somehow? Or can I use the
lilypond font export option to feed the used fonts into GS?
Erik
doesn’t recognise it:
unrecognized option: `--bigpdf’
Obviously I could try and apply the patch to the current code and recompile it
myself but on the other hand, since it is a useful feature (at least for me!) I
think it would be nice to have it in the official version!
Erik
If you’re not specifically requiring the Feta font, you could try Bravura Text
(https://www.smufl.org/fonts/)
See
https://w3c.github.io/smufl/gitbook/tables/barlines.html
https://w3c.github.io/smufl/gitbook/tables/repeats.html
Regards
Erik
> 30 maj 2018 kl. 20:35 skrev Sam Bivens :
>
Hi Garreth,
Since Lilypond is text based, you can obviously write Lilypond source files
with Python and run them with Lilypond.
In fact, several such projects already exists, for a (very) simple example, see
https://www.python-course.eu/python_scores.php
Erik
> 23 apr. 2018 kl. 19:10 sk
Many musicians in this genre use abc notation rather than sheet music, and in
abc, mode is (almost) always defined explicitly:
http://abcnotation.com/wiki/abc:standard:v2.1#kkey
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
to which you
have a personal relation).
(So I don’t know if you could say that we technically have four grammatical
genders, I have a vague memory from my school time about it)
Erik
> 15 nov. 2017 kl. 23:32 skrev Wol's lists :
>
> On 15/11/17 20:32, David Kastrup wrote:
&
fit
into a single page. Of course that’s mainly an aesthetic decision (and I do
find it slightly easier when sightreading) but another benefit is that if you
want to print a single tune from the pdf file, you generally only have to print
one page.
> A possible extension of your work: Yo
t tunes split over page breaks
(except the tunes that are too long to fit in one page). Actually that was the
main reason for not using lilypond-book: I wanted more fine-grained control
over vertical spacing, and I found that much easier to achieve when lilypond
takes care of the wh
eel free to check out the project on github
(https://github.com/erikronstrom/gotlandstoner)! The bin folder contains all
the scripts (but be warned that the code is a bit messy and mostly
undocumented). Most scripts are written in perl.
If you have any more specific questions,
printing, and an online version for browsing individual tunes.
Lilypond has been both a prerequisite and an important inspiration for this
project coming true, so thank you for making this wonderful tool!
Erik
___
lilypond-user mailing list
lilypond-user
Brilliant! Thanks!
Erik
lör 5 aug. 2017 kl 21:54 skrev Thomas Morley :
> 2017-08-05 21:09 GMT+02:00 Erik Natanael Gustafsson
> :
>
> > Here is the MWE I arraived at (I don't know how much of the structure
> code
> > is usually posted here so I'm posting the
Sorry for the confusion. Seems like the first reply I got also only went to
me and not to the list. This was written by Holland Hopson:
"Hi Erik,
Your example doesn’t compile for me. Maybe you can make a minimal working
example?
I’ve had good results using frameEngraver-bars-and-boxes.il
s there any way of continuing to print the default time signature
after one bar of polymetric notation?
Thanks for the code! Could you point me to a resource for how to use it? I
mean, where I put that file, how I invoke it in my score etc.
Cheers,
Erik"
lör 5 aug. 2017 kl 17:02 skrev Knute
s no effect (and gives no error).
What am I doing wrong, is it a bug, is there a workaround? I'm on lilypond
2.18.2.
Cheers,
Erik Natanael Gustafsson
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
a lot
easier than manipulating a pdf). In those specific situations, svg happened to
be my target format anyway, but if you want pdf I suppose you can convert the
svg to pdf somehow (?).
I don’t know whether this would make sense for you at all, just wanted to
mention it!
Many thanks! I should have found those discussions after more than two hours of
googling, but somehow I didn’t…
Erik
> 16 jan. 2017 kl. 01:57 skrev David Nalesnik :
>
> Hi Erik,
>
> On Sun, Jan 15, 2017 at 6:14 PM, Erik Ronström wrote:
>> Hi,
>>
>> I’m
moment) of each note, and I can’t figure out how to do it.
This question seems to have been asked before
(https://lists.gnu.org/archive/html/lilypond-user/2013-12/msg00207.html), but I
couldn’t find any conclusive answer.
Any examples greatly appreciated!
Erik
> In fact, I tend to be confused about the different layout and sectioning of
> the manual pages for stable and unstable. Now suddenly I wonder whether in
> the long run it would be a good idea to have an identical structure for
> downloads, manuals, regtests etc. for stable and unstable, but us
general website design).
Would it thus make sense to have a public-facing ”front-page”, with the current
(more ”traditional”) webpage easily accessible for those who are already using
Lilypond?
(I’m actually not convinced myself that this is a good idea, I just wanted to
raise the question)
Erik
%%%
Nice one, thanks!
Actually, in my specific case, I’m typesetting a book of many hundred folk
tunes from an abc source, so I’m already scripting the generation of the .ly
files. So I can just do the replacement there.
Erik
___
lilypond-user
character #xF101. The drawback is that this codepoint is specific to the font,
so when editing the source files, these characters is not displayed
”correctly”. And if I would like to change lyrics font for the score, the
quotes won’t show up.
Erik
> 29 aug. 2016 kl. 22:02 skrev Erik Ronst
>> I would like to add a dot, but \override Dots.dot-count = #1 has no effect.
>
> You can also use (e.g.)
>
> c4.*2/3
>
> This puts the dot on, but only uses up a quarter note worth of time.
Nice trick, thanks!
Erik
_
Hi,
For a dotted note, it’s possible to override the number of dots actually drawn.
But when there are no dots to begin with? I would like to add a dot, but
\override Dots.dot-count = #1 has no effect.
Erik
___
lilypond-user mailing list
lilypond
AFAIK, OSC is only a communication protocol – what is sent over the protocol is
up to the application. So it is not a replacement for MIDI, rather a complement.
Erik
> 13 aug. 2016 kl. 15:52 skrev bb :
>
> https://de.wikipedia.org/wiki/Open_Sound_Control
> is sayed to replace M
lained that set-global-staff-size seems to reset all fonts. Moving
set-global-staff-size to before the \paper block solves the problem.
Thanks again!
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
o have no
effect at all in my document. Any tips for why?
Erik
>
> %%% begin LilyPond code
>
> %{
> \version "2.19.46"
>
> \paper {
> #(define fonts
>(set-global-fonts
>#:roman "LMRoman10"
>#:sans "LMSa
}
}
However, making italic text with \markup { \italic text } doesn’t work anymore.
Of course, I can define my own macro, but isn’t there a built-in mechanism to
resolve different fonts of the same typeface/font family?
Erik
___
lilypond-user mailin
That works, thanks!
Erik
> 8 aug. 2016 kl. 11:22 skrev Pierre Perol-Schneider
> :
>
> Hi Erik,
>
> Try: \override Score.VoltaBracketSpanner #'padding = #4
>
> Cheers,
> Pierre
>
> 2016-08-08 10:58 GMT+02:00 Erik Ronström :
> Hi List,
>
> How
This works perfectly, thanks a lot!
Erik
> 25 juli 2016 kl. 14:56 skrev David Nalesnik :
>
> On Mon, Jul 25, 2016 at 6:54 AM, wrote:
>>
>> Thanks a lot, I'll check it out!
>>
>> Erik
>>
>>
>> - Ursprungligt meddelande -
Hi List,
How do I move VoltaBrackets further from the staff?
\override Score.VoltaBracket #'padding = #4
or
\override Score.VoltaBracket #'outside-staff-padding = #4
seems to have no effect
Erik
___
lilypond-user mailing list
lilypond-us
Thanks a lot, I'll check it out!
Erik
- Ursprungligt meddelande -
Från: "Andrew Bernard"
Till:"lilypond-user Mailinglist"
Kopia:
Skickat:Mon, 25 Jul 2016 19:23:40 +1000
Ämne:Re: bis
Hi Erik,
This is a use for a text spanner with centred text that I had
is a very useful thing, as it effectively
introduces nested repeats in a very readable way!
Erik
- Ursprungligt meddelande -
Från: "Chris Yate"
Till:,
Kopia:
Skickat:Sun, 24 Jul 2016 23:32:36 +0000
Ämne:Re: bis
Erik,
Do you want it to reproduce that in Midi, or just cr
Hi List,
Does Lilypond have a built-in way of making "bis" repeats? I.e. a
horizontal bracket over one or a few measures with the word "bis",
indicating that the section is to be played twice.
Regards
Erik
___
lilypond-user mailin
ps://github.com/yrammos/SubLilyPond
I haven't given it a try yet but the generated files might be a good enough
start for getting Lilypond support in Ace.
//Erik
On Mon, Mar 9, 2015 at 5:39 PM, Michael Hendry
wrote:
>
> On 9 Mar 2015, at 13:34, Erik Nilsson wrote:
>
>
> Hi,
&g
s the
basis for such work? Does anybody know of other syntax highlighters out there
(Frescobaldi, Emacs, Sublime or whatever) that would be a good starting point
(being fairly complete, readable code).
Regards,
Erik
___
lilypond-user mailing
thanks a lot david, i learned a lot from studying this!
looks like there would be two options to get lilypond to report pitch info:
\void \displayLilyMusic % types absolute pitches to console
\include "event-listener.ly" % writes file w/midi numbers
but your example inspired me to figure
ok here you go
On Sun, Oct 12, 2014 at 2:31 AM, James wrote:
> Erik,
>
> On 12/10/14 04:05, erik flister wrote:
>> hi there-
>> sorry for cross posting to all the lists, i'd rather not subscribe and
>> this post seems to apply to all three.
>>
>> atta
ing where i give an .ly snippet and
lilypond gives me back the absolute pitches.
what do you think would be the best way?
thanks!
-erik
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
tencils (as it currently does for graphical). also, how are partial
coverings/trills handled in this case?
- would be nice if i didn't have to edit display-woodwind-diagrams.scm
and instead could just \include my raw .scm file from a .ly file.
thanks!
-erik
;;; Recorder assembly instructio
map option automatically, then I
think it would work, or if I was able to specify this option somehow during
lilypond runtime? Is that possible?
Cheers,
Erik
PS: Pasting the previous discussion regarding GS / pngalpha / png16m for
reference.
Regarding how to create large, transparent scores:
processing software such
as Photoshop or ImageMagick / GraphicMagick to achieve an even better
anti-aliasing effect.
Cheers,
Erik
PS: I am adding some additional information below for anyone who has
attempted to create large *transparent* images using Lilypond but failed.
It took me a while to get the
Thanks Janek!
Jay's suggestion worked great. I've been talking with Adam as well and will
dig into the ly2video project when I get a chance - could definitely be a
lot of overlap with Notezilla!
All the best,
Erik
On Sat, Feb 8, 2014 at 4:36 PM, Janek Warchoł wrote:
> Hello,
&
Hello Jay,
Thanks for the tip, I tried it and it works wonders! Truly excellent, will
save me enormous amounts of time :)
Lunch on me if you come to NYC!
Best,
Erik
On Fri, Feb 7, 2014 at 6:36 PM, Jay Anderson wrote:
> On Fri, Feb 7, 2014 at 11:24 AM, Erik Linde wrote:
> > Typi
nd then merge these in Photoshop - my concern with that
method would be that the vertical distances between staffs would probably
not be identical, which would mean that the horizontal score simply would
not work...
I look forward to hearing your thoughts! Thank you very much for all the
work that ha
When I use lilypond to create a MIDI file, it seems to create a 2-channel file.
Am I understanding this correctly? Can I get a 1-channel file?
Any help would be greatly appreciate,
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http
de. I won't say I'll never try again, but not
just now.
Hou je goed / Keep well,
Erik
> -Original Message-
> From: Patrick McCarty [mailto:pnor...@gmail.com]
> Sent: woensdag 11 november 2009 0:39
> To: Erik Appeldoorn
> Cc: lilypond-user@gnu.org
> Subject
from the list, any
reply have to be personal.
Hou je goed / Keep well,
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Why doesn't the first bar tie to the second?
mus = \relative c {
\autoBeamOff
\key d \major
\time 3/4
\clef bass
<< { 2 4~ } \\ { d2 } >> |
2. |
}
\score {
\mus
}
Hou je goed / Keep well,
Erik
ree on the tricky part. All the extra's I need to recreate
the score makes my scores unyealding and time-consuming to create.
Erik
> Now there is something to be said against tieing into a different voice
> like that musically: it messes up the audible voice situation. Unless
> di
Kieren,
Trying to understand. As I see it you create the two voices as if nothing
special was needed. Then create a third voice, with identical notes as the
second voice. These remain hidden, but the ties are visible.
Am I correct?
Erik
> -Original Message-
> From: Kieren Mac
Thanks Nick,
Interesting to see how your solution differs from the one Kieren and Carl
offered. More than one way to reach the goal. Nice.
Erik
> -Original Message-
> From: Nick Payne [mailto:nick.pa...@internode.on.net]
> Sent: zaterdag 7 november 2009 13:27
> To: Erik App
Still have to learn to remember this exists (And then learn how to use it)
This is a good reason for a further look what the LSR has to offer.
Thanks, Erik
> -Original Message-
> From: lilypond-user-bounces+ursus.kirk=ziggo...@gnu.org [mailto:lilypond-
> user-bounces+ursus.k
It seems logical that someone has figured out how to create a \fermata on
the final barline \bar "|."
Hou je goed / Keep well,
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Francisco,
Reinhold has explained this behaviour in the group..
Keep well, Erik
> -Original Message-
> From: Francisco Vila [mailto:paconet@gmail.com]
> Sent: woensdag 4 november 2009 0:19
> To: Erik Appeldoorn
> Cc: lilypond-user@gnu.org
> Subject: Re: error
&
Thanks Reinhold,
As I wanted the hairpins and the forte afterwards for me the output is not
erroneous. Indeed the error-wording does suggest a music-coding error where
in fact there might be none.
I'm not into changing source code, someone else will have to figure that one
out.
Keep well,
Thanks Frédérick,
As I said: I must have been blind (Or just plain stubborn)
Either way, problem corrected now. Thanks for pointing it out.
Erik
> -Original Message-
> From: Frédéric Bron [mailto:frederic.b...@m4x.org]
> Sent: maandag 2 november 2009 19:36
> To: Erik App
volume.
The files nor the specific place are mentioned (as they are on other errors)
Hou je goed / Keep well,
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
|
Then I tried:
<< { \tsRal s2.\startTextSpan s4 | s s2\stopTextSpan } \\
{ d2 d4 | cis a2} >>
And nothing seems to work. So I think it must be me, misunderstanding
something
Erik
> -Original Message-
> From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca
Ral. stops far more to the right within the same bar.
I want the Ral. to align right up to the last notes of the voices above for
this voice only. So all Rals stop at the same vertical.
Hou je goed / Keep well,
Erik
___
lilypond-user mailin
According to the manual:
3.3.4 Modifying context properties
fontSize Real Increase or decrease the font size
and further:
% make note heads smaller
\set fontSize = #-4
I did forget to type the \set but the result is still the same
Erik
_
From: James E. Bailey
Why do I get ëscaped string error here. The compiled result looks ok to me
\layout {
\context {
\Staff
\override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
\fontSize = #-2
}
}
Hou je goed / Keep well
ect has 8 files. SATB, organ RH and LH, a style file to replace the time
signature and the main file that binds it all together.
Hou je goed / Keep well,
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/li
And all looks well now. Probably have more questions later, but for now I am
content.
Keep well, Erik
> -Original Message-
> From: lilypond-user-bounces+ursus.kirk=ziggo...@gnu.org [mailto:lilypond-
> user-bounces+ursus.kirk=ziggo...@gnu.org] On Behalf Of Erik Appeldo
taff = "ManualOne" <<
\new Voice { \rh }
>>
\new Staff = "ManualTwo" <<
\new Voice { \lh }
>>
>>
>>
}
> -Original Message-
> From: lilypond-user-bounces+ursus.kirk=ziggo...@gnu.org [mailto:lilypond-
> user-bounces+ursus.kirk=
Mats,
Bracket problem solved
I just miscounted the place for the closing >>
It now looks slightly different and brackets are in place as I want them.
But still no names before the staffs
Thanks, Erik
> -Original Message-
> From: Mats Bengtsson [mailto:mats.bengts...@ee.kt
#"Alt"
}
{
\new Staff = "Tenor" \ten
\set Staff.instrumentName = #"Tenor"
}
{
\new Staff = "Bas" \bas
\set Staff.instrumentName = #"Bas"
}
\new PianoStaff <<
\new Staff = "ManualOne" <<
\new Voice { \rh }
You are quite right, and I have never even bothered to check. Although I
have a quite substantial library and am over 25 years active with music.
Erik
> -Original Message-
> From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
> Sent: donderdag 29 oktober 2009 18:29
&
When I use r1 (4/4 time) the sign gets aligned left in the bar. R1 aligns it
properly, but when I want to use r2 at the start (or R2) of the bar it looks
awfull. So how do I align these rests centered?
I haven't done anything fancy
Hou je goed / Keep well,
Thanks Simon and Kieren, Indeed the r1 was the culprit. I will add the |
marks from now on.
Erik
> in both these parts you had a 4-beat rest (r1) in a 3-beat bar. the
> error message about a barcheck failing was also being output.
> misplaced bars and beats will almost always cause a
As I'm brand spanking new I'm probably going to ask a lot of dumb questions.
If so, just tell me.
The point is building a SATB with organ score. Everything looks fine until I
activate/add the organ part. After that the score is rubbish. Would a basic
explanation of what I've done suffice?
\
Thank you folks!
/ Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
"two" { \voiceTwo a4 b c d }
>>
r2 r4
<<
\newVoice = "one" { \voiceOne a4 b c d }
\newVoice = "two" { \voiceTwo a4 b c d }
>>
but it is not a very practical solution.
Regards
Erik
___
lilypond-use
Thanks a lot Risto, that did the trick!
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
;ve tried putting "\revert TupletBracket #'padding" at various places but it
doesn't seem to work. I feel like there's probably some solution to this though
- hope you can help out!
Example file at:
http://www.erikhagstrom.net/files/snippet.ly
/Erik Hagström
_
ry good! Many thanks!! Too bad I didn't find that earlier :-/
One thing though: the --pdf switch is mentioned in the example, but is
not present under "command line options" (section 4.4).
Best regards
Erik
__
Sent from
or know someone who is interested in this,
please let me know."
I don't have enough skills for such a task, but maybe someone on this
list has? And I want to ask the LilyPond team: can this be a candidate
for sponsoring, even though it is not r
)))
>
> (Of course, I should rewrite that to make it somewhat more robust.
> It works for me, however).
You may want to use SRFI-19 for this,
http://www.gnu.org/software/guile/manual/html_node/SRFI_002d19.html#SRFI_002d19
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
a
> byproduct of this OO support.
I don't understand all of this, but wouldn't it be possible to achieve most of
this functionality with tags? You could just use \keepWithTag #'midi when
creating midi, and then tag stuff with midi in the definition of \turn.
Erik
3b06d98-systems.texi...
Layout output to `lily-e413b06d98-1.eps'...
Layout output to `lily-e413b06d98.eps'...
Compiling book.texi...
Writing `book.texi'...
lilypond-book: warning: option --psfonts not used
lilypond-book: warning: processing with dvips will have
ou want.
Ah, now I remember, this is the way I used to do to convert ps -> svg. IIRC,
you sometimes need to do a round or two of ps2ps, eps2eps, pdf2ps, or similar
to make scribus decode the ps correctly.
Erik
___
lilypond-user mailing list
l
IIRC, it's possible to store a bitmap
preview in an EPS image; in this case it may be possible to hack the gnome
back-end to extract & display the preview.
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
ical corrections in the .ly file without having to redo all
spacing tweaks (except, of course, if your musical corrections themselves
affect spacing sufficiently to invalidate your tweaks).
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
ories that it may be good to start with pdf output and
convert it back to eps)
Here's a script that works for some subsets of ps (not lily's though), you can
look at it for ideas:
http://en.wikipedia.org/wiki/Wikipedia:WikiProject_Electronics/Ps2svg.sh
If you manage to find
ent. But if it
> becomes "\tuplet", why couldn't we implemement some default rule ?
>
> Where
> \times {f8 g a} >doesn't mean anything,
>
> \tuplet {f8 g a} >makes sense, doesn't it ?
it's easy to write a separate function
\triplet {f8 g a}
for this purpose.
(IMHO, this would be a useful addition to the standard lily distribution)
--
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
nguage is that we
can't extend the parser to accept durations as parameters to music functions:
\foo c 4. is ambiguous; it's unclear whether the 4. is the c's duration, or
if it's a separate argument.
--
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
y create Music data structures, without performing semantic analysis;
most 'semantic errors' are detected either when these data structures are
further processed into typeset scores, or by the parser before the function
applications)
--
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
*not* string macros, what will the parser
> do with the argument
>{ {g8 f e} \seq {b8 a g} }
\tuplet {g f e} \tuplet \seq \tuplet {b a g}
--
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
\times 5/4 {c8 d e f}
> Or does such a thing never happen? If it does, then the tuplet's
> duration, equal to 5/8 here, cannot be expressed simply by a dotted-note
> notation such as in the preceding list.
you could always write 1*5/8, which is a valid duration.
--
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
in irregular, tuplet-intensive music it may be sensible to create a music
function for sequences of tuplets. In addition, it's IMHO a more
lilypondesque solution than tupletSpannerDuration, once we support fractions
as music function arguments.
--
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
omething like:
<<
\new Voice { \noWarning e8 }
\new Voice { \noWarning c8 }
>>
to suppress warnings only for the notes you have made strange tweaks to (I
don't have much time now, but you could ask Han-Wen if he likes the idea, and
if it's sponsorable).
--
Erik
__
On Thursday 28 December 2006 11:13, Brett Duncan wrote:
> Erik Sandberg wrote:
> > On Monday 25 December 2006 06:32, David Fedoruk wrote:
> >> Hello:
> >>
> >> I've been watching this discussion or debate. There are two ways to
> >> look at this
des, the rest of the score changes time frequently,
but all parts are in the same time so I'm home free.
I've looked at staff measure length and the arguments of \time, but can't seem
to find a way to affect one staff without messing up the other.
Any solutio
l notation: You must know what you
are doing to notate the music (i.e., multiplying durations with 8/12), just
saying that a 12 should be displayed above would make it difficult to
maintain the .ly code.
--
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
On Monday 25 December 2006 07:05, Joe Neeman wrote:
> On 12/21/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> > Erik Sandberg escreveu:
> > > BTW, in this case it may be good to register the fraction as its own
> >
> > argument
> >
> > > type,
t resolve the clarity problems.
Doesn't look good to me, syntax becomes unclear for cases like
\tuplet 3:2 { x {y y y } z }
However, it would IMHO be OK to write a separate music function with this
syntax, something like:
\tupletSequence 3:2 {
if that's a
list, it returns a function of the given type).
Ah, another good thing with typed return values, is that we could make the
distinction between post-events and music cleaner. Hrm, that would also
require that the \tweak function is polymorphic in some sense.. perhaps this
is what y
On Thursday 21 December 2006 15:01, Han-Wen Nienhuys wrote:
> Erik Sandberg escreveu:
> > On Thursday 21 December 2006 12:55, Han-Wen Nienhuys wrote:
> >> Erik Sandberg escreveu:
> >>> BTW, in this case it may be good to register the fraction as its own
> >>&
On Thursday 21 December 2006 12:55, Han-Wen Nienhuys wrote:
> Erik Sandberg escreveu:
> > BTW, in this case it may be good to register the fraction as its own
> > argument type, so \tuplets and \tuplet are generic music functions, both
> > with signature
> > (tuplet-fra
essions.
BTW, in this case it may be good to register the fraction as its own argument
type, so \tuplets and \tuplet are generic music functions, both with
signature
(tuplet-fraction? music?)
--
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
1 - 100 of 619 matches
Mail list logo
