In a book with guitar music I'd like to position the fingering numbers
at the left sides of the notes.
I already found out that notes have to be written as chords, i.e.
, and tried to put
\set fingeringOrientations = #('left') in the layout block, which didn't work.
Then tried the \score blo
Hello all,
(very) long time not been here.
I'm engraving some drum scores for kids and it seems their teacher is
using another notation standard than Lilypond, zo I looked it up on
wikipedia ( https://en.wikipedia.org/wiki/Percussion_notation ) and it
seems indeed that there are two 'stand
On Fri, 9 Dec 2016 15:48:35 -0600
David Wright wrote:
> On Fri 09 Dec 2016 at 20:40:01 (+0100), Simon Albrecht wrote:
> > On 09.12.2016 10:22, list_lilypond wrote:
> > >inside the repeat there are alternatives.
> > >
> > >As normally the \alternative{} syntax
Thanks Simon, for your reply.
Joe ;)
On Fri, 9 Dec 2016 20:40:01 +0100
Simon Albrecht wrote:
> Hello anonymous guy (or gal…),
>
>
> On 09.12.2016 10:22, list_lilypond wrote:
> > inside the repeat there are alternatives.
> >
> > As normally the \alternati
On Fri, 9 Dec 2016 09:22:50 +
list_lilypond wrote:
> Hi,
>
> what I want is something like:
Sorry, typo, this had to be:
\repeat volta 2 {
\alternative{
{ a | }
{ b | }
}
c | d | e | f | g |
\alternative{
{ b | }
{ c | }
}
d | e | f | g |
}
\al
Hi,
what I want is something like:
\repeat volta 2 {
\alternative{
{ a | }
{ b | }
}
c | d | e | f | g |
\alternative{
{ b | }
{ c | }
d | e | f | g |
}
\alternative{
{ b }
{ c }
}
So inside the repeat there are alternatives.
As normally the \alternative{} synta
It's working here.
Nothing special done yet.
Except that commenting out all the lines with
"\once \override Tab*" gets rid of the spurious TabStaffs in the
output.
regards,
Joe
On Tue, 30 Dec 2014 00:19:02 +0100
Federico Bruni wrote:
> 2014-12-29 16:24 GMT+01:00 Federico Bruni :
>
> > I thi
On Tue, 30 Dec 2014 00:19:02 +0100
Federico Bruni wrote:
> 2014-12-29 16:24 GMT+01:00 Federico Bruni :
>
> > I think that it happens because it assumes that you want to use a
> > TabStaff context.
> > Also, Marc Hohl recommended me (in a private email) to use voice
> > contexts or you may have s
True. Me too, I started from 2.16 and got that output. Which made me
upgrade to 2.18 and then to 2.19.15, where it still appears.
regards,
Joe
On Mon, 29 Dec 2014 23:20:49 +0100
Federico Bruni wrote:
> Il giorno lun 29 dic 2014 alle 19:11, Thomas Morley
> ha scritto:
> > Look at the output f
On Mon, 29 Dec 2014 17:22:40 +0100
Federico Bruni wrote:
> My reply was actually: AFAIK you **must** use a TabStaff / TabVoice
I understood your reply as a possible explanation for the unwanted
behaviour of the snippet, sorry for the misunderstanding.
Actually you did write: "I think that it hap
OMG! Did I really use hidemyass.com for that snippet? :)
Ok, I put the voice context in place.
I don't know whether I did that the way you were aiming at, because the
'TAB' phenomena are still there.
See attachments.
regards,
Joe
On Mon, 29 Dec 2014 16:24:31 +0100
Federico Bruni wrote:
> 20
I'm trying to write out Alvin Lee's (phenomenal) guitar solo from
his Woodstock performance of I'm going home with 10 Years After, and
for the bends got the guitar-string-bending notation-snippet
http://3.hidemyass.com/ip-1/encoded/czovL2dpdGh1Yi5jb20vb3BlbmxpbHlsaWIvb3BlbmxpbHlsaWIvYmxvYi9tYXN0ZXI
I'm new here and don't know if I can send attachments, so I'll try some
code with proza:
\version "2.16.2"
\relative c' {
% The following doesn't show the (guitar) slide
% that I need in this triplet:
\times 2/3 { dis'8\glissando[ d( c)] }
% It's not that the slide is obscured by the
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