Bugzilla from tvalu...@seznam.cz wrote:
Hello,
...
Is it possible to synchronize page breaks on facing pages of piano duet
music with primo on the right-hand side and secondo on the left-hand
side?
I also would be interested in this traditional way of engraving piano duets,
and
This thread has gone quiet, and I am wondering whether the new flags might be
in a future lilypond version?
David (who started the ball rolling but doesn't have the technical ability
to contribute)
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Reinhold Kainhofer wrote:
There are currently three things that are bothering me:
1) What are the optimal values for the flag angle, the flag length (for
up/downstems), the flag thickness and the space between two adjacent
flags?
2) The flags do not start at the very top/bottom of
Reinhold Kainhofer wrote:
There are currently three things that are bothering me:
1) What are the optimal values for the flag angle, the flag length (for
up/downstems), the flag thickness and the space between two adjacent
flags?
2) The flags do not start at the very top/bottom of
madhg wrote:
...
Example below.
The lyrics for the last section are engraved aligned with the second
stanza for the repeated section. The lyrics are going to get lower and
lower down if there are more repeated sections.
...
OK, I found the answer by trial and error: arrange
I've done simple songs OK. Now I'm struggling to understand how lyrics
relate to voices and staves in a more complex setup: a through-composed song
with several stanzas, some with their own music, but some with repeated
music.
Example below.
The lyrics for the last section are engraved
Reinhold Kainhofer wrote:
Actually, adding different flags in lilypond is quite simple: Simply use
\override Stem #'flag-style = #'flagstylename
and lilypond will use the characters flags.flagstylename[ud][3456] as
flags.
Now, to implement straight flags, all one has to do is to
Frescobaldi 1637 (Toccate... Libro Primo)
http://www.nabble.com/file/p17961525/Frescobaldi-flags.jpg
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Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
I'm transcribing some early classical prints. They use flags which are
bolder and clearer than modern flags - at least for 8ths and 16ths.
http://www.nabble.com/file/p17872782/flags.jpg
Would there be any interest in having this as another style of ancient
flag? It's obviously not
I'm printing additional stanzas at the end of a song, using \markup{ \column{
\line{asdf asdf } ...
The text of the stanzas comes out smaller than the lyric font. I haven't
given any text-font-changing commands.
I can enlarge the stanzas by putting \large inside every \line of every
stanza.
Valentin Villenave wrote:
In other words,
\markup { \large toto toto }
only works for the first toto whereas
\markup { \large { toto toto } }
works for both.
Can you read 1.8.2.1 carefully and tell me how I could make it more clear
?
I had thought that the purpose of
I'm having problems with a slur ending on a note with the early classical
ornament \prall\turn.
Sometimes the slur ends between the \prall and the \turn and their order is
inverted, the prall coming below the turn instead of above. But it's very
context-dependent, and it took some experiment
Gilles THIBAULT wrote:
Strange endeed.
You can fixe the slurs behaviour with the 'avoid-slur property of the
Script grob
\override Voice.Script #'avoid-slur = #'outside
Gilles
Excellent, thank you very much
David
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Eduardo Vieira-3 wrote:
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
Hello! I've downloaded it. What else do I need to do after installing the
program and copying the Lilypond.ini to the folder syntax, so it can start
working, that is, using syntax
I used to use Crimson for writing lilypond. Excellent for small projects,
less convenient for a large project with one main file to be compiled and
several other files contaning the music for individual staves.
I can now recommend another editor, PSPad, which like Crimson is a general
I hunted in lilypond-bug and found issue 77 figured bass does not print
figure over rest,
http://code.google.com/p/lilypond/issues/detail?id=77can=1q=figure
This was with v. 2.9.18. Han-Wen wrote Kludged a solution with
ignoreFiguredBassRest property.
I found incomplete documentation of this
Figured bass applied to a rest in the bass-line works OK when the figures are
entered using
\new FiguredBass
I prefer using entering the figures into the Staff context, as in the first
score block in the example below, because the figures are then closer to the
notes. But then a figure
Graham Percival-2 wrote:
http://lilypond.org/web/devel/participating/documentation-adding
Ah. I hadn't seen this, I'll send a revision to the docs tomorrow.
thanks, David
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Mats Bengtsson-4 wrote:
madhg wrote:
There are two ways of adding figured bass:
(a) ... and (b)
\new Staff = bassStaff \mybassnotes \context Staff = bassStaff
\myfigures
which puts figures above the notes by default. Can it be made to put
them
below the notes?
I looked
There are two ways of adding figured bass:
(a)
\new Staff \mybassnotes \new Figured Bass \myfigures
which gives figures below the staff, arranged ina horizontal line
(b)
\new Staff = bassStaff \mybassnotes \context Staff = bassStaff \myfigures
which puts the figures in vertical
This attempt at a parenthesized appoggiatura produces tiny tiny parentheses,
enclosing the notehead only; and the accidental is outside, instead of
inside, the parentheses.
\version 2.11.25
\new Score
{
\new Staff \relative c' {
\appoggiatura \parenthesize cis8 d
}
I'd like to have an identifier to represent \once \override Slur
#'transparent = ##t \appoggiatura
(nearly the same as \grace, but with better spacing when the gracenote is a
quarter-note).
I tried to model it on:
padText =
#(define-music-function (parser location padding) (number?)
Graham Percival-2 wrote:
Follow the links. From the bottom of 4.2, there's a link to 4.3. That
has a link to 5.6, which might solve this issue, but it's more likely
that then you'll need to follow the link to chapter 12 advanced tweaks
with scheme.
Thanks, Graham. I had followed
Mats Bengtsson-4 wrote:
It's not that tricky
... as long as you know what arguments to put into the first line of the
function definition. Anyway, you've solved my immediate problem; and I'll
use guesswork if I need to do something similar another time.
Many thanks,
David
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Hi. I'm no expert, but it successfully increased distance between the 2
staves of my score when I inserted this command at the beginning of the
music for the lower stave, rather than putting it at the level of the score.
David
steve berthiaume wrote:
hello,
i have my blank score sheet
Quarter-note rests are sometimes printed in a different shape: the
mirror-image of the 8th note rest. I've looked in the lilypond help, and
searched these forums, but can't find a reference to it.
Is it possible to use this shape of quarter-note rest?
David
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In keyboard music, an appoggiatura for the first note in the treble staff
interferes with the clefs in the lower staff. It makes the bass staff start
with a treble clef folllowed immediately by the correct bass clef.
Removing the appogg gets rid of the problem: lower staff starts with the
Michael Lauer wrote:
See the end of the section on grace notes in the manual.
Thank you very much. I learn that I should always look for the bugs
section at the end of a manual page.
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