Hey all - I upgraded from 2.14 to 2.18 and this function which had used to work
fine now throws an error
metMod = #(define-music-function (parser location valueI valueII) (string?
string?)
#{
\once \override Score.RehearsalMark #'outside-staff-priority = #1000
\mark \markup {
@mike - would you be willing to share your Python scripts? I'd love to
see them... tia
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in recent comments folks have discouraged vim - I have learned vim
(MacVim) specifically for Lilypond use and have found it terrific.
I have mapped commands to send to lilypond and view pdf or open midi
output in Quicktime player.
The syntax coloring is a pain to install but works. vims
for those who asked about mapping in vim for example:
this mapping in my vimrc:
map lil :wbar:!lilypond -o % %CR
runs the current file through lilypond when I type 'lil'
likewise:
map pdf :! open %.pdfCR
map mid :!quit 'Quicktime Player 7'CR:! open -a 'Quicktime Player 7'
%.midiCR
open
thanks Phil: I am trying to build a set of re-useable metric modulations - and
I'm favoring the Carter-style in which the '=' is centered on the barline. I
have a music function which creates the appropriate \tempo \markup (and midi
tempo changes thanks to Neil Puttock) from 2 durations, and
hi all - wondering how I might align the center of a tempo mark on a barline?
any way? tia
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with this code:
\score { \new Staff { \tempo 4 = 80 c d e f \tempo 4 = 80 g a b c }}
lilypond does not display the second (redundant) tempo indication.
is there a way to force lilypond to display it? I am using dotted quarter =
quarter metronome marks in succession and lilypond is refusing to
howdy all - a refinement to my question.
yes indeed, setting Score.tempoHideNote = ##f will force lily to display
redundant makings like \tempo 4 = 80.
but is there also a way to force lily to show redundant tempo markups like this
one?:
\score{
\new Staff{
c d e f
I am writing some music with a great many metric modulations.
I plan to create a set of metric modulations which i could re-use:
\quarterEqualsDottedEighth and so forth to produce the desired notation.
Simple enough. But what I am after is a way to have these prefab modulations
affect the
I'm writing a piece with complex rhythms and want to beam rests together with
notes for clarity.
c8[ r8] produces a beam on the c which does not extend to the following rest.
c8[ \set stemLeftBeamCount = #1r8] produces what I'm after in that case...
but in any case manually beaming every
I'm writing a piece with complex rhythms and want to beam rests together with
notes for clarity.
c8[ r8] produces a beam on the c which does not extend to the following rest.
c8[ \set stemLeftBeamCount = #1r8] produces what I'm after in that case...
but in any case manually beaming every beat
I am writing some music with a great many metric modulations.
I plan to create a set of metric modulations which i could re-use:
\quarterEqualsDottedEighth and so forth to produce the desired notation.
Simple enough. But what I am after is a way to have these prefab modulations
affect the
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