d C++ programmer, i am newcommer at Scheme, but a big fan of
LilyPond, and i will try to use my microtonal expressions through LilyPond.
I also already plane how to change that midi file in order to listen
correct tunings. But this step which i ask you is like a stone for my.
Daniel Tomas
On Wed, No
I am working on a Microtonal key for LilyPond, but I need help to construct
a function which I will try to simplify here. I have some questions :
1) In Scheme can be possible to write a function which is variadic with a
point :
( function (arg1 arg2 . m ) ( ... ))
And here m contains not only one
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On Fri, Nov 05, 2010 at 09:18:05AM +0100, David Kastrup wrote:
[...]
> I'd say there is no point in providing different input languages.
Hey! I'm making some effort to provide *yet* another language ;-P
>
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On Fri, Oct 29, 2010 at 12:45:48AM +0200, Valentin Villenave wrote:
> On Thu, Oct 28, 2010 at 12:13 AM, Nick Payne
> wrote:
> > But not Lilyputians?
>
> Nice. (attached)
:-D
> That's up to you. All I hope is that we'll manage to implement it eventu
On Wed, Oct 27, 2010 at 11:57:56PM +0200, Valentin Villenave wrote:
[...]
> Since you're familiar with Scheme, you may use the following hack
> (adapting it to your needs, of course):
At last had occasion to play with. The result is attached. Very cool.
Now I'm trying to get a grip on how to pos
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On Thu, Oct 28, 2010 at 09:13:58AM +1100, Nick Payne wrote:
> But not Lilyputians?
I see: my phantasy is dwarfed next to that of this group :-))
Regards
- -- tomás
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On Wed, Oct 27, 2010 at 11:57:56PM +0200, Valentin Villenave wrote:
> On Wed, Oct 27, 2010 at 11:12 PM, wrote:
[...]
> I like both. We sometimes use LilyPonders, as well :-)
:-)
[...]
> Very interesting. LilyPond doesn't support Balinese music y
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Dear Lilipondians
(or should I say Lilyponderers ;)
I'm trying to typeset notes with "alternative" names (i.e. not c, d, e
etc, but i, o, e, u, a -- as is customary in Balinese Gamelan).
Now there are nice examples of how to do that, e.g. in espano
\version "2.12.2"
for future compatibility
error: failed files: "I:\\Documents and Settings\\Tom\\Plocha\\prsoklad.ly"
I don't understand anything from it. How to modify my file so that it
works as expected?
Tomas Valusek
Graham Percival napsal(a):
On Sat, Mar 14, 2009 at
le without diving into Scheme? That is - is it possible to
have "parametrized" variables, which could take an expression as a
parameter?
Thanks for your help.
Tomas Valusek
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e the suggested hack will greatly reduce readability
of notation sources, which can be used also as a source of music for
blind musicians, who are used to read sequential representation of music.
Tomas Valusek
Trevor Daniels napsal(a):
It would be nice if LilyPond were able to resolve
ions = #'(up)
4
}
What we get? See attachement.
AFAIK, numbers in chord fingering should be one directly above the
other, not shifted sideways. Si this a bug?
Tomas Valusek
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Jonathan Kulp napsal(a):
After much revision, addition, and general fussing about with it, I'm
happy to post the official version of what we're calling "lily2image," a
script for converting lilypond source files to cropped image files in
many different formats suitable for insertion into doc
Hello,
thank you, but I need to create such excercise quite quickly, and it's
quite difficult for me to figure out what to do. Could you please
provide me with a little template of line-less rhythmic example? Thank you.
Tomas Valusek
James E. Bailey napsal(a):
While this specific ex
Hello,
how can I create a rhythmic excercise consisting soleley of time
signature, bar lines and notes, with no staff line? I have found no
example of this in Lilypond examples.
Tomas Valusek
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Hello,
BTW, AU is what? An Astronomical Unit??? IR is commonly recognized is
InfraRed :-))) IMHO there should be some sort of FAQ :-))) And in the
end - PCMCIA (People Can't Memorize Computer Industry Acronyms) ... :-)))
Tomas Valusek
Valentin Villenave napsal(a):
2008/8/11 Bertalan
Hello,
where will be cross-voice ties/slurs documented? They are quite common
in advanced keyboard/guitar music. Braille notation has special markings
for such situations.
Tomas Valusek
Trevor Daniels napsal(a):
Grand Documentation Project
The latest draft of the proposed section headings
elp. Maybe this second request will be more successful
than the first one.
Tomas Valusek
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Hello,
I'm transcribing a piece where a chord mentioned in subject occurs. It's
minor chord with added second. I can't get the proper chord name in
Lilypond 2.10.33 on Windows. The best I can get is dis:6-:sus4 - but I
want something like gis:m:2. What now?
Thanks for a
e day
there will be appropriate support for Lilypond available some day,
sooner or later.
Tomas Valusek
Valentin Villenave napsal(a):
> 2008/1/19, Tomas Valusek <[EMAIL PROTECTED]>:
>> Hello,
>>
>> is there a lilypond language definition available for Notepad++ 4.7,
Hello,
is there a lilypond language definition available for Notepad++ 4.7,
which supports user language definitions? Thank you.
Tomas Valusek
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Hello,
has anyone created a comparison between Lilypond source file format and
Braille notation? The Braille notation is described at
http://www.brl.org/music/.
For blind people, Lilypond input file syntax is much moor natural than
for other users.
Tomas Valusek
rt of site maintenance?
Tomas Valusek
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le-measure rest, and Lilypond knows well, how
many beats this measure contains".
It should be even possible to say e.g. 4R, where two measures are 2/4 and
another two 3/4 - time-signature engraver is score-wide, not staff wide by
default.
Tomas Valusek
__
Hello,
poor copyist of works by Smetana or Rachmaninoff - the code would be
cluttered with \stemXXX commands, effectively loosing LilyPond's
automatic stem directioning ... :-(
Tomas Valusek
Frédéric Chiasson napsal(a):
Like Tomas, I would very much like to be able to tie notes from t
Hello,
a little typo occured in my snippet - correct is:
\relative cˇˇ {
\time 3/4
c8 a~
<<<
a4 \\
f8 f~
>>>
f4
}
Tomas Valusek
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st write in LilyPond
to get such a result.
I wish you happy new year.
Tomas Valusek
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t;upper" << \upper \dynamics >>
\new Staff = "lower" << \lower \dynamics >>
\new Dynamics = "pedal" \pedal
>>
\midi {
\context {
\type "Performer_group"
\name Dynamics
\
Hello,
you omitted << ... >> construct, since lyrics and voice have to be
simultaneous.
\score
{
<<
\new Voice = "cantor"{ a c b }
\new Lyrics \lyricsto "cantor" { please work }
>>
}
See section 7.3.4: Lyrics context for mo
Hello,
maybe placing your arpeggio in separate voice and changing staves during
arpeggio would help - seek section 7.1.2 of the manual - Manual Staff
Switching.
Tomas Valusek
Carl Youngblood napsal(a):
I'm trying to write an arpeggio on a piano system that begins in the
bass cle
using
Lime and I wasnť forced to create additional voices, since Lime allows
combining different note durations within a single chord. If there were
no ties, it would be rather straightforward.
Tomas Valusek
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lilypond
Hello,
the same applies to normal slurs too - see my example:
\version "2.8.1"
\relative c
{
\clef bass
\key c \major
\time 4/4
c8( d' a d c, d' a d)
c,( des' as des c, des' as des)
c,( c' g c c, c' g c)
c,( bes' f bes c, bes' f bes)
}
To
r for answer.
Tomas Medek
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Hello,
it would be nice to be able to correct some things using mouse (most
notably, slur shapes, system distances, markup positioning etc.) Shaping
slurs using mouse is quite easy, but doing the same in .ly file is quite
cumbersome.
Tomas Valusek
Bertalan Fodor napsal(a):
Actually I
Hello,
looking forward to have .odg drawing as an output of LilyPond so that it
would be possible --- for example --- to visually edit slurs.
Tomas Valusek
Samuel Hartmann napsal(a):
Dear LilyPond users,
Using fragments of music notation in OpenOffice.org was a lot of manual
work. Based
s in a certain piece.
Could anyone be so nice and provide commented version of D.2.4 template
with explanation of modifications made? Thank you.
Tomas Valusek
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instead of the \with one. What now?
Tomas Valusek
P.S.: In attachement there is modified version of my Piano and Solo attempt.
Mats Bengtsson napsal(a):
See the section on Vertical spacing in the manual. One way to do it is to
replace the first lines of your \score block with
\score {
<&l
Hello,
thanks for your answer. it helped me very much.
Bottom line: You have answered my mail very quickly, unfortunately my
public mail service provider has tossed it into Spam folder, where I
discovered it a few minutes ago.
Tomas Valusek
Mats Bengtsson napsal(a):
See the section on
.
Best wishes
Tomas Valusek
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Hello,
is there a way to create ODF format from LilyPond, so that I could edit
result in OpenOffice.org?
Tomas Valusek
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ld someone please prepare series of charts starting at the reasonable
abstract level and ending with hierarchy of all LilyPond object,
contexts and however tha various LilyPond parts are named?
Thank you.
Tomas Valusek
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rsalMark #'self-alignment-X = #RIGHT
\mark \markup { \small "D.S. al Coda" }
f
}
%-
Tomas Valusek
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Hello,
has anyone created a block diagram of LilyPond, which would show data
flow, relationship between various modules, etc? It would be great help
for obtaining global idea what LilyPond's about.
Tomas Valusek
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texts.
Context - another topic of my interest. It seems to me I haven't
understood them fully yet. I generally know what they are for, but the
role of them is not fully clear to me.
Tomas Valusek
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Hello,
what's an opposite command to \fatText, i.e. the command which resets
the behavior of text markup altered with \fatText? Thank you.
Tomas Valusek
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fault, "mutt" provides key bindings that do the right thing.
E.g. when viewing your post, I get the following behaviour:
Key -> Address
r (reply)-> To: Tomas Valusek <[EMAIL PROTECTED]>
g (group reply) -> To: Tomas Valusek <[EMAIL PROTECTED
reason for me to change my habits.
But I like LilyPond much and I'd like to use it, so I'd like to monitor
its mailing lists regularly, but the reply behavior of this list sucks.
Tomas Valusek
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Hello,
In the following code, \stemUp is ignored, and I don't know why. Can
anyone help me? Thank you.
Tomas Valusek
% Begin code
\version "2.8.1"
\relative c' {
\clef treble
\key c \major
\time 4/4
<<
{
f2 g
r2 \stemUp f \stemNeutral
} \\
{
es4( des) f( e!)
<&l
lypond mailing lists?
Tomas Valusek
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agged bottom doesn't look well. In a
template I use I've even set ragged-last-bottom to ##f and play with the
system-count variable.
I think templates are a good place to set defaults according to
everyone's taste, I've also included in my personal template some
complicated
on
of LilyPond found. It is necessary to uninstall it before proceeding. Do
you want to uninstall the previous LilyPond version?" (Yes/Cancel)?
Tomas Valusek
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Hello,
I've read thoroughly LilyPond's Users Manual and I don't understand
what's the difference between \set and \override commands. Can someone
explain me this? Thank you.
Tomas Valusek
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lilypo
Hello,
one more attempt - after sending an attachement, I found a bug in it I'm
able to fix, so here it is again :-)))
Tomas Valusek napsal(a):
Oops, an attachement was forgotten, here it is.
Tomas Valusek napsal(a):
Hello,
Did you get a problem?
Well, I got repeated time sign
Oops, an attachement was forgotten, here it is.
Tomas Valusek napsal(a):
Hello,
Did you get a problem?
Well, I got repeated time signature. Since I'm unable to strip my
example, I've included it as an attachement. Log contains no warnings.
Tomas Valusek
%{ Templates
%%%
Hello,
Did you get a problem?
Well, I got repeated time signature. Since I'm unable to strip my
example, I've included it as an attachement. Log contains no warnings.
Tomas Valusek
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sorry for
bothering you with quite a number of my posts.
Tomas Valusek
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elative c' {
r2 c
}
>>
%End code
Or are there just two chords with one tied note, like this?
%Begin code
%Harmonic approach
\version "2.8.1"
\relative c'
{ e2 ~ }
%End code
It seems that LilyPond natively supports only the melodic approach,
Hello,
I'm going to clarify my need. I'd like to achive similar result as Lime
can do in this short example given in attachement. I need both slurs and
the chord with a single stem.
Tomas Valusek
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lil
bottom. I talk about the last example in the section 6.6.2 of user
manual.
Tomas Valusek
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rying
to type into LilyPond.
Thanks for any help.
Tomas Valusek
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27; f bes c, bes' f bes)
}
%End code
I'd like slurs to look similar throughout all four measures, but slurs
in measures 2 and 4 obviously ignore height-limit - they are much higher
than two stuff spaces ...
It looks to me as a bug. Or am I doing something wrong?
Tomas Valusek
t's what I
explain to my pupils why it is possible to see the whole rest in bars
containing less than 4 quarter beats.
Tomas Valusek
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Hello,
I stumbled on another weird thing with 2.8.1 on Windows. After
processing following code, I get two extra beats:
%Begin code
\version "2.8.1"
\relative c''' {
\clef treble
\key g \major
\time 3/4
R1 R1
r4 r g
}
%End code
Am I doing someth
I'm absolute beginner in LilyPond and this is a small
snippet of my first transcription.
Thank you for your help.
Tomas Valusek
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? This layout is extremely useful for me, since I'm visually
impaired, I read score from the lowest distance possible, and in facing
pages layout I don't stay in way of reading music for my partner.
Tomas Valusek
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correctly in output?
2. Is there a way to output LilyPond score as a raster image with preset
dpi value (e.g. 300, 600 dpi), so that I could create short music
examples and insert them as images into Windows word processor?
Thank you for your
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