Re: 'absolute' pitches do not influence 'relative' ones

2016-04-18 Thread David Kastrup
David Wright writes: > On Mon 18 Apr 2016 at 14:59:14 (+0200), Johan Vromans wrote: >> On Mon, 18 Apr 2016 11:02:30 +0200 >> David Kastrup wrote: >> >> > I recommend taking a look at \resetRelativeOctave instead. If you write >> > >> >

Re: 'absolute' pitches do not influence 'relative' ones

2016-04-18 Thread David Wright
On Mon 18 Apr 2016 at 14:59:14 (+0200), Johan Vromans wrote: > On Mon, 18 Apr 2016 11:02:30 +0200 > David Kastrup wrote: > > > I recommend taking a look at \resetRelativeOctave instead. If you write > > > > \resetRelativeOctave a'' > > Why is that reset, and not set? You either

Re: 'absolute' pitches do not influence 'relative' ones

2016-04-18 Thread Johan Vromans
On Mon, 18 Apr 2016 11:02:30 +0200 David Kastrup wrote: > I recommend taking a look at \resetRelativeOctave instead. If you write > > \resetRelativeOctave a'' Why is that reset, and not set? You either reset something, or set it to a value. \setRelativeOctave a'' makes more

Re: 'absolute' pitches do not influence 'relative' ones

2016-04-18 Thread Leszek Wroński
Works like a charm. Thank you very much! Cheers, Leszek. On 18 April 2016 at 11:02, David Kastrup wrote: > Leszek Wroński writes: > > > Guys, > > > > if you do this: > > > > \relative c'' {a \absolute {a''} b} > > > > > > then you jump up an octave and down a

Re: 'absolute' pitches do not influence 'relative' ones

2016-04-18 Thread David Kastrup
Leszek Wroński writes: > Guys, > > if you do this: > > \relative c'' {a \absolute {a''} b} > > > then you jump up an octave and down a seventh. Now, suppose you want the > notes AFTER the absolute one 'borrow' the pitch from it, so that in my > example the 'b' would actually be

Re: 'absolute' pitches do not influence 'relative' ones

2016-04-18 Thread Mark Knoop
At 10:49 on 18 Apr 2016, Leszek Wroński wrote: >Guys, > >if you do this: > >\relative c'' {a \absolute {a''} b} > > >then you jump up an octave and down a seventh. Now, suppose you want >the notes AFTER the absolute one 'borrow' the pitch from it, so that >in my example the 'b' would actually be

'absolute' pitches do not influence 'relative' ones

2016-04-18 Thread Leszek Wroński
Guys, if you do this: \relative c'' {a \absolute {a''} b} then you jump up an octave and down a seventh. Now, suppose you want the notes AFTER the absolute one 'borrow' the pitch from it, so that in my example the 'b' would actually be absolute b''. How would one do this without creating a new