\mergeDifferentlyHeadedOn, voice and stem issue

Appended is a snippet of two measures, the first measure is what I intended, the second measure is not. In the second measure, I would like the top voice triplet 16th notes B natural and A natural to occupy the same space as the lower voice dotted quarter notes B natural and A natural, thus these

Re: \mergeDifferentlyHeadedOn, voice and stem issue

Am 08.05.2011 22:23, schrieb ivan.k.kuznet...@gmail.com: Appended is a snippet of two measures, the first measure is what I intended, the second measure is not. In the second measure, I would like the top voice triplet 16th notes B natural and A natural to occupy the same space as the lower voic

Re: \mergeDifferentlyHeadedOn, voice and stem issue

Damn that was simple! Thank you for the almost instantaneous help! On Sun, May 8, 2011 at 3:09 PM, Marc Hohl wrote: > > There exists a \mergeDifferentDottedOn command, too, > to cover the merge in the second bar. > > See > http://lilypond.org/doc/v2.13/Documentation/notation/multiple-voices#i

Re: \mergeDifferentlyHeadedOn, voice and stem issue

If I can trouble you yet again, here is a second snippet with a similar issue, I would like the triplet E natural in the top voice to take the same space as the E natural half note in the bottom voice and then "disappear". \mergeDifferentlyHeadedOn does not work in this case, \mergeDifferentlyDott

Re: \mergeDifferentlyHeadedOn, voice and stem issue

On 09/05/11 06:36, Ivan Kuznetsov wrote: \version "2.12.3" \include "english.ly " << \new Staff = "guitar" { \clef "treble_8" << { \times 2/3 { e,4 fs4 a'4} } \\ { \mergeDifferentlyHeadedOn e,2 } >> } >> Why do you want to

Re: \mergeDifferentlyHeadedOn, voice and stem issue

Nick Payne writes: > Why do you want to merge a half and quarter note? It would just make > the score more difficult to read and the musician's life more > difficult. Isn't that already the case for merging differently dotted notes? -- David Kastrup __

Re: \mergeDifferentlyHeadedOn, voice and stem issue

Am 08.05.2011 22:36, schrieb Ivan Kuznetsov: If I can trouble you yet again, here is a second snippet with a similar issue, I would like the triplet E natural in the top voice to take the same space as the E natural half note in the bottom voice and then "disappear". Well, from the readers' sig