Thank you Xavier & Kieren: This tip saves me lots of typing.
>
>From: Kieren MacMillan
>To: MING TSANG
>Cc: Lilypond-User Mailing List ; Xavier Scheuer
>
>Sent: Thursday, October 20, 2011 2:50:57 PM
>Subject: Re: \times 2/3{ }
>
Hi Ming,
If the tuplets are consecutive, then you can use \set tupletSpannerDuration.
See the Notation manual for more information.
Hope this helps,
Kieren.
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On 20 October 2011 20:07, MING TSANG wrote:
> Hi, lily users:
> I am coding a score (57 bars) which contains 100+ "\times 2/3{ }" in the
> left hand piano . I try to code 'tm = \times 2/3' then use it as '\tm{c8 d8
> c8}' and this isn't working.
On 20 October 2011 20:07, MING TSANG wrote:
> Hi, lily users:
> I am coding a score (57 bars) which contains 100+ "\times 2/3{ }" in the
> left hand piano . I try to code 'tm = \times 2/3' then use it as '\tm{c8 d8
> c8}' and this isn't working.
Hi, lily users:
I am coding a score (57 bars) which contains 100+ "\times 2/3{ }" in the left
hand piano . I try to code 'tm = \times 2/3' then use it as '\tm{c8 d8 c8}' and
this isn't working.
Is there any other way to shorten '\times 2/3{ }' cons
Hi Peter,
> Hm... I'm not sure if I completely understand you
Something like this:
\version "2.14.1"
\paper { ragged-right = ##f }
global = {
\key c \major
\time 2/4
}
sopranoNotes = \relative c'' {
<<
{ \voiceTwo \times 2/3 { a4 a a } }
Hi Kieren,
On 10/07 14:35:27, Kieren MacMillan wrote:
> > Unfortunately I don't think it helps with my real problem though,
> > which is that I want to keep on having sections with a "new"
> > sopranoOneVoice followed by unison sections, etc... and I don't
> > think it's possible to do that and s
- Original Message -
From: "Peter Wright"
To:
Sent: Sunday, July 10, 2011 1:15 PM
Subject: Typesetting bug(?) - polyphony + lyrics + \times 2/3 + \oneVoice
=breakage
Hi all,
I've run into a problem typesetting a choral piece, and was wondering
if anyone could
Hi Kieren,
On 10/07 08:45:34, Kieren MacMillan wrote:
> Hi Peter,
>
> Don't know what's causing the issue here, but I believe this version
> of your snippet does what you want:
[ snip ]
Ha! Well, I can't deny it does seem to avoid the problem demonstrated
by my original example, though I must a
Hi Peter,
Don't know what's causing the issue here, but I believe this version of your
snippet does what you want:
\version "2.14.1"
global = {
\key c \major
\time 2/4
}
sopranoNotes = \relative c'' {
<<
{ \voiceTwo \times 2/3 { a4 a a
nison, so I'm trying to get lyrics both above and below the stave
when they're split, and only below the staff when they're unison.
That part turned out to be reasonably straightforward - but when I
"merge" (with "\oneVoice") two parts immediately after a &q
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