On Thu, 2011-01-06 at 03:12 +0100, Reinhold Kainhofer wrote:
> I have now also looked at several cello parts of my girlfriend.
What a remarkable girl she must be! My grandfather had a cedar chest
and a reedy voice, but he didn't trumpet it around. In fact, he'd always
piccolo key for singing.
Shane Brandes writes:
> I think the rule is thus. Clefs shall have no effect on accidentals
> and therefore notes after the clef change are altered by courtesy
> accidentals for ease of legibility or where the note occurs in a
> different octave which requires, in strict notation, its own
> accid
I think the rule is thus. Clefs shall have no effect on accidentals
and therefore notes after the clef change are altered by courtesy
accidentals for ease of legibility or where the note occurs in a
different octave which requires, in strict notation, its own
accidental. On the reasoning that they,
Am Dienstag, 28. Dezember 2010, um 15:44:22 schrieb Reinhold Kainhofer:
> Am Dienstag, 28. Dezember 2010, um 15:14:05 schrieb David Kastrup:
> > Reinhold Kainhofer writes:
> > > I would be great, though, if anyone can find a published example of
> > > such a situation (most likely in e.g. cello/ba
On 4 January 2011 00:35, James Bailey wrote:
>
> It seems, at least according to section 1.1.3 on accidentals, that this is
> intended behavior:
> default
>
> This is the default typesetting behavior. It corresponds to
> eighteenth-century common practice: accidentals are remembered to the end of
On Dec 28, 2010, at 11:53 AM, Xavier Scheuer wrote:
> Hi!
>
> This has been reported on the French user mailing list.
>
> In the following code the c-natural is not printed if there is a clef
> change in the middle of the measure.
>
> \relative c' {
> \clef bass cis2 c
> \clef tenor cis2 \cl
On Tue, Dec 28, 2010 at 1:28 PM, Michael Ellis
wrote:
> The Dover Edition of the Beethoven Sonatas, a reproduction of the 1923
> Universal Edition (H. Schenker, ed.) has the attached in opus 27, no 2,
> second movement (Presto Agitato) mm 54,55.
>
> In the left hand of mm 54, the clef changes 4 ti
The Dover Edition of the Beethoven Sonatas, a reproduction of the 1923
Universal Edition (H. Schenker, ed.) has the attached in opus 27, no 2,
second movement (Presto Agitato) mm 54,55.
In the left hand of mm 54, the clef changes 4 times (bass, treble, bass,
treble). The movement is in E major. T
Am Dienstag, 28. Dezember 2010, um 15:14:05 schrieb David Kastrup:
> Reinhold Kainhofer writes:
> > I would be great, though, if anyone can find a published example of such
> > a situation (most likely in e.g. cello/bassoon parts/scores, which
> > frequently switch between bass and tenor clef).
>
g-lilypond" ; "lilypond-user"
>
> Cc: "Philhar"
> Sent: Tuesday, December 28, 2010 10:53 AM
> Subject: Accidental and clef change issue
>
>
> Hi!
>
> This has been reported on the French user mailing list.
>
> In the following code
Am Dienstag, 28. Dezember 2010, um 14:23:14 schrieb Phil Holmes:
> "David Kastrup" wrote in message
> > I don't think it is correct. If you set the above with \key g\major,
> > you will notice that the key signature is _not_ repeated with a clef
> > change. So there is no visual or logical reaso
>
>
> PS: The only "simple" workaround is to use
> #(set-accidental-style 'piano)
>
>
another style that works is "dodecaphonic"!
--
View this message in context:
http://old.nabble.com/Accidental-and-clef-change-issue-tp30543997p3053.html
Hello,
- Original Message -
From: "Xavier Scheuer"
To: "bug-lilypond" ; "lilypond-user"
Cc: "Philhar"
Sent: Tuesday, December 28, 2010 10:53 AM
Subject: Accidental and clef change issue
Hi!
This has been reported on the French user ma
Hi!
This has been reported on the French user mailing list.
In the following code the c-natural is not printed if there is a clef
change in the middle of the measure.
\relative c' {
\clef bass cis2 c
\clef tenor cis2 \clef bass c % natural is not printed!!
\clef bass cis2 \clef tenor c
}
14 matches
Mail list logo
