luis jure schrieb:
>
>on 2013-05-26 at 15:49 Urs Liska wrote:
>
>> When my son was 2 1/2 he was already an enthusiastic soccer player.
>Once
>> he kicked too hard and sat on his bottom. His thrilled comment:
>"Boah,
>> jetzt bin ich umgefallen, weil ich so stark geschissen habe" (sorry,
>>
on 2013-05-26 at 15:49 Urs Liska wrote:
> When my son was 2 1/2 he was already an enthusiastic soccer player. Once
> he kicked too hard and sat on his bottom. His thrilled comment: "Boah,
> jetzt bin ich umgefallen, weil ich so stark geschissen habe" (sorry,
> untranslatable ...)
what can i s
Am 26.05.2013 15:12, schrieb David Kastrup:
Christ van Willegen writes:
On Fri, May 24, 2013 at 8:59 PM, Wim van Dommelen wrote:
Sorry,
hobo is just the Dutch name for oboe. typo
Well, as long as you don't use the Dutch name fagot for bassoon...
An uncle of mine, not remembering the w
Christ van Willegen writes:
> On Fri, May 24, 2013 at 8:59 PM, Wim van Dommelen wrote:
>> Sorry,
>>
>> hobo is just the Dutch name for oboe. typo
>
> Well, as long as you don't use the Dutch name fagot for bassoon...
An uncle of mine, not remembering the word for "journey", once famously
wa
On Fri, May 24, 2013 at 8:59 PM, Wim van Dommelen wrote:
> Sorry,
>
> hobo is just the Dutch name for oboe. typo
Well, as long as you don't use the Dutch name fagot for bassoon...
Christ van Willegen
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Am 24.05.2013 23:17, schrieb Sarah k Alawami:
Ok. yeah I'm trying to create a lot less work for my self especially now
because if I get this job out of town I will be gone for 3 months and I want to
do this as a gift.
The variables and the systems idea will I think make it easier. why o why di
Ok. yeah I'm trying to create a lot less work for my self especially now
because if I get this job out of town I will be gone for 3 months and I want to
do this as a gift.
The variables and the systems idea will I think make it easier. why o why did
I not do this with the last assignment? lol!
On 24 May 2013, at 03:21 , Sarah k Alawami wrote:
Actually I was thinking the variables for the piano since one of the
sections repeats a lot in the right hand. Will all of that still
compile if I have the files's variables like that or do I need to
then create a veritable for the foe its
Sorry,
hobo is just the Dutch name for oboe. typo
Regards,
Wim.
On 24 May 2013, at 00:51 , David Kastrup wrote:
Wim van Dommelen writes:
Yes, that is possible if I understand correctly what you want to do.
For example you can make a set of files:
- clarinet-1.ly, contains the variabl
Actually I was thinking the variables for the piano since one of the sections
repeats a lot in the right hand. Will all of that still compile if I have the
files's variables like that or do I need to then create a veritable for the
foe itself?
On May 23, 2013, at 3:31 PM, Wim van Dommelen wrot
Wim van Dommelen writes:
> Yes, that is possible if I understand correctly what you want to do.
> For example you can make a set of files:
> - clarinet-1.ly, contains the variable with the notes and everything
> for clarinet 1
> - hobo.ly, the variable with the notes for the hobo, etc.
Is that
Hi Sarah,
On 23 May 2013, at 19:46 , Sarah k Alawami wrote:
I was thinking of putting my variables in each file
each variable only *once* in a file, I presume
that way I can do a bit less less typing, at least in that file.
will this still work in the end when I compile all files in to o
I was thinking of putting my variables in each file that way I can do a bit
less less typing, at least in that file. will this still work in the end when
I compile all files in to one score and parts for the choir and me and the
pianist? Well, I won't need the score, how ever the person conduc
Hi wjm and list,
On 17/05/13 02:26, wjm wrote:
> Greetings!
> After watching Sarah K Alawami's work on a score recently on this
> user-list, but not having the musical and compositional skills to make
> constructive remarks, and after reading the thread entitled 'stylesheet
> structure', it occurre
I think this whole thread is very useful. Thanks for initiating it! And
I totally agree about the value of this list for learners (and others).
Of the many I subscribe to, it's always been the best, by quite a margin.
t.
On 05/17/2013 07:58 PM, wjm wrote:
A bit of my LP background - - -
Sever
-
composer | sound designer
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/An-idea-for-a-systematic-development-of-a-large-score-tp146017p146067.html
Sent from the User mailing list archive at Nabble.com.
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A bit of my LP background - - -
Several years ago I was asked by a local church-choir director to
prepare a couple of pieces for use by other church-groups. He knew that
I had used computers for preparing teaching and publication graphics of
one sort or another, and that I had done a little mu
> lol. try nigh impossible if you have absolutely no knowledge of the terminal.
> I tried frescoboldi in the windows environment and it sucked. I think for
> this arrangement for now I'll have alto2.ly, alto1.ly, soprano2ly, soprano
> 1-1.ly and soprano1.ly then the piano part.ly or what ever
On 17 May 2013, at 03:26 , wjm wrote:
After a lot of fiddling around I came up with this schema:-
I use a similar approach.
This approach is well-facilitated in Frescobaldi, using the point-
and-click correlation between the output pane and the relevant input
f
ving
> things from my stylesheets, since they each apply to many projects.
> Instead,
> I can contradict the stylesheet with overrides in project_lib.ily, as long
> as I \include "project_lib.ily" after I \include "orchestral_style.ily."
>
>
>
> --
> View
ut adding or removing
things from my stylesheets, since they each apply to many projects. Instead,
I can contradict the stylesheet with overrides in project_lib.ily, as long
as I \include "project_lib.ily" after I \include "orchestral_style.ily."
--
View this message in context:
Greetings Jan,
You wrote:-
+++
> After a lot of fiddling around I came up with this schema:-
That reads much like
http://git.savannah.gnu.org/cgit/lilypond.git/tree/mutopia/Coriolan?id=60fdc53305e8628dad96b4ebea177bc6ee8d95cd
what are we missing?
+++
I hadn'
wjm writes:
> After a lot of fiddling around I came up with this schema:-
That reads much like
http://git.savannah.gnu.org/cgit/lilypond.git/tree/mutopia/Coriolan?id=60fdc53305e8628dad96b4ebea177bc6ee8d95cd
what are we missing?
Greetings,
Jan
--
Jan Nieuwenhuizen | GNU LilyPond http://l
.
Cheers,
Carl
Original Message
From: Sarah k Alawami
Sent: Thu May 16 22:03:48 EDT 2013
To: Lilypond-User List
Subject: Re: An idea for a systematic development of a large score.
does not sound like a bad idea. I'm gong to be working on an arrangement of oh
come equal and ho
does not sound like a bad idea. I'm gong to be working on an arrangement of oh
come equal and hope to get it done by November or so. it's a surprise for a
very special friend of mine who is let's say very fragile in health and I want
to give it to her choir. I'm thinking of writing all the parts
Greetings!
After watching Sarah K Alawami's work on a score recently on this
user-list, but not having the musical and compositional skills to make
constructive remarks, and after reading the thread entitled 'stylesheet
structure', it occurred to me that an approach might be found which
might
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