Controlling placement of custodes?

2011-10-03 Thread Bill Mooney
You wrote:- +++ In the various 'ancient notation' styles, Lilypond automatically places a custos at the end of each line, and mostly gets it right. But when there is a refrain or antiphon, a custos may be needed in an unexpected place or at a different pitch. Is there any way to insert a cust

Re: Controlling placement of custodes?

2011-10-04 Thread Marek Klein
Hello Matthew, 2011/10/4 Matthew Collett > In the various 'ancient notation' styles, Lilypond automatically places a > custos at the end of each line, and mostly gets it right. But when there is > a refrain or antiphon, a custos may be needed in an unexpected place or at a > different pitch. I

Re: Controlling placement of custodes?

2011-10-04 Thread Matthew Collett
On 4/10/2011, at 7:24 pm, Bill Mooney wrote: > I cannot help with the detail of how to achieve the custos movement you ask > about... > > However, my understanding of the Asperges is that the Antiphon is repeated > only after the end of the Gloria Patri... See p11 in Liber Usualis ed. > Benedi

Re: Controlling placement of custodes?

2011-10-04 Thread Matthew Collett
On 4/10/2011, at 9:04 pm, Marek Klein wrote: > I use to typeset the music with the first word of antiphon too - this would > solve your problem. That is a possibility; thanks for the suggestion. > I am curious about how have you obtained the resulting pdf with lilypond, > could I see your ly f

Re: Controlling placement of custodes?

2011-10-04 Thread Marek Klein
2011/10/4 Matthew Collett > > On 4/10/2011, at 9:04 pm, Marek Klein wrote: > > > I am curious about how have you obtained the resulting pdf with lilypond, > could I see your ly file? > > Certainly. Most of the formatting tricks are in a included file, so I have > attached both of them. > > Very