Re: How can I get good layout and good midi without writing everything twice?

2011-04-13 Thread Marc Hohl
Am 13.04.2011 08:56, schrieb Martin Tarenskeen: On Wed, 13 Apr 2011, Marc Hohl wrote: Or, if you are using the latest development version, you can use \articulate in your \midi { } block. don't you forget \include "articulate.ly" ? or is that not necessary anymore in the latest developmen

Re: How can I get good layout and good midi without writing everything twice?

2011-04-12 Thread Martin Tarenskeen
On Wed, 13 Apr 2011, Marc Hohl wrote: Or, if you are using the latest development version, you can use \articulate in your \midi { } block. don't you forget \include "articulate.ly" ? or is that not necessary anymore in the latest development version ? \score { \myMusic \layout { } }

Re: How can I get good layout and good midi without writing everything twice?

2011-04-12 Thread Marc Hohl
Am 13.04.2011 01:55, schrieb Michael Ellis: On Tue, Apr 12, 2011 at 12:38 PM, Helge Hafting > wrote: What I need, is to get the midi output for \appoggiatura{e16 fis} e16 but the layout for e16\prall Hi Helge, You could use tags. Or, if yo

Re: How can I get good layout and good midi without writing everything twice?

2011-04-12 Thread Michael Ellis
On Tue, Apr 12, 2011 at 12:38 PM, Helge Hafting wrote: > What I need, is to get the midi output for > \appoggiatura{e16 fis} e16 > but the layout for > e16\prall > Hi Helge, You could use tags. The following produced the desired results for me even though LilyPond (2.13.54) issued a warning: "

How can I get good layout and good midi without writing everything twice?

2011-04-12 Thread Helge Hafting
I know that a simple melody is easy, just use layout{} and \midi{} to get both. It is not always that easy though. I am typing some traditional folk music into lilypond. In the original manuscript, grace notes is used to specify how some pralls are to be played. After a few of these constructs