Hi Malte,
I resend this reply because my previous one did not contain your message. My
message is the same:
Perfect! Two solutions in one example.
Many thanks.
Robert
On 23 Jun 2017, at 13:08 , Malte Meyn wrote:
>
>
> Am 23.06.2017 um 12:00 schrieb Robert Blackstone:
>> In this particular
Hi Malte,
Perfect! Two solutions in one example.
Many thanks.
Robert
On 23 Jun 2017, at 13:08 , Malte Meyn wrote:
>
>
> Am 23.06.2017 um 12:00 schrieb Robert Blackstone:
>> In this particular composition this figure occurs many times in slightly
>> different forms but the main problemati
Am 23. Juni 2017 13:26:07 MESZ schrieb Robert Blackstone
:
>Hi Andrew,
>
>Thanks for your advice.
>Sadly enough it does not work for me since I do not want the notes to
>be in fontSize = #4.5, only the marcato mark. For that reason I
>attached the marcato mark to a hidden note in a separate voi
Hi Andrew,
Thanks for your advice.
Sadly enough it does not work for me since I do not want the notes to be in
fontSize = #4.5, only the marcato mark. For that reason I attached the marcato
mark to a hidden note in a separate voice. When I introduce the \override
Script.X-offset = #6 and an Y
Am 23.06.2017 um 12:00 schrieb Robert Blackstone:
In this particular composition this figure occurs many times in slightly
different forms but the main problematic element for me is the extra large
marcato mark halfway between two beamed notes, above the beam. The best result
I have been ab
Hi Urs,
Am I sure it is not simply an engraving error?
I am never sure of anything, but since in this piece of 86 bars it occurs 31
times I think it is unlikely that it is an engraving error.
Best regards,
Robert
On 23 Jun 2017, at 12:35 , Urs Liska wrote:
>
>
> Am 23. Juni 2017 12:09:21
At 20:19 on 23 Jun 2017, Andrew Bernard wrote:
>Hi Robert,
>
>Any use?
>
>\version "2.19.61"
>
>\new Staff {
> \clef bass
> \time 4/4
>
> \stemUp
> \set fontSize = #4.5
> \once \override Script.X-offset = #6
> c'16^^ [es'8.] s2.
>}
>
>You can fiddle Y-offset also.
>
>As to how to beam across
Am 23. Juni 2017 12:09:21 MESZ schrieb Andrew Bernard
:
>Hi Robert,
>
>May I ask who the composer is? It is unusual notation. In fact, one
>wonders
>what it means precisely.
I've seen similar notation with Liszt, indicating some special kind of
"pressure" on a group of notes.
OTOH Robert, are
Hi Andrew,
The composer is Dirk Schäfer (1873 - 1931), in his time famous, now large
forgotten. This is from No 5 of his "Interludes Op. 17". You can see and hear
it on YouTube: https://www.youtube.com/watch?v=ycIdo0SK0GQ , starting at 9:13.
I think you will recognize that the notation, unusual
Hi Robert,
Any use?
\version "2.19.61"
\new Staff {
\clef bass
\time 4/4
\stemUp
\set fontSize = #4.5
\once \override Script.X-offset = #6
c'16^^ [es'8.] s2.
}
You can fiddle Y-offset also.
As to how to beam across to a minim, that is tricky indeed, if you are
going to go the who
Hi Robert,
May I ask who the composer is? It is unusual notation. In fact, one wonders
what it means precisely.
Andrew
On 23 June 2017 at 20:00, Robert Blackstone
wrote:
> Dear all,
>
> I need some help with a problem that I have not been able to solve up till
> now.
> The composer, long dead
Dear all,
I need some help with a problem that I have not been able to solve up till now.
The composer, long dead, some of whose piano music I am reengraving, wants me
to write this (see
https://dl.dropboxusercontent.com/u/512573/FileChute/Screen%20Shot%202017-06-23%20at%2011.19.08%20.zip).
In
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