Would it be possible, and of any help, if I sent you a scanned image of
a piece of music that has these articulations?
--
chip
Sure! Send it to lilypond-devel. It seems that they allow attachments
on the mailing lists again, but it's even better if you have a web page
where you can put the image an
On Thu, 23 Sep 2004 13:00:19 +0200
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> Developers/hackers, here's something to improve on. The best
> alternative is to add support for these jazz articulations
> in the font and in some appropriate engraver.
> A quicker fix (?) m
Developers/hackers, here's something to improve on. The best
alternative is to add support for these jazz articulations
in the font and in some appropriate engraver.
A quicker fix (?) might be to translate my hacky solution into
a Scheme function that can be applied on the note.
I used a
This is embedded postscript code. You can find a reference for
postscript commands at
http://www-cdf.fnal.gov/offline/PostScript/PLRM2.pdf. The rcurveto
function is described on page 469.
The ps function rcurveto draws a bezier curve from the current point to
the third point in the argument list
Hi, Rune I'de like to make a zigzag horizontal line upon a note. I try to use
your
raise = #"\\embeddedps{0.2 setlinewidth 0.2 -0.2 moveto 0 -1 -0.7 -1.8 -1.2 -2
rcurveto stroke}"
but I don't understand how the figures work.
I think 0.2 -0.2 indicates the first point of the line, b
Hi,
I tried this, and they look cool.
In addition to what Rune wrote:
sright = {
\once \property Voice.scriptHorizontal = ##t
\once \property Voice.TextScript \override #'direction = #right
>>\once \property Voice.TextScript \override #'padding = #0.5
}
...I found that changing the pa
It works. I was just curious if it had been officially implemented so we
don't have to add such a large amount of extra code to every piece that
needs the articulation.
Thanks,
Chip
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
I found some old messages in the archive regarding the 'fall'
[EMAIL PROTECTED] writes:
> I found some old messages in the archive regarding the 'fall'
> articulation used in jazz, (written by Rune) and it works fine in my
> score (thankyou very much). I am wondering though if this has been
> implemented into lilypond since that code was written/tested in
I found some old messages in the archive regarding the 'fall'
articulation used in jazz, (written by Rune) and it works fine in my
score (thankyou very much). I am wondering though if this has been
implemented into lilypond since that code was written/tested in 1.7. I
am using 2.01. I don't see
etlinewidth 0.4 -0.2 moveto 1 1 3 { -0.7 -0.2
rlineto 0.2 -0.7 rlineto } for stroke}"
It's really great how you're helping me here! :-)
Now I'm absolutely happy with the jazz articulations in lilypond.
Jens
--
Jens Haug
IKFF Universität Stuttgart Tel. 0711/685-6422
Jens Haug wrote:
> That's why I'm so keen
> on having zigzag lines for this purpose.
Hov about this?
-Rune
raise = #"\\embeddedps{0.2 setlinewidth 0.2 -0.2 moveto 0 -1 -0.7 -1.8 -1.2 -2
rcurveto stroke}"
fall = #"\\embeddedps{0.2 setlinewidth -0.2 -0.2 moveto 0.5 -0.2 1.2 -1 1.2 -2
rcur
> $\\bigcup$ and $\\bigcap$ should be fine for bends.
> I'm not sure about the "$" because I haven't used
> it lately. That is the bend you see in commercial
> music, and there is no reason to draw one.
> There is nothing wrong with ^"bend" either. I
> have usually seen rises and falls noted wi
On Mon, 14 Oct 2002 12:30:33 Rune Zedeler wrote:
> Rune Zedeler wrote:
>
> > Try this instead.
$\\bigcup$ and $\\bigcap$ should be fine for bends.
I'm not sure about the "$" because I haven't used
it lately. That is the bend you see in commercial
music, and there is no reason to draw one.
There
> > What can I be doing wrong?
>
> Nothing. I just forgot to test my klkudge against 1.6 :-)
> Try this instead.
Ok, this one works. :-)
But the other version had a much nicer syntax. I liked this
a-\raise
a lot. :-)
What version of lilypond was that for? 1.7.something?
BTW, your a^\bend works
Rune Zedeler wrote:
> Try this instead.
Sorry, wrong attachment. THIS one!
-Rune
raise = #"\\embeddedps{0.2 setlinewidth 0.2 -0.2 moveto 0 -1 -0.7 -1.8 -1.2 -2
rcurveto stroke}"
fall = #"\\embeddedps{0.2 setlinewidth -0.2 -0.2 moveto 0.5 -0.2 1.2 -1 1.2 -2
rcurveto stroke}"
bend = #"\\e
Jens Haug wrote:
> What can I be doing wrong?
Nothing. I just forgot to test my klkudge against 1.6 :-)
Try this instead.
Notice that this is temporary. What we really need is to get
script-horizontal working!
-Rune
\score {
\context Voice \notes \transpose c''' {
c4*1/2 \glissan
> > I'd like to add some symbols for jazz articulations to my notes.
> > The most important ones are the fall (like a slow glissando
> > from the note down to nowhere), the opposite of this (kind of a
> > glissando from nowhere up to the note), and the bend (dropping
Jens Haug wrote:
> It's a line that looks like a slur ("open" side up, like a slur
> under two notes) that is placed before the note like a glissando
> or above a note like a legato.
bend = #"\\embeddedps{0.2 setlinewidth -0.5 0.3 moveto 0.8 -0.5 1.6 -0.5
2.4 0 rcurveto stroke}"
...
a^\
The fall, and its oposite can be done using blank-notes as well. . .
See input/test/bland-notes.ly, and instead of attaching a slur to it,
you attach a glissando to it. . . .
Fabio.
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Lilypond-user mailing list
[EMAIL PROTECTED]
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Jens Haug wrote:
> I'd like to add some symbols for jazz articulations to my notes.
> The most important ones are the fall (like a slow glissando
> from the note down to nowhere), the opposite of this (kind of a
> glissando from nowhere up to the note), and the bend (dropping
> > this has probably been asked a few times before, but I couldn't
> > find it in the archives.
> > I'd like to add some symbols for jazz articulations to my notes.
> > The most important ones are the fall (like a slow glissando
> > from the note down to
Hi,
this has probably been asked a few times before, but I couldn't
find it in the archives.
I'd like to add some symbols for jazz articulations to my notes.
The most important ones are the fall (like a slow glissando
from the note down to nowhere), the opposite of this (kind of a
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