On Wed, 2016-07-27 at 11:56 +0200, Mojca Miklavec wrote:
> On 27 July 2016 at 10:22, Richard Shann wrote:
> > On Wed, 2016-07-27 at 00:25 +0200, Mojca Miklavec wrote:
> >> On 26 July 2016 at 17:01, Richard Shann wrote:
[...]
> I don't mind that much if I have to go through midi2ly -> (some manual
On 27 July 2016 at 10:22, Richard Shann wrote:
> On Wed, 2016-07-27 at 00:25 +0200, Mojca Miklavec wrote:
>> On 26 July 2016 at 17:01, Richard Shann wrote:
>>
>> I realized that Denemo comes as a binary for Mac, so I tested it now,
>
> I wonder on which file?
The one I sent you / the one you
On Wed, 2016-07-27 at 00:25 +0200, Mojca Miklavec wrote:
> On 26 July 2016 at 17:01, Richard Shann wrote:
> > On Tue, 2016-07-26 at 15:45 +0200, Mojca Miklavec wrote:
> >
> > I think the first track is just being used to vary the tempo. Whether
> > that is because it originated in a human
On 26 July 2016 at 17:01, Richard Shann wrote:
> On Tue, 2016-07-26 at 15:45 +0200, Mojca Miklavec wrote:
>
> I think the first track is just being used to vary the tempo. Whether
> that is because it originated in a human performance (it would be a
> sophisticated program that generated this in
On Tue, 2016-07-26 at 15:45 +0200, Mojca Miklavec wrote:
> Hello,
>
> Just before I give up about midi2ly:
>
> On 22 July 2016 at 17:50, David Kastrup wrote:
> > Mojca Miklavec writes:
> >
> >> That said, I wouldn't mind suggestions for some good OpenSource (GUI)
> >> MIDI editors. I have a
On 7/26/2016 8:45 AM, Mojca Miklavec wrote:
> I have to keep playing with more MIDI files. The ones I tried last
> time were more problematic (or maybe I just didn't get the parameters
> right).
Attached is a MIDI file you can try importing. This was done with the
SpeedyMIDI program from
Hello,
Just before I give up about midi2ly:
On 22 July 2016 at 17:50, David Kastrup wrote:
> Mojca Miklavec writes:
>
>> That said, I wouldn't mind suggestions for some good OpenSource (GUI)
>> MIDI editors. I have a bunch of weird MIDI files that I would like to
>> turn into scores. They sound
picking apart the channels for treble and chord
> side and basses and being able to recognize chords and tell them apart
> from legato play). Emacs' LilyPond mode itself is woefully underpowered
> and in need of some love, however, so this makes mostly sense when being
> able to use Em
s and tell them apart
from legato play). Emacs' LilyPond mode itself is woefully underpowered
and in need of some love, however, so this makes mostly sense when being
able to use Emacs is a reward rather than a penance for you in the first
place.
Denemo (which exports to LilyPond) has some Mid
