Hi List,
I have the following:
-
\version "2.19.80"
\relative c {
\clef bass
\time 4/8
<<
{ \stemDown d16\( f a f d a' f d\) }
\\
{ \stemUp d8. f16 d4 }
>>
}
-
What I'm trying to do is ensure that the phrasing slur extends to the last
note
On 1/22/2018 7:09 AM, N. Andrew Walsh wrote:
Hi List,
I have the following:
-
\version "2.19.80"
\relative c {
\clef bass
\time 4/8
<<
{ \stemDown d16\( f a f d a' f d\) }
\\
{ \stemUp d8. f16 d4 }
>>
}
-
What I'm trying to do is ensure t
Hi Ben,
On Mon, Jan 22, 2018 at 1:59 PM, Ben wrote:
>
> Hi,
>
> Personally, I would probably want the slur on the bottom as it's cleaner
> and easier to implement,
>
yes, and also notationally superior. But the client is, alas! a
hobbyist-composer who does things for "expressive" reasons and ins
Hi Andrew,
That's right, slurs are quadratic beziers and you can adjust the control
points. If you have used Adobe Illustrator it should be clear, for the
bezier curves there are the same.
Possibly more than you need to know, but some nice illustrations:
https://en.wikipedia.org/wiki/B%C3%A9zier
On 22.01.2018 13:09, N. Andrew Walsh wrote:
What I'm trying to do is ensure that the phrasing slur extends to the
last note of the bar. Problem is, the client wants the 16th notes on
the lower voice, but the slur above. I've been using \stemDown and
\stemUp to flip the stem directions, but this
