On second thought, this new approach that uses only addlyrics is the
best. Simply put a line of lyrics that contains 1st stanza plus 1st
alternative, plus 2nd alternative, plus the rest. Then add a second
line for the repeated fragment. I think comments explain all, ask
again if not.
\relative c'
2009/7/17 Francisco Vila :
> Then add a second line for the repeated fragment.
If the lyrics for the repeated fragment is common to both voltas,
simply omit this second addlyrics. You end with a single line of
lyrics, correctly aligned with the noteheads just as whether no
repeats existed.
The pr
Hello,
I am glad that I have found a conversation about different lyrics for
repetition and alternatives in the Lilypond mailing list archive.
I have just installed Lilypond, worked through the introduction and am
trying to write a song where I need a more sophisticated solution for
writing lyrics
2010/6/26 Sven Siegmund :
> \alternative { { b d } { b a } }
Here, if you write
\alternative { { b d \break } { b a } }
you'll see that the 'differ' part tries to be aligned with the other
lyrics. Just it doesn't in your example because it has not room enough
to fit.
> Currently, becaus
> - \repeat unfold 64 { \skip 4 }
Thank you, Francisco. Typing \repeat unfold 4 { \skip 4 } is just fine
and it looks like it will work for my actual song as well.
Thanks to Phil holmes I now know why it does not matter what value I
write behind \skip in lyricmode. It alignes every time. However
2009/7/17 胡海鹏 - Hu Haipeng :
> Thank you for your replies. Then, is this good? I still use voice
> association, because I'll use ignoreMelismata in the second stanza in the
> actual song, and I don't want to generate more weird things.
Yes, and that scheme of simple voice association to a freshly
