Op vrijdag 03 april 2009, schreef David Stocker:
> It would be great if there was a
> shorthand for this in LilyPond code for situations (like in many forms
> of popular music) an accompaniment pattern consists of many repeated
> chords--perhaps something like ""--simply instructing LilyPond to
>
Thanks for catching this! Both have been fixed.
Andrew
On Fri, Apr 3, 2009 at 4:08 AM, Francisco Vila wrote:
> 2009/4/3 Johan Vromans :
>> Andrew Hawryluk writes:
>>
>>> http://www.musicbyandrew.ca/finale-lilypond-4.html
>>
>> How did you make the image of the LilyPond Händel score? It suffers
2009/4/3 Jonathan Kulp :
> What's nice about Lilypond from my "composer's" point of view is that it's
> gotten me back to writing music with pencil and paper instead of doing it in
> Finale. I've realized for a while that in some pieces Finale was making me
> lazy as a composer (and the same happe
Please see this picture of what it looks like when I'm hand-writing
music with repeated chords.
http://notesettersinc.com/Hal_Leonard_Project-1.html
Notice that I don't write out each repeated chord in the manuscript.
It's understood by the editors and engravers that the "|" means simply
"pri
Op vrijdag 03-04-2009 om 13:21 uur [tijdzone +0200], schreef Valentin
Villenave:
> Count me in!
Yay, independent informed comments!
/me hits ^R
:-)
Jan.
--
Jan Nieuwenhuizen | GNU LilyPond - The music typesetter
http://www.xs4all.nl/~jantien | http://www.lilypond.org
__
Nick Payne wrote:
...
That's a real interesting report!. You note that entering chords in
lilypond is real slow as compared to using MIDI entry.
While that's no surprise, I wonder if there's anything that we can or
should do about it. Typing <> is just real awkward...
Try setting guitar sco
lilypond-user@gnu.org; Nicolas Sceaux
> Subject: Re: LilyPond, Finale and Sibelius (was Review of Valentin's
> Opera)
>
> ...
> That's a real interesting report!. You note that entering chords in
> lilypond is real slow as compared to using MIDI entry.
>
> While th
2009/4/3 Jan Nieuwenhuizen :
> Op donderdag 02-04-2009 om 18:00 uur [tijdzone -0300], schreef Han-Wen
> Nienhuys:
>
>> I think there are a couple of memorable quotes here for the website...
>
> Indeed, thanks for all the praise! For sure its more fun to read than
> eg http://lwn.net/Articles/32669
Johan Vromans wrote:
Andrew Hawryluk writes:
http://www.musicbyandrew.ca/finale-lilypond-4.html
How did you make the image of the LilyPond Händel score? It suffers
from very thick vertical lines, similar to the Evince/PDF bug that has
been discussed here several times.
It may turn
Op donderdag 02-04-2009 om 18:00 uur [tijdzone -0300], schreef Han-Wen
Nienhuys:
> I think there are a couple of memorable quotes here for the website...
Indeed, thanks for all the praise! For sure its more fun to read than
eg http://lwn.net/Articles/326698/
> Do we now have a team that takes c
2009/4/3 Johan Vromans :
> Andrew Hawryluk writes:
>
>> http://www.musicbyandrew.ca/finale-lilypond-4.html
>
> How did you make the image of the LilyPond Händel score? It suffers
> from very thick vertical lines, similar to the Evince/PDF bug that has
> been discussed here several times.
>
> It ma
Andrew Hawryluk writes:
> http://www.musicbyandrew.ca/finale-lilypond-4.html
How did you make the image of the LilyPond Händel score? It suffers
from very thick vertical lines, similar to the Evince/PDF bug that has
been discussed here several times.
It may turn readers away from LP.
-- Johan
Op donderdag 02-04-2009 om 21:53 uur [tijdzone -0600], schreef Andrew
Hawryluk:
Hi Andrew,
The full report is at
> http://www.musicbyandrew.ca/finale-lilypond-4.html, but here's my
> conclusion:
> "At least for me, MIDI entry is much faster than typing the pitches
> and durations myself.
That's
No, but we will in two months plus three days. I'll keep a
reminder about this thread for that time.
Cheers,
- Graham
On Thu, Apr 02, 2009 at 06:00:02PM -0300, Han-Wen Nienhuys wrote:
> I think there are a couple of memorable quotes here for the website...
> Do we now have a team that takes car
On Thu, Apr 2, 2009 at 1:44 PM, Chris Snyder wrote:
> Valentin Villenave wrote:
>> To me, note entry is much, much, much faster with LilyPond than with
>> Fin/Sib. (even using a MIDI keyboard -- which, by the way, is one of
>> the less enjoyable experiences I know of).
>
> I concur here. I am much
For sure, a musical jazz font will be very useful! There a couple of threads
in the mailing list about this.
rosea wrote:
>
> Nice to read this thread.
> I'm wondering what about more modern or 'light' music, like POP and
> Jazz? How does it compare in this area? And what should be and can be
David Stocker wrote:
I offer LilyPond engraving alongside output from Finale and Sibelius.
None of my corporate clients ask for LilyPond, but I recommend it to
them for classical engraving (of which I do very little). I have a
handful of folks who take output from LilyPond.
David Stocker
http
2009/4/2 Han-Wen Nienhuys :
> I think there are a couple of memorable quotes here for the website...
> Do we now have a team that takes care of this?
I am tempted to translate the whole thread into Spanish for our list,
or large chunks at least. Wise, serious, experienced contributions.
Thanks to
I think there are a couple of memorable quotes here for the website...
Do we now have a team that takes care of this?
On Thu, Apr 2, 2009 at 5:02 PM, Neil Thornock wrote:
>> The way that music is entered for LilyPond causes me to think in a more
>> musical way - there have been times when I've b
I will agree with many of the preceding posts that entry of notes,
slurs, etc, is faster for me in Lily than in Finale. However, with
every new piece I have to devise a new hack to accomplish a certain
advanced thing - even as simple a thing as a slanted hairpin or a
cross-staff slur, which I simp
Valentin Villenave wrote:
> To me, note entry is much, much, much faster with LilyPond than with
> Fin/Sib. (even using a MIDI keyboard -- which, by the way, is one of
> the less enjoyable experiences I know of).
I concur here. I am much faster with Lily than I suspect I ever could be
with a graph
Hi Han-Wen,
you can have the best of both worlds if you enter using finale and
then musicxml2ly to go to .ly and do the typesetting.
Now that I think about it, I was originally just talking about
"slamming in the pitches/durations"...
Once I factor in the slurs, articulations, dynamics, text
On Thu, Apr 2, 2009 at 1:41 PM, Kieren MacMillan
wrote:
> Hi all,
>
>>> In my experience, LilyPond *is* capable of producing scores of the
>>> highest caliber. However, I often spend so much time tweaking the
>>> score to get it to look perfect that it really becomes a labor of love.
>
> I used F
2009/4/2 Kieren MacMillan :
> I used Finale for over a decade, eventually becoming the computer music lab
> tutor/assistant at Shepherd School of Music (while doing my Master of Music
> there) -- I was as nimble with Finale as anyone I knew (know). I estimate
> that, for me, note entry is ca. 3x f
Hi all,
In my experience, LilyPond *is* capable of producing scores of the
highest caliber. However, I often spend so much time tweaking the
score to get it to look perfect that it really becomes a labor of
love.
I used Finale for over a decade, eventually becoming the computer
music lab
I offer LilyPond engraving alongside output from Finale and Sibelius.
None of my corporate clients ask for LilyPond, but I recommend it to
them for classical engraving (of which I do very little). I have a
handful of folks who take output from LilyPond.
David Stocker
http://notesettersinc.com
Neil Thornock wrote:
I am curious who out there is in a professional music-related position
that relies on Lilypond when Finale or Sibelius is also an option
provided by the employer. I'm one. Just curious who else.
Me too. I'm a music history professor and I have a school-provided copy
o
>> Reinhold> The only problems appear when trying to create
>> Reinhold> good-looking full scores for the conductor (part
>
>> I agree.
>
> I don't, actually...
In my experience, LilyPond *is* capable of producing scores of the
highest caliber. However, I often spend so much time tweaking t
> "Kieren" == Kieren MacMillan writes:
Kieren> Then again, I *never* use \partcombine, and I manually
Kieren> tweak vertical spacing a fair bit, so that might be where
Kieren> you are running into problems with your scores.
I've always assumed that with some manual tweaking the s
Hi Laura, Reinhold, etc.
Reinhold> The only problems appear when trying to create
Reinhold> good-looking full scores for the conductor (part
I agree.
I don't, actually...
While I think Lilypond could clearly do an even better job, I
regularly engrave my full scores, reduced score
> "Reinhold" == Reinhold Kainhofer writes:
Reinhold> The musicians really liked the good look of the score.
Reinhold> The only problems appear when trying to create
Reinhold> good-looking full scores for the conductor (part
Reinhold> combining is unusable and vertical stretch
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On Mittwoch, 1. April 2009 19:25:02 Nicolas Sceaux wrote:
> Le 1 avr. 09 à 13:41, Valentin Villenave a écrit :
> > No matter the value of this project itself (or possibly lack thereof,
> > time will tell), what makes me proud is that I've been able to
Le 1 avr. 09 à 20:17, Francisco Vila a écrit :
2009/4/1 Nicolas Sceaux :
The première of Haendel's Giulio Cesare in Romania was perfomed using
a LilyPond score, as will be the première of Lully's Armide in
Houston,
or instrumental pieces from Rameau's Hippolyte et Aricie next month
in
New Y
Le 1 avr. 09 à 19:55, Jonathan Kulp a écrit :
Kieren MacMillan wrote:
Hello, all!
LilyPond scores are used for real, serious stuff.
This gets me to thinking... the website should have a section
listing recent productions & performances which used Lilypond scores!
What does everyone think?
2009/4/1 Kieren MacMillan :
> Hello, all!
>
>> LilyPond scores are used for real, serious stuff.
>
> This gets me to thinking... the website should have a section listing recent
> productions & performances which used Lilypond scores!
> What does everyone think?
Definitely, it should.
--
Francis
2009/4/1 Nicolas Sceaux :
> The première of Haendel's Giulio Cesare in Romania was perfomed using
> a LilyPond score, as will be the première of Lully's Armide in Houston,
> or instrumental pieces from Rameau's Hippolyte et Aricie next month in
> New York, and the full opera next year in England. L
Kieren MacMillan wrote:
Hello, all!
LilyPond scores are used for real, serious stuff.
This gets me to thinking... the website should have a section listing
recent productions & performances which used Lilypond scores!
What does everyone think?
Genius idea. Nicolas, are they using your e
2009/4/1 Kieren MacMillan :
> This gets me to thinking... the website should have a section listing recent
> productions & performances which used Lilypond scores!
> What does everyone think?
Sure!
Regards,
Valentin
___
lilypond-user mailing list
lily
Hello, all!
LilyPond scores are used for real, serious stuff.
This gets me to thinking... the website should have a section listing
recent productions & performances which used Lilypond scores!
What does everyone think?
Regards,
Kieren.
___
lil
Le 1 avr. 09 à 13:41, Valentin Villenave a écrit :
No matter the value of this project itself (or possibly lack thereof,
time will tell), what makes me proud is that I've been able to pursue
the path opened by people like Nicolas Sceaux, Kieren, Trevor B., Jose
Padovani and several others, and t
2009/4/1 Francisco Vila :
> At the same time, you all know what's the relation between the article
> and LilyPond: although not mentioned in the text, the first opera by
> Valentin Villenave is licensed as free software, and it has been fully
> typeset using Lily. It has been a remarkable absolute
Hello all,
You all know that the language of the concert reviews is sometimes a
bit 'special' and you'll understand my difficulties in the task of
translating this one from a Spanish magazine, Ópera Actual. I beg your
pardon for the numerous grammar inaccuracies.
At the same time, you all know wh
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