On Thu, 15 Jan 2015 06:55:21 -0700 (MST)
tisimst wrote:
> Should the LP engine, upon encountering a "\repeat volta" section,
> automatically, under the covers, force that repeat structure upon the
> other simultaneous staves/voices, which do NOT contain that same
> structure, so that it gives
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On Wed, 14 Jan 2015 09:36:52 -0700 (MST)
tisimst wrote:
> Johan Vromans wrote
> > It works for many structure-related items but unfortunately not for
> > repeats.
>
> Sure it does!
Thanks for your response. It clearly indicates that LP does, indeed, *not*
process volta repeats correctly (for s
SHOULD BE repeating, is
incorrect coding, ESPECIALLY when you know you'll be re-using the parts like
this demo is supposed to show how to do.
Just my thoughts on the matter,
Abraham
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Johan Vromans squirrel.nl> writes:
> In fact, this is separation of content and structure. It works for many
> structure-related items but unfortunately not for repeats.
>
> For example, in the following snippet the score looks right, but in the
> midi the repeats are not unfolded. Do you have a
On Sat, 10 Jan 2015 11:12:26 +0800
James Harkins wrote:
> % Just the notes -- no need to copy anything from "global"
In fact, this is separation of content and structure. It works for many
structure-related items but unfortunately not for repeats.
For example, in the following snippet the score
Phil Holmes philholmes.net> writes:
> I believe that, as a tutorial template, it would be more useful to
> illustrate how to accommodate key signature indications with transposing
> instruments, since this remains the norm for most music.
Ah, OK -- that makes perfect sense. It sounded at first
moved to the individual score headers? And shouldn't they be in their
own PDFs? I guess they don't HAVE to, but I feel like that is also "the
norm for most music."
-Abraham
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- Original Message -
From: "James Harkins"
To: "Phil Holmes" ;
Sent: Sunday, January 11, 2015 12:18 PM
Subject: Re: Score and parts template
On January 11, 2015 8:06:55 PM "Phil Holmes" wrote:
So I assume the clarinet in A (which I'd mis
On January 11, 2015 8:06:55 PM "Phil Holmes" wrote:
So I assume the clarinet in A (which I'd missed) has a lower range than the Bb?
Clarinets in Bb and A have the same written range, extending down to the E
below middle C. This note sounds as concert D on the Bb clarinet, and
concert C# on
- Original Message -
From: "James Harkins"
To: ;
Sent: Sunday, January 11, 2015 6:37 AM
Subject: Re: Score and parts template
From: Phil Holmes
> Since the question came up about organizing LilyPond code for score and
> parts, I thought I would make a quick demo o
From: Phil Holmes
> > Since the question came up about organizing LilyPond code for score and
> > parts, I thought I would make a quick demo of what I believe to be the
> > standard way to do it. Somehow I pieced these ideas together from LP code
> > that I found online (Mozart Horn Concerto, a
On Fri, Jan 9, 2015 at 10:12 PM, James Harkins wrote:
> Hi,
>
> Since the question came up about organizing LilyPond code for score and
> parts, I thought I would make a quick demo of what I believe to be the
> standard way to do it. Somehow I pieced these ideas together from LP code
> that I fou
- Original Message -
From: "James Harkins"
To: "lily-users"
Sent: Saturday, January 10, 2015 3:12 AM
Subject: Demo: Score and parts template
Hi,
Since the question came up about organizing LilyPond code for score and
parts, I thought I would make a quick demo
Hi,
Since the question came up about organizing LilyPond code for score and parts,
I thought I would make a quick demo of what I believe to be the standard way to
do it. Somehow I pieced these ideas together from LP code that I found online
(Mozart Horn Concerto, as I recall), but I don't remem
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