On Mon, 2006-01-02 at 16:34 +0100, Mats Bengtsson wrote:
> I'm sure you realize that you can get the desired output by specifying
> only the first occurance of the chord, with a longer duration, for example
> to get a chord spanning 3 full measures in common time, use something like
>
> \chordmode
Stephen Torri wrote:
What kind of layout did you expect for ties between chords?
/Mats
I was expecting to see only the first chord name for a tied pair.
Instead of printing the second chord name a space would be inserted so
that the chord name following it would be properly spaced.
On Mon, 2006-01-02 at 12:57 +0100, Mats Bengtsson wrote:
> If you typeset your chords using a ChordNames context,
> \new ChordNames \harmonies
> then there is no support for ties. On the other hand, if you typeset the
> chords using normal notes,
> \new Staff \harmonies
> then you will of course al
If you typeset your chords using a ChordNames context,
\new ChordNames \harmonies
then there is no support for ties. On the other hand, if you typeset the
chords using normal notes,
\new Staff \harmonies
then you will of course also get the ties. So, it really has nothing to
do with
\chordmode p
When I attempt to use a chord tie in a \chordmode I get an error when
using lilypond 2.6.5:
lilypond Silent_Night.ly
GNU LilyPond 2.6.5
Processing `Silent_Night.ly'
Parsing...
Interpreting music...
piece.ly:30:27: warning: junking event: `Tie
