On Sun, Feb 12, 2012 at 1:10 AM, Matthew Collett m_coll...@ihug.co.nz wrote:
Unless you really want barlines at different times in different parts
(and I am fairly sure you don't), leave the the timing translator and
the bar line engraver in the score rather than moving them to the
staff.
On 15/02/2012, at 12:35 am, Marcel Korpel wrote:
when the note
values exceed the measure length, I need a dashed bar line instead of
a normal one, but *only* in the part it appears in, not in every part.
I assume you have considered and rejected the idea of _Mensurstriche_ layout.
Best
On Sun, Feb 12, 2012 at 1:31 AM, David Kastrup d...@gnu.org wrote:
16th century mass with full bar lines?
At those places where note lengths exceed measures, the bar line will
be drawn dashed (using
\dl note \nl where
dl = \set Timing.defaultBarType = dashed
nl = \set Timing.defaultBarType
Hi all,
Example at http://pastebin.com/1USBkWCH
I am transcribing a 16th-century mass for 4 voices I got the next
problem: its Kyrie is divided in three parts that are separated by a
|| bar. The last note of each part is a longa (sometimes with a
fermata) that just fills up the rest of the space
On 12/02/2012, at 9:25 am, Marcel Korpel wrote:
I am transcribing a 16th-century mass for 4 voices I got the next
problem: its Kyrie is divided in three parts that are separated by a
|| bar. The last note of each part is a longa (sometimes with a
fermata) that just fills up the rest of the
Marcel Korpel marcel.li...@gmail.com writes:
Hi all,
Example at http://pastebin.com/1USBkWCH
I am transcribing a 16th-century mass for 4 voices I got the next
problem: its Kyrie is divided in three parts that are separated by a
|| bar. The last note of each part is a longa (sometimes with
