Keith E OHara wrote Wednesday, October 06, 2010 9:40 AM
I no longer see any reason to use instrumentCueName for the labels
that identify the instrument playing cue notes. Doing so makes it
easy to make subtle errors, and offers no advantage over \tag
'#part s4*0^\markup\tiny"oboe"
The ins
On Tue, 05 Oct 2010 02:05:00 -0700, Trevor Daniels
wrote:
Moving the \set instrumentCueName into the Voice
context,
as you suggest, will change the time when the CueVoice context is
created
and this may be why it then works. But that is not the root cause
of the
problem, so I would not want
On Tue, 05 Oct 2010 02:05:00 -0700, Trevor Daniels wrote:
Keith E OHara wrote Tuesday, October 05, 2010 7:18 AM
\new CueVoice \with {
instrumentCueName = "ob."
} \new Voice {
[ . . . ]
this example does not create a new Voice _within_ the CueVoice - it
creates it in parallel with
Am Dienstag, 5. Oktober 2010, 15:07:34 schrieb Trevor Daniels:
> Keith
>
> If voice or cuevoice contexts are created, explicitly or implicitly,
> in music
> which is passed to \addQuote the cue notes are not extracted
> correctly.
Yes, unfortunately, quoting music with more than one voice (explic
Keith
If voice or cuevoice contexts are created, explicitly or implicitly,
in music
which is passed to \addQuote the cue notes are not extracted
correctly.
A \set command will implicitly create a voice. You can get round
this
by using tags. Here's how I would code your example. I prefer to
Keith E OHara wrote Tuesday, October 05, 2010 7:18 AM
I cannot find a way to use the documentation examples for
cueDuring with instrumentCueName in a real score.
I'm thinking of writing up and submitting replacement examples,
based on a snippet from the LSR. First I'd like to see if I just
Hello,
I cannot find a way to use the documentation examples for cueDuring with
instrumentCueName in a real score.
I'm thinking of writing up and submitting replacement examples, based on a
snippet from the LSR. First I'd like to see if I just missed the point of the
existing examples.
1)
