Hey,
thanks for the response, yes, \scaleDurations did the trick!
I never had to use it before, so I didn't even know of it's existence.
That's probably a problem for many, certainly with specific and rare
situations, even finding the right terminology to describe the problem is
sometimes hard to
Hi Bart,
I'm not sure exactly which part of your example you want to be different,
but perhaps you need to scale the durations somehow, to make 8ths seem like
4ths or vice versa?
There is some info on how to do that here:
http://lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms#scaling
Hi Bart, Lukas!
Wow! I was just about to write, that with all the black magic people on
this list do with scheme, doing the rhythm translation manually shouldn't
be necessary, and before I click send you do it in one command. :D Didn't
even knew the \shiftDurations-command, guess I should study th
But in fact, I think one does not need to shift the Timing_translator
to the staff context at all: It should suffice to use \scaleDurations
and a manual tweak of the displayed time signature for one staff.
That was easier than I had expected:
\version "2.23.0"
musicOneSizeFitsAll = \relati
Hi Bart,
But this results in a situation where the 8ths are not lined up as
4ths, which is what I need.
Anyone here who knows how it might be done?
Maybe something like this?
\version "2.23.0"
music = \relative c' {c'4 c c c }
musicTwo = \relative c' {c'8 c c c }
\score {
<<
\new St
Hello all,
Working on writing down a renaissance piece, tablature combined with
regular notation, I'm stumbling on the rhythm issue.
For example, I have this piece where I've written everything in 2/8, to get
the correct rhythmic representation in my renaissance tablature, but I want
the modern n
