Hi.
2020-08-14 17:49 UTC+02:00, David Sumbler :
> When working on a project in Lilypond I usually set things up to
> generate midi files as well as printable output, mainly for note-
> checking. But it is interesting to generate an ensemble midi file too.
> I play these files with TiMidity,
Greetings David,
You are echoing many questions that I have had for quite a while. The
only tidbit that I can offer is that, using the freepats sound font,
nonpitched percussion seems to work. Once you have installed freepats,
go into your /etc/timidity/timidity.cfg file, and you should find a
When working on a project in Lilypond I usually set things up to
generate midi files as well as printable output, mainly for note-
checking. But it is interesting to generate an ensemble midi file too.
I play these files with TiMidity, using the fluidr3_gm soundfont.
I know the (very) basics
hi!Help me please. Gentoo systems. In the version of Lilipond 2.21.1 which is installed in the systems it does not want to work, since Cyrillic is used in the file paths and in the file name. If everything is written in English, then everything works well. But I have an unstable version installed
mbers converted to variables)
> >
> > 3] And “bx3” “-DRx2” “17x4” “-41x3” become “(* b 3)” “(* -DR 2)” “(*
> > n17
> > 4)” “(* -n41 3)”. (number of times variables are used)
> >
> > This is way beyond my capa
Sorry. I included the wrong version of the code, before I had
reduced/simplified some of the regular expressions. See changes below:
On 2020-06-27 10:04 pm, Aaron Hill wrote:
-
Broken into individual steps, as you have requested:
”. (numbers converted to variables)
3] And “bx3” “-DRx2” “17x4” “-41x3” become “(* b 3)” “(* -DR 2)” “(*
n17
4)” “(* -n41 3)”. (number of times variables are used)
This is way beyond my capability, and I would appreciate help with
this.
For my simple mind it would teach me more if this were done
” “17x4” “-41x3” become “(* b 3)” “(* -DR 2)” “(* n17
4)” “(* -n41 3)”. (number of times variables are used)
This is way beyond my capability, and I would appreciate help with this.
For my simple mind it would teach me more if this were done in say 3 steps
rather than mapped.
Thank you,
Dear David,
Il giorno mar 19 mag 2020 alle ore 08:56 David Rodríguez Blanco
ha scritto:
> I can run Frescobaldi because don’t know how install Monospace font or instar
> it in Frescobaldi PATH
you have already opened an issue on GitHub
(https://github.com/frescobaldi/frescobaldi/issues/1304).
Hello
I can run Frescobaldi because don’t know how install Monospace font or instar
it in Frescobaldi PATH
Help, please
Oh wow. Thank you so much! That seems to work perfectly!
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
On 2020-04-25 9:09 pm, melophobic wrote:
But currently, I have to implement it very awkwardly by putting:
\once \override Staff.TimeSignature #'stencil =
#(fractional-time-signature
"2" "2" "3" "4")
To get it to display something like 2⅔/4. I am still new at scheme in
general, is there a way
Hi all,
I have written a scheme that allows me to change the stencil of a time
signature to allow for fractional meter:
#(define ((fractional-time-signature a b c d) grob)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . .1)
(#:number (#:center-column (
On 2020-03-30 16:10, Eby Mani wrote:
Thank you Aaron.
Malte, can you explain why you have mentioned \partial 8*7 is not
needed ?.
Probably since Malte uses the latest stable version, 2.20, which handles
these things much better than what was done in version 2.18. Try it out
and you
On 2020-03-28 7:57 am, Malte Meyn wrote:
You don’t need this \partial 8*7. In fact it’s better to omit it for
correct autobeaming and bar checks. (Your code gives a bar check
warning.)
Odd, there should not be any bar check failures.
But I did not have access to my local LilyPond
Am 28.03.20 um 15:30 schrieb Aaron Hill:
Would something like this work?
\version "2.20.0"
{
\time 4/4
\partial 8*7 | b'2 4. \bar "||"
You don’t need this \partial 8*7. In fact it’s better to omit it for
correct autobeaming and bar checks. (Your code gives a bar check
On 2020-03-28 6:27 am, Eby Mani wrote:
I'm trying to typeset some Victorian choral music with some strange
time changes that switch between. Attached samples.
e.g.
eg1, 4.5th beat of 4/4 time it goes to pickup bar (\partial 8) of 6/8
time.
eg2, On the 5th beat of 6/8 time it goes to pickup
ml files.
>
> I have lilypond version 2.18.2 and python version 3.8.1
LilyPond 2.18 uses Python 2. So will LilyPond 2.20 (to appear really
soon now). LilyPond 2.21 will be working with Python 3.
--
David Kastrup
My replies have a tendency to cause friction. To help mitigating
damage, feel
I downloaded python
to be able to run lilypond-book, but it doesn't seem to work.
Upon invoking
lilypond-book I get the following error:
File "C:\Program
Files (x86)\LilyPond\usr\bin\lilypond-book.py", line 590
os.mkdir
My message finally did go through after a while longer, so all is now well.
Apologies for the the noise.
Hello,
I tried posting (a new thread) to the lilypond-devel list a couple of hours
ago, but it doesn't seem to have got through; at least my message is not
showing up in the archives. I'm already subscribed to the list - is there
something else I should be doing?
Thanks,
David
; On Wed, Dec 18, 2019 at 6:57 PM wrote:
>>
>>> Without giving you any solution, I can give you a hint:
>>>
>>>
>>>
>>> Write the music in the traditional way, with and without your
>>> modification.
>>>
>>>
>>>
>>>
>
>>
>>
>> In your lilypond file put:
>>
>> \displayMusic oldmusic
>>
>> \displayMusic newmusic
>>
>>
>>
>> And what you can see wht you have to write by observing the differences
>>
>>
>>
>> Jaap
>>
>>
>>
ond-user
> *On Behalf Of *Paolo Prete
> *Sent:* Wednesday, December 18, 2019 3:30 PM
> *To:* Aaron Hill
> *Cc:* lilypond-user
> *Subject:* Re: Need help with Scheme code
>
>
>
> Thanks again.
>
> Now, from what I see, I can extract if #mus is a Beam
> with (
Jaap
From: lilypond-user On
Behalf Of Paolo Prete
Sent: Wednesday, December 18, 2019 3:30 PM
To: Aaron Hill
Cc: lilypond-user
Subject: Re: Need help with Scheme code
Thanks again.
Now, from what I see, I can extract if #mus is a Beam with (ly:music-property
mus 'name) --> BeamEv
Thanks again.
Now, from what I see, I can extract if #mus is a Beam
with (ly:music-property mus 'name) --> BeamEvent
After that, how can I set, inside the same function you wrote, a variable
with the beam-thickness value of the corresponding Beam?
something like (pseudo code): (set! myVar
On 2019-12-17 6:01 pm, Paolo Prete wrote:
And thanks again to the Scheme-master Aaron.
I appreciate the kind words, though I doubt my experience rises to the
level of "master".
One last thing:
how can I arrange that function so to obtain output-attributes =
output-attributes + id ?
For
And thanks again to the Scheme-master Aaron.
One last thing:
how can I arrange that function so to obtain output-attributes =
output-attributes + id ?
For example: if output-attributes is (('a' . 'aa') ('i' . 'ii')) it must
become:(('a' . 'aa') ('i' . 'ii') ('id' . 'foobar_1'))
On Wed,
On 2019-12-17 4:21 pm, Paolo Prete wrote:
Hi Stefano,
unfortunately, it doesn't increment the counter globally, and the two
ids
in the SVG file are identical
You will need to define a music function so that the (serial) procedure
is called on each occurrence. Here's an option that rolls
Hi Kieren,
yes, of course! please let me know how to use it
On Wed, Dec 18, 2019 at 1:32 AM Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi Paolo,
>
> > The ids must be: foobar_1, foobar_2 etc.
>
> Can they be foobar.1, foobar.2, etc. instead?
> Lilypond has a nice built-in
Hi Paolo,
> The ids must be: foobar_1, foobar_2 etc.
Can they be foobar.1, foobar.2, etc. instead?
Lilypond has a nice built-in mechanism for that naming/pointer convention.
Hope that helps!
Kieren.
Kieren MacMillan, composer (he/him/his)
‣ website:
om> wrote:
>>
>>> Hi Paolo,
>>>
>>> Look at this:
>>>
>>> \version "2.19.83"
>>>
>>> token = -\tweak output-attributes #'((id . "foobar")) \etc
>>>
>>> \relative { c'4 d8 -\token [ e ] f
t; Hi Paolo,
>>
>> Look at this:
>>
>> \version "2.19.83"
>>
>> token = -\tweak output-attributes #'((id . "foobar")) \etc
>>
>> \relative { c'4 d8 -\token [ e ] f2 }
>>
>> That achieves half of what you want. Now, how
gt;
> token = -\tweak output-attributes #'((id . "foobar")) \etc
>
> \relative { c'4 d8 -\token [ e ] f2 }
>
> That achieves half of what you want. Now, how to make "foobar"
> automatically increment I don't know, perhaps someone else can help with
> that.
>
&
That achieves half of what you want. Now, how to make "foobar"
> automatically increment I don't know, perhaps someone else can help with
> that.
>
> Hope that helps!
> Stéfano
>
> El mar., 17 dic. 2019 a las 19:06, Paolo Prete ()
> escribió:
>
>> Hello all,
>
Hi Paolo,
Look at this:
\version "2.19.83"
token = -\tweak output-attributes #'((id . "foobar")) \etc
\relative { c'4 d8 -\token [ e ] f2 }
That achieves half of what you want. Now, how to make "foobar"
automatically increment I don't know, perhaps someone
Hello all,
In order to automate the reverse process of the lilypond+javascript
snippets (write the GUI modifications of the grobs to the .ly file) I need
to make the following code work:
%
token = \tweak output-attributes #'((id . "foobar"))
\score
{
{
a8
foxfanfare:
...
> I can now make all the different parts, create automatically the layout of a
> piano 4-hands score, and move all the generate files in the appropriate
> directories. I don't know if this solution is a "good way" of using make,
> what do you think? At least, it seems to work... :)
> Karl Hammar wrote
> > Where have you found that?
>
> In the LilyPond documentation:
> http://lilypond.org/doc/v2.19/Documentation/usage/make-and-makefiles
Ok, that Makefile has a VPATH which makes sure make finds the pdf's,
but the MIDI directory is missing in the VPATH.
...
> So I guess the
foxfanfare wrote
> Thanks for the idea. I will look into that, but if I understand correctly,
> I
> have to launch the command separately from the Makefile? The idea was to
> include everything in it... But since I obviously have to change the
> beginning of my Makefile and get rid of the "%.pdf
Karl Hammar wrote
> Where have you found that?
In the LilyPond documentation:
http://lilypond.org/doc/v2.19/Documentation/usage/make-and-makefiles
I think I found the problem and it is related to that part. I copied the
beginning of the example you can see in the documentation, for instance:
foxfanfare:
> Karl Hammar wrote
> > piano-solo.%.pdf: piano-solo.%.ly \
> > $(general) \
> > dialogs.%.ily \
> > global.%.ily \
> > notes.piano-solo.%.ily \
> > pedals.%.ily
> > ...
>
> Little update for those interested by that problem, actually, that solution
> doesn't work
foxfanfare:
> Another question... In the documentation page, about Make, there is that
> rule which will make the PDF and the MIDI and move them in their own
> directory.
Where have you found that?
> %.pdf %.midi: %.ly
> $(LILY_CMD) $<; \
> if test -f "$*.pdf"; then \
>
Karl Hammar wrote
> piano-solo.%.pdf: piano-solo.%.ly \
> $(general) \
> dialogs.%.ily \
> global.%.ily \
> notes.piano-solo.%.ily \
> pedals.%.ily
> ...
Little update for those interested by that problem, actually, that solution
doesn't work properly. In that
Hi all,
Another question... In the documentation page, about Make, there is that
rule which will make the PDF and the MIDI and move them in their own
directory.
%.pdf %.midi: %.ly
$(LILY_CMD) $<; \
if test -f "$*.pdf"; then \
mv "$*.pdf" PDF/; \
fi; \
foxfanfare wrote
> I can now choose which piece I want to generate, but do you know how I can
> also generate all the 35 pieces with the same command? (if possible)
I just understood how to achieve that, sorry for the noise!
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
Karl Hammar wrote
> Try something like:
>
> piano-solo.%.pdf: piano-solo.%.ly \
> $(general) \
> dialogs.%.ily \
> global.%.ily \
> notes.piano-solo.%.ily \
> pedals.%.ily
> ...
>
> Have a look at "Syntax of Static Pattern Rules" in make documentation
> $ info make
foxfanfare:
> piano-solo.01.pdf: piano-solo.01.ly \
> $(general) \
> dialogs.01.ily \
> global.01.ily \
> notes.piano-solo.01.ily \
> pedals.01.ily
...
> ... and so on! Is there a better way to write this only one time?
Try something like:
piano-solo.%.pdf:
Hi all,
I'm currently working on a big project and learning how to use a makefile
for convenience. I'd like to know if some guys here knows how to write a
proper loop? I have the following example which can generate the PDF for
every single movement of a large set of pieces (there is 35 pieces in
they have to be minimal, but also in every other circumstance it’s basic
courtesy to provide the volunteers (such as myself) trying to help you
with complete, compilable, but short examples. See
http://lilypond.org/tiny-examples.html.
On 08.10.19 01:03, wmil...@aol.com wrote:
On 07.10.19 18:30, Bill
Hi Bill,
On 07.10.19 18:30, Bill via lilypond-user wrote:
Very powerful function. Nice to know about.
this worked for me. I found that rest durations are not the same as
note durations so the following notes have to be specified.
I’m not sure what you mean by that. Durations will be
Very powerful function. Nice to know about.this worked for me. I found that
rest durations are not the same as note durations so the following notes have
to be specified.putting in the line
\quoteDuring flute s1
added another staff so I deleted it.
Bill
\version "2.19.83"
fluteNotes
On 06.10.19 23:11, Ben wrote:
I've never had to use quotes before and I must admit, I am very
confused about the syntax. I just consulted the manual and tried to
copy and paste some code so I can learn it and tweak it, but I am
getting warnings directly from the documentation.
That second
help. I've never had to use quotes before and I must
admit, I am very confused about the syntax. I just consulted the manual
and tried to copy and paste some code so I can learn it and tweak it,
but I am getting warnings directly from the documentation.
Any chance you know what is going
Hi Ben,
On 05.10.19 14:24, Ben wrote:
Does your approach allow for clean part-printing? I put together a
quick test and it looks like they all get included for violin 1. I
don't know a straightforward way to accomplish one divisi per violin 1
part in this special situation.
It wouldn't be
On 10/5/2019 4:53 AM, Simon Albrecht wrote:
Hi Ben,
your approach does work. It can be simplified quite a bit, mainly by
using shortInstrumentName and \RemoveAllEmptyStaves, and not using
keepAliveInterfaces, which you don’t even need. See ben-divisi.ly.
On 05.10.19 03:08, Ben wrote:
I
Hi Ben,
your approach does work. It can be simplified quite a bit, mainly by
using shortInstrumentName and \RemoveAllEmptyStaves, and not using
keepAliveInterfaces, which you don’t even need. See ben-divisi.ly.
On 05.10.19 03:08, Ben wrote:
I didn't know if I should create the divisi
ecify
break points and use \set Staff.instrumentName at those moments.
Please ask again if you need more hints.
Best, Simon
On 04.10.19 14:58, Reggie wrote:
Good afternoon.
I would really appreciate if some help could come from someone who
knows how
to begin engraving a score that I need to do for a job
ments.
Please ask again if you need more hints.
Best, Simon
On 04.10.19 14:58, Reggie wrote:
Good afternoon.
I would really appreciate if some help could come from someone who knows how
to begin engraving a score that I need to do for a job. It is a string
orchestra piece but the divisi is c
Good afternoon.
I would really appreciate if some help could come from someone who knows how
to begin engraving a score that I need to do for a job. It is a string
orchestra piece but the divisi is confusing me I have no idea where to
start. Is there any template for this please?
The piece
Hello, is there anyone who is able and willing, or knows someone who would be,
to help me create a custom shape note notehead style similar to aikenheads? I
simply want to change one of the shapes and add 5 more so that there is a
unique shape for all 12 notes in the chromatic scale. I already
14. August 2019 12:21, "David Kastrup" schrieb:
> "Urs Liska" writes:
>
>> 14. August 2019 11:55, "David Kastrup" schrieb:
>>
>>> "Urs Liska" writes:
>>>
>> ...
> People write music theory texts with other typesetters than LaTeX.
> People even write music with other typesetters than
"Urs Liska" writes:
> 14. August 2019 11:55, "David Kastrup" schrieb:
>
>> "Urs Liska" writes:
>>
>>> Hi all,
>>>
>>> I'm currently rewriting my lilyglyphs package
>>> ...
>>
>> Wouldn't it be a lot more generally useful (and likely more efficient
>> since the mechanism is made for that) to
14. August 2019 11:55, "David Kastrup" schrieb:
> "Urs Liska" writes:
>
>> Hi all,
>>
>> I'm currently rewriting my lilyglyphs package
>> ...
>
> Wouldn't it be a lot more generally useful (and likely more efficient
> since the mechanism is made for that) to just add those kerning pairs to
>
And right now I've come across a great opportunity for
> someone (or somemultiple) people with little programming background
> but great enthusiasm to help me with that effort.
>
> There has always been a command lilyText{} that simply renders its
> argument using the Emmentaler fon
(or somemultiple) people
with little programming background but great enthusiasm to help me with that
effort.
There has always been a command lilyText{} that simply renders its argument
using the Emmentaler font, which works for the rather few characters in
Emmentaler that are at the regular
Hi Evan,
For what it’s worth.
Since I am not yet an experienced user of “regular’ tweaks, I would have used a
different solution to this problem, i.e. moving the Markup texts to a second
voice with hidden notes.
I give you my solution here but I have to warn you that I never use \relative
c’
Perfect, thanks!
Evan
On Sun, Jun 23, 2019 at 3:08 PM Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> wrote:
> Hi Evan,
> How about: -\tweak X-offset #3 ^\markup{\italic "long"}
> Cherrs,
> Pierre
>
> Le dim. 23 juin 2019 à 21:59, Evan Driscoll a écrit :
>
>> So first, thanks again
Hi Evan,
How about: -\tweak X-offset #3 ^\markup{\italic "long"}
Cherrs,
Pierre
Le dim. 23 juin 2019 à 21:59, Evan Driscoll a écrit :
> So first, thanks again for the people who replied to my last questions.
>
> Now I've got a problem with a measure that is too busy where I want to
> space
So first, thanks again for the people who replied to my last questions.
Now I've got a problem with a measure that is too busy where I want to
space some things out. I'm pretty new to this level of fine tuning, and
still trying to figure things out. Here's the relevant section:
\language
Am 5. April 2019 17:06:27 MESZ schrieb Andrew Bernard
:
>Indeed. I would far prefer that to the blank part at the end. Good
>idea.
>
The problem I see here is that this would require a complementary difference at
the next system *start*.
>Andrew
>
>
>On Sat, 6 Apr 2019 at 01:53, Urs Liska
Indeed. I would far prefer that to the blank part at the end. Good idea.
Andrew
On Sat, 6 Apr 2019 at 01:53, Urs Liska wrote:
>
> and maybe some \stopStaff ?
>
>
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Am 5. April 2019 14:08:07 MESZ schrieb Phil Holmes :
>- Original Message -
>From: "Kieren MacMillan"
>To: "Andrew Bernard"
>Cc: "Lilypond-User Mailing List"
>Sent: Friday, April 05, 2019 12:48 PM
>Subject: Re: Polymeter help
>
>
;<
\new Staff {
\one
}
\new Staff {
\two
}
>>
>>
}
%%
Sorry for this non brief example...
(attached what i beleive the correct timing is)
Best
K
On Fri, Apr 05, 2019 at 08:25:45AM -0400, lilypond-user-requ...@gnu.org w
- Original Message -
From: "Kieren MacMillan"
To: "Andrew Bernard"
Cc: "Lilypond-User Mailing List"
Sent: Friday, April 05, 2019 12:48 PM
Subject: Re: Polymeter help
Hi Andrew,
I am just looking for advice. I would not expect anybody to code t
Hi Andrew,
> I am just looking for advice. I would not expect anybody to code this up.
=)
I don’t see what the problem would be, ultimately…? I’ve never had any [real]
problem with polymeter, or with putting "empty space" at the end of the system
(by using skips and \bar "").
This just looks
I am just looking for advice. I would not expect anybody to code this up.
Andrew
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On Sat, 2019-03-23 at 02:28 +1100, Andrew Bernard wrote:
> Running gdb does not seem to be a simple matter of saying 'gdb
> lilypond'. My lilypond executable is the shell script in ~/bin, a
> normal installation. Gbd wont run on that.
just create a variant on the shell script with gdb before the
to run gdb on a self compiled version of lilypond (not a problem,
if so).
Any help appreciated.
Andrew
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Is it possible to use Beam.skip-quanting, but only when no beam touches
the staff symbol?
I have found a setting that seems to give pretty good results with
\override Stem.details.beamed-minimum-free-lengths = #'(2 2.5 2.5)
\override Beam.damping = 10
However, by default that can
Hi all,
in a project with 600+ short scores (mostly single systems) I have an
issue with the beam/stem formatting, in so far as the stems tend to be
too short when multiple beams are present (at least that's what the
commissioners complained about). When looking at the documentation of
Beam
: Need help with Lily Pond File
Dear all,
Thank you very much for your replies, and I apologize for the inconvenience. As
I am blind, and it was late when I sent the e-mail, I didn't feel I could
figure out the errors on my own. Thomas, I asked permission of the people who
transcribed the music
t;
> It's very easy to make slips in coding, of course.
>
>>If you could please help me with this, I would
>>truly appreciate it. I have attached the .ly file, and the compilation
>> report.
>
> Reading through the log file and determining what
> needs to change in
Am Sa., 16. März 2019 um 13:52 Uhr schrieb Andrew Bernard
:
> There's a convention on this list to just post Minimal Working Exmaples
> (MWE), to make it possible for people to help, rather than full scores.
> Making an MWEW instead of posting a huge chunk is a valuable exercise bec
HI Yerko, and welcome.
Can I make the politest suggestion? People on the list always object when I
say how I think things should be done, but this file is illegible and
unwieldy, with very, very long lines, making it a really hard slog to help
you. A good practice is to have each bar on one line
On 2019-01-28 11:00 pm, Daniel Contreras wrote:
Hello all,
I am trying to typeset parts for a jazz ensemble piece more
efficiently. My question is:
If i include a header block before all of the book blocks, will that
typeset the same title for each output file?
Example...
\header { }
\book { }
Hello all,
I am trying to typeset parts for a jazz ensemble piece more efficiently. My
question is:
If i include a header block before all of the book blocks, will that typeset
the same title for each output file?
Example...
\header { }
\book { }
\book { }
Also, if i include a midi block
Carl wrote:
>
> I'm not sure exactly what you want, but I decided to try this.
> Is this what you want?
>
Yes, exactly. As a lilypond newbie I am still coming to terms with
some of the syntactical feeatures of the program, like the << >>
pairings.
.. mark.
Kieren wrote:
>
> Attached, below, is the way I would code your example. You’ll see
> that I’ve separated the definition of the notes (etc.) from the
> score ― I find it much easier to parse that way.
>
Wow! I didn't know you could do that. Thanks for the tip.
.. mark.
On 1/8/19, 6:47 PM, "Mark Probert" wrote:
Which produces the attached. Any ideas on how I can get the figures (or
the notes) all coming together nicely?
I'm not sure exactly what you want, but I decided to try this.
Is this what you want?
\score {
\new StaffGroup <<
Hi Mark,
Attached, below, is the way I would code your example. You’ll see that I’ve
separated the definition of the notes (etc.) from the score — I find it much
easier to parse that way.
Hope this helps!
Kieren.
%%% SNIPPET BEGINS
\version "2.19.80"
global = {
\key d \major
s1*2
}
Hi, everyone.
I'm having a problem getting LilyPond to do a figured bass. I've read
the manual, and followed the examples, but I have clearly missed
something out.
Here is the code I am currently using
---< cut >---
\score {
\new StaffGroup <<
\new Staff {
\relative c'' {
Well I was earlier trying the \etc method only to realise that it wasn't
available for 2.18. Yes indeed it is simpler but the function method gives
me more control over what I want to achieve, and even if the \etc had worked
on 2.18 I would still want to know how to write a correct music function.
Urs Liska writes:
> Am 07.12.18 um 10:55 schrieb mansouraoun:
>> i wrote the code in raw and it's somehow not displayed in my message
>> Here it is
>>
>> dynx =
>> #(define-music-function
>> (parser location X-offset)
>> (number?)
>> #{
>> \once\override
Just switched to 2.19.82 and it works like a charm.
Thanks
Mansour
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Am 07.12.18 um 11:07 schrieb Urs Liska:
Am 07.12.18 um 10:55 schrieb mansouraoun:
i wrote the code in raw and it's somehow not displayed in my message
Here it is
dynx =
#(define-music-function
(parser location X-offset)
(number?)
#{
\once\override DynamicText.X-offset =
Am 07.12.18 um 10:55 schrieb mansouraoun:
i wrote the code in raw and it's somehow not displayed in my message
Here it is
dynx =
#(define-music-function
(parser location X-offset)
(number?)
#{
\once\override DynamicText.X-offset = #X-offset
#})
Mansour
As David
i wrote the code in raw and it's somehow not displayed in my message
Here it is
dynx =
#(define-music-function
(parser location X-offset)
(number?)
#{
\once\override DynamicText.X-offset = #X-offset
#})
Mansour
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Sent from:
g. I ended up with this simple code working
correctly:
And Urs thanks for the feedback. The book will be of a great help for me at
this stage.
Mansour
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Am 7. Dezember 2018 01:46:00 MEZ schrieb David Kastrup :
>mansouraoun writes:
>
>> Hello,
>>
>> I'm still quite a beginner in Lilypond and as much as I'm liking how
>much
>> customisable is its notation capabilities, understanding it is
>driving me
>> crazy because sometimes I can pass more
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